Peter Gabriel - Peter Gabriel (1977) Original NL Demo Pressing - LP/FLAC In 24bit/96kHz
Peter Gabriel - Peter Gabriel
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz & 16bit/44kHz | 900mb & 200mb
Mastered At Just Another Mastering Facility
Label: Charisma/6369 978 | Released: 1977 | Genre: Progressive-Rock
A1 Moribund The Burgermeister 4:20
A2 Solsbury Hill 4:21
A3 Modern Love 3:36
A4 Excuse Me 2:09
A5 Humdrum 3:24
–
B1 Slowburn 4:34
B2 Waiting For The Big One 7:16
B3 Down The Dolce Vita 4:43
B4 Here Comes The Flood 5:54
Companies, etc.
Pressed By – Phonodisc B.V.
Mastered At – J.A.M.F.
Lacquer Cut At – Phonodisc B.V.
Credits
Artwork By [Cover] – Hipgnosis
Bass, Tuba, Leader [Barbershop Quartet] – Tony Levin
Drums, Other [Directories] – Allan Schwartzberg
Electric Guitar [Rhythm], Guitar [Full Frontal Guitar], Pedal Steel Guitar [Pedal Steel] – Steve Hunter
Electric Guitar, Classical Guitar, Banjo – Robert Fripp
Keyboards [Frontal Keyboard], Performer [Barbershop] – Jozef Chirowski
Orchestra – The London Symphony Orchestra
Percussion, Effects [Synthibam], Percussion [Bones], Performer [Barbershop] – Jim Maelen*
Producer – Bob Ezrin
Recorded By – Brian Christian, Dave Harris (3), Jim Frank, Keith Grant, Robert Hrycyna, Robert Stasiak, Rod O’Brien
Synthesizer, Programmed By [Synthesizer] – Larry (Wires) Fast*
Written-By, Vocals, Keyboards, Flute, Recorder – Peter Gabriel
Notes
Recorded and mixed at The Soundstage, Toronto.
Additional recordings at Morgan Studios and Olympic Studios, London.
Mastered at J.A.M.F., Toronto.
Comes with black, white & blue artwork inner sleeve and black & white lyrics insert.
Barcode and Other Identifiers
Matrix / Runout (Side 1, Label): 6369 978.1
Matrix / Runout (Side 2, Label): 6369 978.2
Matrix / Runout (Side 1, Stamped): 6369 978 1Y1 1 17
Matrix / Runout (Side 1, Etched): CDS 4006 -A
Matrix / Runout (Side 2, Stamped): AA 6369 978 2Y 1 JAMH
Matrix / Runout (Side 2, Etched): CDS-4006-B RE-1 <crossed out: SD 36-147-B> REI
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz & 16bit/44kHz | 900mb & 200mb
Mastered At Just Another Mastering Facility
Label: Charisma/6369 978 | Released: 1977 | Genre: Progressive-Rock
A1 Moribund The Burgermeister 4:20
A2 Solsbury Hill 4:21
A3 Modern Love 3:36
A4 Excuse Me 2:09
A5 Humdrum 3:24
–
B1 Slowburn 4:34
B2 Waiting For The Big One 7:16
B3 Down The Dolce Vita 4:43
B4 Here Comes The Flood 5:54
Companies, etc.
Pressed By – Phonodisc B.V.
Mastered At – J.A.M.F.
Lacquer Cut At – Phonodisc B.V.
