Christy Moore - Christy Moore (1988) US 1st Pressing - LP/FLAC In 24bit/96kHz
Christy Moore - Christy Moore
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz | 900mb
Label: Atlantic/7 81835-1 | Released: 1988 | Genre: Folk-Pop
A1 Biko Drum 3:54
A2 Natives 3:48
A3 No Time For Love 4:46
A4 Lisdoonvarna 4:20
A5 Quiet Desperation 4:56
A6 City Of Chicago 2:18
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B1 Ordinary Man 4:46
B2 Ride On 4:10
B3 Delirium Tremens 3:32
B4 Unfinished Revolution 4:02
B5 Dying Soldier 2:42
B6 Sweet Music Roll On 4:10
Christy Moore: vocals, guitars
Donal Lunny: various keyboards, bodhràn, guitars, mandolin, bouzouki, vocals
Arty McGlyn: guitars, pedal steel
Enya N Bhraonin: vocals
Liam O'Flynn: uilleann pipes, whistle
Nollaig Bridgeman: accordeon
Noel Eccles: percussion, chimes
Tony Molloy: bass
Nicky Ryan: vocals
Producer: Donal Lunny
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz | 900mb
Label: Atlantic/7 81835-1 | Released: 1988 | Genre: Folk-Pop
A1 Biko Drum 3:54
A2 Natives 3:48
A3 No Time For Love 4:46
A4 Lisdoonvarna 4:20
A5 Quiet Desperation 4:56
A6 City Of Chicago 2:18
-
B1 Ordinary Man 4:46
B2 Ride On 4:10
B3 Delirium Tremens 3:32
B4 Unfinished Revolution 4:02
B5 Dying Soldier 2:42
B6 Sweet Music Roll On 4:10
Christy Moore: vocals, guitars
Donal Lunny: various keyboards, bodhràn, guitars, mandolin, bouzouki, vocals
Arty McGlyn: guitars, pedal steel
Enya N Bhraonin: vocals
Liam O'Flynn: uilleann pipes, whistle
Nollaig Bridgeman: accordeon
Noel Eccles: percussion, chimes
Tony Molloy: bass
Nicky Ryan: vocals
Producer: Donal Lunny
Christy Moore - Christy Moore (1988) US 1st Pressing - LP/FLAC In 24bit/96kHz
Christy Moore - Christy Moore (1988) US 1st Pressing - LP/FLAC In 24bit/96kHz
Christy Moore - Christy Moore (1988) US 1st Pressing - LP/FLAC In 24bit/96kHz
This Rip: 2013
Cleaning: RCM Moth MkII Pro Vinyl
Direct Drive Turntable: Marantz 6170
Cartridge: SHURE M97xE
Amplifier: Sansui 9090DB
ADC: E-MU 0404
LP Rip & Full Scan LP Cover: Fran Solo
Password: WITHOUT PASSWORD
This self-titled album, Christy Moore's first on Atlantic Records, seemed intended to introduce him to a wider audience, possibly including American listeners. The album cover includes quotes from Irish music celebrities like Elvis Costello, Shane McGowan and Bono, describing Moore as the "greatest living Irishman" and the Irish equivalent to Woody Guthrie. These endorsements are true enough, but the album they promote proceeds to water down Moore's greatness almost beyond recognition. On several tracks the predominant instrument is the synthesizer rather than the acoustic guitar. And where the guitar is used, it is often in a paper-thin remedial picking pattern that does nothing to demonstrate the artist's virtuosic abilities on the instrument. The album also does little to demonstrate Moore's songwriting talents, featuring only one original Christy Moore song, "Delirium Tremens." It is a clever and tuneful song about a man's hallucinations while trying to give up alcohol, but the twinkly keyboard arrangement it receives here (by producers Moore and Donal Lunny with assistance from new age icon Enya, who also provides background vocals) is inappropriately soft and lilting. But two of the brightest points on Christy Moore are not political at all: "City of Chicago," written by Christy's brother Barry (better known as Luka Bloom), and Jimmy McCarthy's "Lisdoonvarna," a witty song about a summer music festival in County Clare, Ireland. Christy Moore is not a bad album, but it makes a poor introduction to his music. Moore may well be "the most powerful Irish folk singer today," as Jackson Browne claims on the record jacket, but this album is not so much folk music as easy-listening '80s pop.allmusic.com
Welcome to the Dark Side of the Vinyl
Silent spaces haven't been deleted in this rip
Silent spaces haven't been deleted in this rip
Vinyl / CUE/ FLAC/ High Definition Cover: