FracTroniX: Dubstep Beat Production in Logic - Part 2
FracTroniX: Dubstep Beat Production in Logic - Part 2
Flash Video | English | FLV + Project files | 1278 x 720 | AVC ~450 Kbps | 15 fps
AAC | 128 kbps | 48.0 KHz | 2 channels | 01:30:00 | 2.03 GB
AAC | 128 kbps | 48.0 KHz | 2 channels | 01:30:00 | 2.03 GB
Genre: Video Tutorial / Sound Processing
If you own Logic Pro and want to know how to produce dubstep or similar heavy, hard-hitting styles of music then this course is for you!Content:
The course is brought to you by FracTroniX, the producer behind the eclectic bass-driven vibes of Metaphra and the upfront, experimental drum and bass of Defazed, and is split into several parts. Each part focuses on a different area of production, with this one uncovering the secrets behind producing massively twisted basslines! The course comes complete with the Logic Project used in the lessons so you can see exactly how everything is done and therefore truly get to grips with every technique explored in this in-depth course.
1. Module 1 - Creating Bass Patches with ES2
This lesson gives an overview of ES2, showing how it can be used to create some simple but fat-sounding bass patches on multiple tracks, including the reese bass, fat square and band-pass square.
2. Module 2 - Advanced Bass Patch Editing with ES2
This lesson gets more technical with each of the patches, setting up some interesting modulation of the filters and pitch, to provide even more variation to each of the bass sounds. A wobble performance preset is made out of the fat square patch, the reese patch is modulated by an LFO with changing rate to create a 'shakedown' preset, and a more human-sounding 'talking' bitcrushed bass is constructed by modulating the blend of digital waveforms on ES2.
3. Module 3 - Sequencing the Bass
This module shows how the bassline is created by playing and drawing in MIDI regions for each of the bass parts and then editing them in various ways to create a gnarly sequence. Automated filter sweeps and pitch slides are added and the mix is enhanced through the addition of bus compression and distortion effects.
4. Module 4 - Mixing and Processing the Bass
This lesson teaches how to improve the mix, by making adjustments to the levels and frequencies in each bass part using EQ and sidechain compression, as well as closely examining the stereo width. Then, further processing is applied to individual bass frequency bands, through more stereo imaging and a reverb send effect. Finally, a sub bass track is added to fatten up the bottom end.
More Info: http://www.music-courses.com/product.asp?P_ID=205
General
Complete name : frac_bass_mod3.flv
Format : Flash Video
File size : 586 MiB
Duration : 23mn 24s
Overall bit rate : 3 497 Kbps
Video
Format : AVC
Format/Info : Advanced Video Codec
Format profile : Main@L3.1
Format settings, CABAC : Yes
Format settings, ReFrames : 4 frames
Codec ID : 7
Duration : 23mn 24s
Nominal bit rate : 450 Kbps
Width : 1 278 pixels
Height : 720 pixels
Display aspect ratio : 16:9
Frame rate mode : Variable
Color space : YUV
Chroma subsampling : 4:2:0
Bit depth : 8 bits
Scan type : Progressive
Writing library : x264 core 120
Encoding settings : cabac=1 / ref=1 / deblock=1:0:0 / analyse=0x1:0x111 / me=hex / subme=2 / psy=1 / psy_rd=1.00:0.00 / mixed_ref=0 / me_range=16 / chroma_me=1 / trellis=0 / 8x8dct=0 / cqm=0 / deadzone=21,11 / fast_pskip=1 / chroma_qp_offset=0 / threads=12 / sliced_threads=0 / nr=0 / decimate=1 / interlaced=0 / bluray_compat=0 / constrained_intra=0 / bframes=3 / b_pyramid=2 / b_adapt=1 / b_bias=0 / direct=1 / weightb=1 / open_gop=0 / weightp=1 / keyint=250 / keyint_min=25 / scenecut=40 / intra_refresh=0 / rc_lookahead=10 / rc=2pass / mbtree=1 / bitrate=450 / ratetol=1.0 / qcomp=0.60 / qpmin=3 / qpmax=69 / qpstep=4 / cplxblur=20.0 / qblur=0.5 / ip_ratio=1.40 / aq=1:1.00
Color primaries : BT.709-5, BT.1361, IEC 61966-2-4, SMPTE RP177
Transfer characteristics : BT.709-5, BT.1361
Matrix coefficients : BT.709-5, BT.1361, IEC 61966-2-4 709, SMPTE RP177
Audio
Format : AAC
Format/Info : Advanced Audio Codec
Format profile : LC
Codec ID : 10
Duration : 23mn 24s
Channel(s) : 2 channels
Channel positions : Front: L R
Sampling rate : 48.0 KHz
Compression mode : Lossy
Delay relative to video : 1h 13mn
Complete name : frac_bass_mod3.flv
Format : Flash Video
File size : 586 MiB
Duration : 23mn 24s
Overall bit rate : 3 497 Kbps
Video
Format : AVC
Format/Info : Advanced Video Codec
Format profile : Main@L3.1
Format settings, CABAC : Yes
Format settings, ReFrames : 4 frames
Codec ID : 7
Duration : 23mn 24s
Nominal bit rate : 450 Kbps
Width : 1 278 pixels
Height : 720 pixels
Display aspect ratio : 16:9
Frame rate mode : Variable
Color space : YUV
Chroma subsampling : 4:2:0
Bit depth : 8 bits
Scan type : Progressive
Writing library : x264 core 120
Encoding settings : cabac=1 / ref=1 / deblock=1:0:0 / analyse=0x1:0x111 / me=hex / subme=2 / psy=1 / psy_rd=1.00:0.00 / mixed_ref=0 / me_range=16 / chroma_me=1 / trellis=0 / 8x8dct=0 / cqm=0 / deadzone=21,11 / fast_pskip=1 / chroma_qp_offset=0 / threads=12 / sliced_threads=0 / nr=0 / decimate=1 / interlaced=0 / bluray_compat=0 / constrained_intra=0 / bframes=3 / b_pyramid=2 / b_adapt=1 / b_bias=0 / direct=1 / weightb=1 / open_gop=0 / weightp=1 / keyint=250 / keyint_min=25 / scenecut=40 / intra_refresh=0 / rc_lookahead=10 / rc=2pass / mbtree=1 / bitrate=450 / ratetol=1.0 / qcomp=0.60 / qpmin=3 / qpmax=69 / qpstep=4 / cplxblur=20.0 / qblur=0.5 / ip_ratio=1.40 / aq=1:1.00
Color primaries : BT.709-5, BT.1361, IEC 61966-2-4, SMPTE RP177
Transfer characteristics : BT.709-5, BT.1361
Matrix coefficients : BT.709-5, BT.1361, IEC 61966-2-4 709, SMPTE RP177
Audio
Format : AAC
Format/Info : Advanced Audio Codec
Format profile : LC
Codec ID : 10
Duration : 23mn 24s
Channel(s) : 2 channels
Channel positions : Front: L R
Sampling rate : 48.0 KHz
Compression mode : Lossy
Delay relative to video : 1h 13mn
Screenshots
FracTroniX: Dubstep Beat Production in Logic - Part 2
FracTroniX: Dubstep Beat Production in Logic - Part 2
FracTroniX: Dubstep Beat Production in Logic - Part 2
FracTroniX: Dubstep Beat Production in Logic - Part 2
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