Tags
Language
Tags
June 2025
Su Mo Tu We Th Fr Sa
1 2 3 4 5 6 7
8 9 10 11 12 13 14
15 16 17 18 19 20 21
22 23 24 25 26 27 28
29 30 1 2 3 4 5
    Attention❗ To save your time, in order to download anything on this site, you must be registered 👉 HERE. If you do not have a registration yet, it is better to do it right away. ✌

    https://sophisticatedspectra.com/article/drosia-serenity-a-modern-oasis-in-the-heart-of-larnaca.2521391.html

    DROSIA SERENITY
    A Premium Residential Project in the Heart of Drosia, Larnaca

    ONLY TWO FLATS REMAIN!

    Modern and impressive architectural design with high-quality finishes Spacious 2-bedroom apartments with two verandas and smart layouts Penthouse units with private rooftop gardens of up to 63 m² Private covered parking for each apartment Exceptionally quiet location just 5–8 minutes from the marina, Finikoudes Beach, Metropolis Mall, and city center Quick access to all major routes and the highway Boutique-style building with only 8 apartments High-spec technical features including A/C provisions, solar water heater, and photovoltaic system setup.
    Whether for living or investment, this is a rare opportunity in a strategic and desirable location.

    Octavie Dostaler-Lalonde - Sonatas for Violoncello (2024) [Official Digital Download 24/96]

    Posted By: pyatak
    Octavie Dostaler-Lalonde - Sonatas for Violoncello (2024) [Official Digital Download 24/96]

    Octavie Dostaler-Lalonde - Sonatas for Violoncello (2024) [Official Digital Download 24/96]
    FLAC (tracks) 24-bit/96 kHz | Front Cover | Time - 53:48 minutes | 1013 MB
    Classical | Studio Master, Official Digital Download

    Octavie Dostaler-Lalonde: In 2018, I acquired a beautiful Baroque cello labeled J. M. Alban, fecit 17… a Graz. The instrument is of a smaller size than today’s standard cello, and the sound is silky, malleable and rich. I had heard of the existence of four-string violoncello piccolos (tuned G-d-a-e’) during the 17th and 18th centuries, and soon I decided to try this tuning on my small 18th-century cello. The result was impressive: the instrument’s tone became bright, crystalline and colourful, with an enhanced singing quality on the top string. This new voice of the Alban was an exciting discovery, and I set my mind to recording a full programme featuring my four-string violoncello piccolo.

    I first tried it in a lovely sonata for violoncello and continuo by Georg Czarth (which appears on this album), and found that the cello’s tone displayed sweetness and elegance perfectly suited to German Galant music. I selected a number of works where the compass fitted this tuning, and narrowed the lot down after initial reading sessions with Artem Belogurov. I wanted to offer space on this album for his expressive playing and his Stein fortepiano, a copy made by Gerard Tuinman, so I included two pieces for obbligato cello and fortepiano, where the piano has a central role.

