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    Counterpoint Fundamentals

    Posted By: ELK1nG
    Counterpoint Fundamentals

    Counterpoint Fundamentals
    Published 3/2024
    MP4 | Video: h264, 1920x1080 | Audio: AAC, 44.1 KHz
    Language: English | Size: 6.22 GB | Duration: 3h 50m

    A practical guide for piano improvisation

    What you'll learn

    Improvise two-part Inventions

    Learn the fundamental principles of harmony

    Employ intervals for developing melody and harmony

    Invent polyphonic music at the piano

    Apply the principles of voice-leading

    Improvise coherently with either hand, separated or together

    Appreciate counterpoint as a strategy for improvisation and composition

    The three main categories of Counterpoint: Homorhythm, Polyphony, Ornament

    How to integrate coherently melody and harmony

    Requirements

    Intermediate Piano Proficiency

    Familiarity with major/minor scales

    Familiarity with music notation

    Description

    The goal of the course is to introduce students to the technique of Counterpoint as a way to make music intuitively and creatively.It is a practical course: students will learn through improvisation the principles behind two-part invention and polyphonic voice leading by exploring Counterpoint at the piano.Each module will explore an aspect of Counterpoint: rather than being a presentation of different kinds of Counterpoint, each class adds to the principles discussed in previous classes and guides the student to slowly master them at the piano. By mid-course students can therefore expect a significant raise in the level of complexity: I therefore encourage to practice the material covered in a class extensively before moving on to the following module. Two or three days (2-3 hours of practice) is the minimum time suggested between classes.The course will guide through the 3 main stages of Counterpoint invention: homorhythm, polyphony (counterpoint species), ornamentation. We will start from the theory of Intervals, the principles of effective melodic conduct, the relationship between the parts; we will then start exploring harmonic combinations and improvise appropriately; we will introduce the different species of Counterpoint and investigate the creative boundaries within them; we will discuss best practices and preferred solutions to common problems, by looking at a variety of examples from the existing repertoire; we will explore creative options and develop new musical ideas based on counterpoint principles; in the final modules we will create a full two part invention step by step.The course is intended to music students who have an intermediate proficiency in piano and familiarity with music notation: although much of the course is designed for practical purposes there will be musical examples to read and musical exercises to write.

    Overview

    Section 1: Course Overview

    Lecture 1 Overview

    Lecture 2 Fundamentals

    Section 2: Two Part Invention: First Steps

    Lecture 3 Introduction of the 3rd

    Lecture 4 Introduction of the 6th

    Lecture 5 Combining 3rd and 6th

    Section 3: Creative Intermission n. 1

    Lecture 6 Creative Intermission

    Section 4: The Music Develops: adding rhythm and other intervals.

    Lecture 7 Introduction of Rhythm

    Lecture 8 Repertoire Examples

    Lecture 9 Last intervals: the 5th and the 8ve

    Section 5: The Invention grows. The 2nd Species Counterpoint.

    Lecture 10 2nd Species Counterpoint: 2 notes against 1

    Lecture 11 Practical strategies for creativity

    Section 6: Finalizing your Invention: the Creative Touch

    Lecture 12 Creative Intermission n. 2

    Lecture 13 Completing a counterpoint, step by step.

    Pianists who wish to make music in an intuitive way, by mastering the underlying principles of harmony.,Musicians/students who wish to develop practically their understanding of classical music style composition, as a strong foundation for all other styles.