Credits
Artwork By [Cover] – Hipgnosis
Bass, Tuba, Leader [Barbershop Quartet] – Tony Levin
Drums, Other [Directories] – Allan Schwartzberg
Electric Guitar [Rhythm], Guitar [Full Frontal Guitar], Pedal Steel Guitar [Pedal Steel] – Steve Hunter
Electric Guitar, Classical Guitar, Banjo – Robert Fripp
Keyboards [Frontal Keyboard], Performer [Barbershop] – Jozef Chirowski
Orchestra – The London Symphony Orchestra
Percussion, Effects [Synthibam], Percussion [Bones], Performer [Barbershop] – Jim Maelen*
Producer – Bob Ezrin
Recorded By – Brian Christian, Dave Harris (3), Jim Frank, Keith Grant, Robert Hrycyna, Robert Stasiak, Rod O’Brien
Synthesizer, Programmed By [Synthesizer] – Larry (Wires) Fast*
Written-By, Vocals, Keyboards, Flute, Recorder – Peter Gabriel
Notes
Recorded and mixed at The Soundstage, Toronto.
Additional recordings at Morgan Studios and Olympic Studios, London.
Mastered at J.A.M.F., Toronto.
Comes with black, white & blue artwork inner sleeve and black & white lyrics insert.
Barcode and Other Identifiers
Matrix / Runout (Side 1, Label): 6369 978.1
Matrix / Runout (Side 2, Label): 6369 978.2
Matrix / Runout (Side 1, Stamped): 6369 978 1Y1 1 17
Matrix / Runout (Side 1, Etched): CDS 4006 -A
Matrix / Runout (Side 2, Stamped): AA 6369 978 2Y 1 JAMH
Matrix / Runout (Side 2, Etched): CDS-4006-B RE-1 <crossed out: SD 36-147-B> REI
Peter Gabriel - Peter Gabriel (1977) Original NL Demo Pressing - LP/FLAC In 24bit/96kHz
Peter Gabriel - Peter Gabriel (1977) Original NL Demo Pressing - LP/FLAC In 24bit/96kHz
Peter Gabriel - Peter Gabriel (1977) Original NL Demo Pressing - LP/FLAC In 24bit/96kHz
This Rip: 2019
Cleaning: RCM Moth MkII Pro Vinyl
Direct Drive Turntable: Technics SL-1200MK2 Quartz
Cartridge: SHURE M97xE With JICO SAS Stylus
Amplifier: Marantz 2252
ADC: E-MU 0404
DeClick with iZotope RX6: Only Manual (Click per click)
Vinyl Condition: NM-
This LP: From my personal collection
LP Rip & Full Scan LP Cover: Fran Solo
Password: WITHOUT PASSWORD
This is the first album by Peter Gabriel. It is not extremely progressive. There are omnipresent aggressive rock guitars. “Moribund The Burgermeister” still has some “Lamb lies down on Broadway” influences, especially the miscellaneous original vocal expressions provided by Gabriel himself.
The acoustic “Solsbury Hill” was a huge hit, which I personally find only good; it has a bit the style of Kansas’ “Dust in the wind”. “Modern Love” is a more ordinary and conventional almost hard rock track a la The Who, full of straightforward aggressive electric guitars and background organ. The intro of “Excuse me” has exuberant retro lead & backing vocals, a bit like the Van Halen’s “Happy trails” track; the track itself, full of banjo and acoustic string instruments, has a slight Beatles-esque style. “Humdrum” is a really good track: it is very subtle, fluid and progressive: Larry Fast expands his keyboards in the end, forming an impressive floating texture. Speaking of keyboards, Larry Fast does not sound very much futuristic nor electronic, as he used to do on his Synergy’s records: he is rather down to Earth here, often playing accessible piano parts a la Supertramp, like on “Slowburn”, which by the way also contains an electric guitar solo a la Supertramp. There is even a bluesy song: “Waiting for the big one”: cabaret piano and bluesy electric guitars are played through a slow rhythm; the end seems to contain Gospel chants. “Down the dolce vita” has some very good participating orchestral arrangements: there is an interesting use of simultaneous symphonic orchestra and rock/hard rock elements. The last track, “Here comes the flood”, is an EXCELLENT song: it slowly starts with delicate & subtle acoustic guitars and piano textures; then Gabriel sings loudly, producing a moving slow rock ballad.Review by greenback, progarchives.com
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