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    https://sophisticatedspectra.com/article/drosia-serenity-a-modern-oasis-in-the-heart-of-larnaca.2521391.html

    DROSIA SERENITY
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    Drosia Serenity is not only an architectural gem but also a highly attractive investment opportunity. Located in the desirable residential area of Drosia, Larnaca, this modern development offers 5–7% annual rental yield, making it an ideal choice for investors seeking stable and lucrative returns in Cyprus' dynamic real estate market. Feel free to check the location on Google Maps.
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    Finbar & Eddie Furey - Vol 2 (1973) Original DE Pressing - 2 LP/FLAC In 24bit/96kHz

    Posted By: Fran Solo
    Finbar & Eddie Furey - Vol 2 (1973) Original DE Pressing - 2 LP/FLAC In 24bit/96kHz

    Finbar & Eddie Furey - The Finbar & Eddie Furey Album Vol. 2
    Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz | 1500mb
    Label: Transatlantic Records/DALP 2/1936 - Metronome 2001/DALP 2/1936 | Released: 1973 | Genre: Irish-Folk

    A1 The Spanish Cloak 1:35
    A2 Come By The Hills 4:09
    A3 Sliabh Na Mban (The Mountain Of The Women) 2:49
    A4 Dainty Davy 3:12
    A5 Jig: Tattered Jack Welch 1:35
    A6 The Flowers In The Valley 4:34
    A7 Reel: Pigeon On The Gate 1:16
    -
    B1 Jig: Graham’s Flat 1:01
    B2 Leezy Lindsay 3:49
    B3 Set Dance: Piper In The Meadow Straying 1:50
    B4 The Curragh Of Kildre 4:50
    B5 Eamonn An Chnuic (Ned Of The Hills) 3:46
    B6 This Town Is Not Your Own 3:56
    B7 Jig: Rocking The Baby 1:43
    -
    C1 Bill Hart’s Favourite 1:26
    C2 Dance Around The Spinning Wheel 4:28
    C3 Let Me Got To The Mountains 3:53
    C4 McShane 4:17
    C5 Colonel Fraser 2:43
    -
    D1 The Lonesome Boatman 3:15
    D2 Carron Lough Bay 2:24
    D3 The Prickly Bush 3:57
    D4 Bogy’s Bonny Belle 3:29
    D5 The Fox Chase 7:11


    Finbar Furey: Uilleann pipe, flute
    Eddie Furey: Vocals, acoustic guitar, mandolin
    Companies, etc.
    Made By – Metronome Records Gmbh
    Notes
    Irische Folklore ist ungeheuer populär geworden bei uns. Der Erfolg der Dubliners zeigt es: Ihre Konzerte sind jedesmal ausverkauft, und ihre Schalplatten sind Bestseller. Allerdings – der Rum der Dubliners grenzt an Starkult . . . Irland hat aber noch viel mehr gute Folklore zu bieten – das beweisen Finbar und Eddie Furey.
    Finbar spielt den Dudelsack, nicht den primitiven dröhnenden, sondern den irischen, der am weitestens entwickelt ist von allen Dudelsacken: Der irische Dudelsack ist ein wirkliches Musikinstrument, mit dem sein Spieler eine ganze Menge machen kann. Finbar Furey gilt als einer der besten Dudelsackspieler Irlands, er hat viele Preise gewonnen.
    Barcode and Other Identifiers
    Rights Society: GEMA


    Finbar & Eddie Furey - Vol 2 (1973) Original DE Pressing - 2 LP/FLAC In 24bit/96kHz

    Finbar & Eddie Furey - Vol 2 (1973) Original DE Pressing - 2 LP/FLAC In 24bit/96kHz

    Finbar & Eddie Furey - Vol 2 (1973) Original DE Pressing - 2 LP/FLAC In 24bit/96kHz



    This Rip: 2017
    Cleaning: RCM Moth MkII Pro Vinyl
    Direct Drive Turntable: Technics SL-1200MK2 Quartz
    Cartridge: SHURE M97xE With JICO SAS Stylus
    Amplifier: Marantz 2252
    ADC: E-MU 0404
    DeClick with iZotope RX5: Only Manual (Click per click)
    Vinyl Condition: NM
    This LP: From my personal collection
    LP Rip & Full Scan LP Cover: Fran Solo
    Password: WITHOUT PASSWORD

    At a time when many aspiring musicians drew inspiration from the Beatles and the Rolling Stones, these brothers set sail for Scotland in the hopes of making a name for themselves in Edinburgh’s burgeoning folk scene. Already accomplished performers, having won numerous competitions in Ireland, the Fureys weren’t content at home. Their gamble quickly paid dividends as they caught the attention of the reputable folk label Transatlantic Records. In 1968, their eponymous debut of predominantly melancholy traditional songs (like “Come by the Hills” and “The Flowers in the Valley”) coupled with lively tunes was released. The set was essentially a showcase for Finbar’s commanding uilleann pipe playing and Eddie’s complementary (though unpolished) baritone voice. 1969’s The Lonesome Boatman again favored the plaintive traditional compositions, but Eddie’s guitar and occasional mandolin were featured more and Finbar’s instrumentation was well-balanced between the pipes and his array of whistles. The bittersweet resonance of his Indian flute on the title track is particularly moving.
    Review by Dave Sleger, allmusic.com
    Welcome to the Dark Side of the Vinyl
    Silent spaces haven't been deleted in this rip.

    Vinyl / CUE/ FLAC/ High Definition Cover: