In September 2025, Tilburg in the Netherlands was once again transformed into Ayreon City, as six spectacular shows took over the 013 venue— or what is fast becoming known as “Home” by Ayreonauts around the world.

Grateful Dead So much more than just the archetypal jam band, the Grateful Dead grew to become an artistic and cultural institution that existed entirely on their own terms. While the band initially came out of a psychedelic revolution in the Bay Area's musically and chemically exploratory mid-'60s, they quickly evolved from their acid rock beginnings, incorporating elements of Americana and Bakersfield country into gently majestic albums like 1970's American Beauty. Their live shows were completely separate from their studio output, based on freeform improvisation borrowed from jazz and made up of extended performances and set list variations that ensured no two shows were exactly like. Though the band recorded only 13 studio albums between 1967 and 1989, an entire counterculture formed around their endless touring, and they even broke through to the mainstream with an unlikely radio hit in the MTV era.

Grateful Dead So much more than just the archetypal jam band, the Grateful Dead grew to become an artistic and cultural institution that existed entirely on their own terms. While the band initially came out of a psychedelic revolution in the Bay Area's musically and chemically exploratory mid-'60s, they quickly evolved from their acid rock beginnings, incorporating elements of Americana and Bakersfield country into gently majestic albums like 1970's American Beauty. Their live shows were completely separate from their studio output, based on freeform improvisation borrowed from jazz and made up of extended performances and set list variations that ensured no two shows were exactly like. Though the band recorded only 13 studio albums between 1967 and 1989, an entire counterculture formed around their endless touring, and they even broke through to the mainstream with an unlikely radio hit in the MTV era.

Grateful Dead So much more than just the archetypal jam band, the Grateful Dead grew to become an artistic and cultural institution that existed entirely on their own terms. While the band initially came out of a psychedelic revolution in the Bay Area's musically and chemically exploratory mid-'60s, they quickly evolved from their acid rock beginnings, incorporating elements of Americana and Bakersfield country into gently majestic albums like 1970's American Beauty. Their live shows were completely separate from their studio output, based on freeform improvisation borrowed from jazz and made up of extended performances and set list variations that ensured no two shows were exactly like. Though the band recorded only 13 studio albums between 1967 and 1989, an entire counterculture formed around their endless touring, and they even broke through to the mainstream with an unlikely radio hit in the MTV era.

The 2026 Headphone Dust Definitive Digital Edition of Steven Wilson's The Raven That Refused To Sing (and other stories) includes, for the very first time, a brand new Dolby Atmos mix - unreleased anywhere else. Complementing the new Dolby Atmos mix (presented in E-AC3 JOC and TrueHD variants) are Hi-Res Stereo and 5.1 Surround (both FLAC 96kHz/24bit) a new Binaural Headphone Dust mix (stereo FLAC 48kHz/24bit) and instrumentals (stereo FLAC 96kHz/24bit). Also included are Jess Cope's stunning official music videos for 'Drive Home' and 'The Raven That Refused To Sing' in 4K, alongside visuals from the 2013 Blu-ray for the remaining songs, all within a single MKV file.

My fourth solo album Hand. Cannot. Erase. (2015) is now available on Headphone Dust in a new Definitive Digital Edition which includes a brand new Dolby Atmos mix I’ve created especially for the occasion. Complementing the previously unreleased Atmos mix are the original 2015 Hi-Res Stereo mix, a slightly revised 2025 5.1 Surround mix (both FLAC 96kHz/24bit), plus a new binaural ‘Headphone Dust’ mix of the Atmos mix (stereo FLAC 48kHz/24bit). Also included are new 4K remasters of the music videos and visual films for ‘3 Years Older’, ‘Hand Cannot Erase’, ‘Perfect Life’, ‘Routine’, ‘Regret #9’, and ‘Happy Returns’.

Trigona, the one-man band space rock project from Rob Shiels, returns with Radiant Point, a new 6 track full length album.

Emerson, Lake & Palmer Expand Their Fusion of Rock, Classical, and Jazz Themes on Trilogy: Includes the Hit Ballad “From the Beginning” and Interpretation of Copland’s “Hoedown”. Mastered at Mobile Fidelity Sound Lab’s Studio: Numbered-Edition Hybrid SACD of 1972 Album Plays with Spectacular Dynamics, Presence, and Clarity.

In 1981 a teenage Martin Kennedy watched Steve Kilbey and The Church play a strange hippie festival at Tanelorn, Australia. The Church were outliers, and he fell in love with their anti-hippie look and sound, recording the set on a Walkman. Those songs helped spark the beginning of his music career. Forty-five years later Kennedy and Kilbey find themselves working together on their ninth studio album, Things We Did On Earth. Living in their own creative universe, untouched by trends new and old (Kennedy studiously avoids listening to new music), Things We Did On Earth is the culmination of their journey - individually and together - everything that has lead up to this moment. Meditations on life and mortality. These are the things they did on Earth.

Swedish prog band Port Noir releasing their 5th album “The Dark We Keep”. The newest record include 11 tracks, delivering their signature blend of Alternative metal with Progressive influences — creating a captivating journey told by powerful arrangements and pure emotions.

Grammy Award-nominated Periphery's latest full-length has been honed over the last 20 years Once again, you can expect Periphery's trademark mind- blowing instrumentation, immersive soundscape architecture, cathartically crushing vocals, and cosmically catchy melodies, but the band's signature sound has also evolved like any living and breathing organism would, gaining complexity and strength through life experience. You also get emotional acuity, raw humanity, and a level of relatability that could only come from a group of brothers who have effectively gone through it all. The deep experiences have enabled the collective to deliver their most cohesive offering yet.

In 1984, Jethro Tull embraced the technological advances of the 1980s to make a record with the then height of technology, augmenting their sound with synthesizer and drum machines. Ian Anderson released his debut solo album 'Walk Into Light' the previous year. Now both albums have been extensively remixed by Bruce Soord, using the original drums sounds, plus more natural, traditional drums. The deluxe set also includes, unreleased recordings from 1983, BBC Live at The Hammersmith Odeon 1984 as well as a Blu-Ray disc of the high resolution audio and promo videos.

Montreal (QC) - Progressive rock power house, KARCIUS, returns with Black Soul Sickness — a haunting and cinematic odyssey through the fragile architecture of the human psyche.

DGM has long promised to bring the King Crimson Collectors' Club to 50 discs and we are pleased to announce a combined Club 49/50 to complete this special series. This CD/DVD set is packaged in a jewel case with much not-to be-missed material, including recently discovered live footage. The CD/DVD package features the complete final two shows played on July 11, 1984, partly used for the Absent Lovers release. The CD contains entirely unreleased tracks. The DVD contains both shows in full, as well as two sections of footage filmed by legendary bassist and stick player Tony Levin in 1982.

Grateful Dead So much more than just the archetypal jam band, the Grateful Dead grew to become an artistic and cultural institution that existed entirely on their own terms. While the band initially came out of a psychedelic revolution in the Bay Area's musically and chemically exploratory mid-'60s, they quickly evolved from their acid rock beginnings, incorporating elements of Americana and Bakersfield country into gently majestic albums like 1970's American Beauty. Their live shows were completely separate from their studio output, based on freeform improvisation borrowed from jazz and made up of extended performances and set list variations that ensured no two shows were exactly like. Though the band recorded only 13 studio albums between 1967 and 1989, an entire counterculture formed around their endless touring, and they even broke through to the mainstream with an unlikely radio hit in the MTV era.