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    https://sophisticatedspectra.com/article/drosia-serenity-a-modern-oasis-in-the-heart-of-larnaca.2521391.html

    DROSIA SERENITY
    A Premium Residential Project in the Heart of Drosia, Larnaca

    ONLY TWO FLATS REMAIN!

    Modern and impressive architectural design with high-quality finishes Spacious 2-bedroom apartments with two verandas and smart layouts Penthouse units with private rooftop gardens of up to 63 m² Private covered parking for each apartment Exceptionally quiet location just 5–8 minutes from the marina, Finikoudes Beach, Metropolis Mall, and city center Quick access to all major routes and the highway Boutique-style building with only 8 apartments High-spec technical features including A/C provisions, solar water heater, and photovoltaic system setup.
    Whether for living or investment, this is a rare opportunity in a strategic and desirable location.

    People Who Lunch: On Work, Leisure, and Loose Living [Audiobook]

    Posted By: joygourda
    People Who Lunch: On Work, Leisure, and Loose Living [Audiobook]

    People Who Lunch: On Work, Leisure, and Loose Living [Audiobook]
    English | ASIN: B0C7HLHG1W | 2024 | 5 hours and 20 minutes | M4B@128 kbps | 299 MB
    Author: Sally Olds
    Narrator: Christine Lakin

    A riveting investigation of the utopian experiments attempting to resist the unrelenting demands of late-stage capitalism—only to end up living comfortably alongside it. What do post‑work politics, the cult of crypto, clubbing, and polyamory have in common? All have spawned thriving subcultures united in their rejection of the patriarchal capitalist order: from wage labor, to the reign of the shareholder class over capital markets, to romantic relationships that feel like contractual arrangements to be negotiated, and more. People Who Lunch is about hating work and needing to work, intimacy and technology, labor and leisure, and the challenge of living our ideals in a less than ideal world.

    In it, Sally Olds brings her “unsparing scrutiny to bear…as she grapples with the sense of entrapment in the machinery of capitalism and remorseless logic of commodification” (ABC Arts). In one essay, Olds’s brief flirtation with post-monogamy forces her to confront the emotional prison of the “open relationship”; in another, a multi-hour viewing of a critically acclaimed performance art piece highlights how even the highest forms of culture exist to convert pleasure into capital. In the end, her forays into these colorful worlds betray a deep irony: escaping a system built on the exchange of wage labor is, quite simply, a lot of work.