Dave Loggins - Apprentice (In A Musical Workshop) (1974) US Pressing - LP/FLAC In 24bit/96kHz
Dave Loggins - Apprentice (In A Musical Workshop)
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz & 16bit/44kHz | 800mb & 200mb
Label: Epic/KE 32833 | Released: 1974 | This Issue: 197? | Genre: Country-Pop
A1 Someday 3:21
A2 My Lover’s Keeper 3:18
A3 Second Hand Lady 3:06
A4 Let Me Go Now 2:58
A5 So You Couldn’t Get To Me 2:48
-
B1 Please Come To Boston 4:07
B2 Girl From Knoxville 2:50
B3 Sunset Woman 5:03
B4 My Father’s Fiddle 4:50
B5 Wonder’n As The Days Go By 3:03
Record Company – Warner Bros. – Seven Arts Records, Inc.
Credits
Accompanied By [Supporting Musicians] – David Nelson, Debbie (2), Marma-Duke, Mouse (8), Peter Grant*, Wendy (7)
Arranged By – The Grateful Dead
Artwork [Cover] – Rick Griffin (2)
Artwork [Rear] – Thomas Weir
Bass, Vocals – Phil Lesh
Engineer [Consulting] – Dan Healy, Owsley*, Ron Wickersham
Engineer [Executive] – Bob Matthews
Engineer [Hot Dog!] – Betty Cantor
Guitar, Vocals – Bob Weir, Jerry Garcia
Keyboards – Tom Constanten
Other [Kwipment Krew] – Jackson, John P. Hagen, Ramrod
Percussion – Bill Kreutzmann, Mickey Hart
Performer [Pig Pen] – Ron McKernan*
Written-By [Tunes] – Jerry Garcia, Phil Lesh
Written-By [Words] – Robert Hunter
Notes
Tan shielded WB Label
RE-1
Barcode and Other Identifiers
Barcode: 07599271781
Matrix / Runout (Runout Side A): WS-I-I790-RE2.-JW 3. # I I = I 0
Matrix / Runout (Runout Side B): WS-II790.B-RE2-SRI I-I II-486TSP RSC
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz & 16bit/44kHz | 800mb & 200mb
Label: Epic/KE 32833 | Released: 1974 | This Issue: 197? | Genre: Country-Pop
A1 Someday 3:21
A2 My Lover’s Keeper 3:18
A3 Second Hand Lady 3:06
A4 Let Me Go Now 2:58
A5 So You Couldn’t Get To Me 2:48
-
B1 Please Come To Boston 4:07
B2 Girl From Knoxville 2:50
B3 Sunset Woman 5:03
B4 My Father’s Fiddle 4:50
B5 Wonder’n As The Days Go By 3:03
Record Company – Warner Bros. – Seven Arts Records, Inc.
Credits
Accompanied By [Supporting Musicians] – David Nelson, Debbie (2), Marma-Duke, Mouse (8), Peter Grant*, Wendy (7)
Arranged By – The Grateful Dead
Artwork [Cover] – Rick Griffin (2)
Artwork [Rear] – Thomas Weir
Bass, Vocals – Phil Lesh
Engineer [Consulting] – Dan Healy, Owsley*, Ron Wickersham
Engineer [Executive] – Bob Matthews
Engineer [Hot Dog!] – Betty Cantor
Guitar, Vocals – Bob Weir, Jerry Garcia
Keyboards – Tom Constanten
Other [Kwipment Krew] – Jackson, John P. Hagen, Ramrod
Percussion – Bill Kreutzmann, Mickey Hart
Performer [Pig Pen] – Ron McKernan*
Written-By [Tunes] – Jerry Garcia, Phil Lesh
Written-By [Words] – Robert Hunter
Notes
Tan shielded WB Label
RE-1
Barcode and Other Identifiers
Barcode: 07599271781
Matrix / Runout (Runout Side A): WS-I-I790-RE2.-JW 3. # I I = I 0
Matrix / Runout (Runout Side B): WS-II790.B-RE2-SRI I-I II-486TSP RSC
Dave Loggins - Apprentice (In A Musical Workshop) (1974) US Pressing - LP/FLAC In 24bit/96kHz
Dave Loggins - Apprentice (In A Musical Workshop) (1974) US Pressing - LP/FLAC In 24bit/96kHz
Dave Loggins - Apprentice (In A Musical Workshop) (1974) US Pressing - LP/FLAC In 24bit/96kHz
This Rip: 2017
Cleaning: RCM Moth MkII Pro Vinyl
Direct Drive Turntable: Technics SL-1200MK2 Quartz
Cartridge: SHURE M97xE With JICO SAS Stylus
Amplifier: Marantz 2252
ADC: E-MU 0404
DeClick with iZotope RX5: Only Manual (Click per click)
Vinyl Condition: NM-
This LP: From my personal collection
LP Rip & Full Scan LP Cover: Fran Solo
Password: WITHOUT PASSWORD
Kenny Loggins’ second cousin hit the big time for a couple of months in 1975 with “Please Come to Boston,” a serviceable and sentimental soft rock gem from his second album, Apprentice (In a Musical Workshop). Part of the lexicon of harmless ’70s singer/songwriters like Dan Fogelberg and James Taylor, Dave Loggins never again regained the momentum spawned by that track, but its appearance on nearly every AM pop compilation illuminates the tune’s timelessness. While the rest of Apprentice doesn’t deviate from the warm, dull tones of the single — even the full-on “My Father’s Fiddle” and “Girl from Knoxville” sound like the Band-lite — it’s an expertly crafted slice of commercially made diner pie that resonates squarely in the moment and vanishes two steps out of the door.Review by James Christopher Monger, allmusic.com
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