    TRACKLIST

    1. Octavie Dostaler-Lalonde - Sonata for two Violins and Continuo, Op. 1 No. 2 (Arranged for two Cello Piccolos): I. Grave
    2. Octavie Dostaler-Lalonde - Sonata for two Violins and Continuo, Op. 1 No. 2 (Arranged for two Cello Piccolos): II. Allegro - Adagio
    3. Octavie Dostaler-Lalonde - Sonata for two Violins and Continuo, Op. 1 No. 2 (Arranged for two Cello Piccolos): III. Allegro
    4. Octavie Dostaler-Lalonde - Sonata for Cello and Basso Continuo, Op. 5 No. 3: I. Andante
    5. Octavie Dostaler-Lalonde - Sonata for Cello and Basso Continuo, Op. 5 No. 3: II. Allegro
    6. Octavie Dostaler-Lalonde - Sonata for Cello and Basso Continuo, Op. 5 No. 3: III. Affettuoso
    7. Octavie Dostaler-Lalonde - Sonata for Cello and Basso Continuo, Op. 5 No. 3: IV. Allegro
    8. Octavie Dostaler-Lalonde - The Art of Playing the Guitar or Cittra (Arranged for Cello Piccolo and b.c.): Canon
    9. Octavie Dostaler-Lalonde - Sonata for Cello and Basso Continuo, Op. 5 No. 2: I. Andante
    10. Octavie Dostaler-Lalonde - Sonata for Cello and Basso Continuo, Op. 5 No. 2: II. Presto
    11. Octavie Dostaler-Lalonde - Sonata for Cello and Basso Continuo, Op. 5 No. 2: III. Adagio
    12. Octavie Dostaler-Lalonde - Sonata for Cello and Basso Continuo, Op. 5 No. 2: IV. Allegro
    13. Octavie Dostaler-Lalonde - The Art of Playing the Guitar or Cittra (Arranged for Cello Piccolo and b.c.): Affettuoso
    14. Octavie Dostaler-Lalonde - Sonata for Cello and Basso Continuo, Op. 5 No. 1: I. Andante
    15. Octavie Dostaler-Lalonde - Sonata for Cello and Basso Continuo, Op. 5 No. 1: II. Allegro
    16. Octavie Dostaler-Lalonde - Sonata for Cello and Basso Continuo, Op. 5 No. 1: III. Andante
    17. Octavie Dostaler-Lalonde - Sonata for Cello and Basso Continuo, Op. 5 No. 1: IV. Allegro
    18. Octavie Dostaler-Lalonde - Sonata for Cello and Basso Continuo, Op. 5 No. 6: I. Adagio
    19. Octavie Dostaler-Lalonde - Sonata for Cello and Basso Continuo, Op. 5 No. 6: II. Allegro assai - Grave
    20. Octavie Dostaler-Lalonde - Sonata for Cello and Basso Continuo, Op. 5 No. 6: III. Allegro - Non tanto

    foobar2000 1.6.2 / Dynamic Range Meter 1.1.1
    log date: 2024-10-18 21:26:49

    ––––––––––––––––––––––––––––––––––––––––
    Analyzed: Octavie Dostaler-Lalonde / Sonatas for Violoncello
    ––––––––––––––––––––––––––––––––––––––––

    DR Peak RMS Duration Track
    ––––––––––––––––––––––––––––––––––––––––
    DR11 -3.23 dB -19.09 dB 2:05 01-Sonata for two Violins and Continuo, Op. 1 No. 2 (Arranged for two Cello Piccolos): I. Grave
    DR14 -2.88 dB -19.65 dB 4:31 02-Sonata for two Violins and Continuo, Op. 1 No. 2 (Arranged for two Cello Piccolos): II. Allegro - Adagio
    DR13 -2.03 dB -19.11 dB 3:02 03-Sonata for two Violins and Continuo, Op. 1 No. 2 (Arranged for two Cello Piccolos): III. Allegro
    DR12 -4.69 dB -21.43 dB 1:40 04-Sonata for Cello and Basso Continuo, Op. 5 No. 3: I. Andante
    DR14 -1.82 dB -19.56 dB 4:27 05-Sonata for Cello and Basso Continuo, Op. 5 No. 3: II. Allegro
    DR14 -1.84 dB -21.81 dB 2:50 06-Sonata for Cello and Basso Continuo, Op. 5 No. 3: III. Affettuoso
    DR12 -5.09 dB -20.64 dB 3:04 07-Sonata for Cello and Basso Continuo, Op. 5 No. 3: IV. Allegro
    DR12 -2.79 dB -18.98 dB 2:05 08-The Art of Playing the Guitar or Cittra (Arranged for Cello Piccolo and b.c.): Canon
    DR13 -2.63 dB -20.12 dB 2:32 09-Sonata for Cello and Basso Continuo, Op. 5 No. 2: I. Andante
    DR12 -3.19 dB -19.71 dB 2:33 10-Sonata for Cello and Basso Continuo, Op. 5 No. 2: II. Presto
    DR12 -7.27 dB -24.05 dB 0:46 11-Sonata for Cello and Basso Continuo, Op. 5 No. 2: III. Adagio
    DR13 -3.04 dB -20.25 dB 3:21 12-Sonata for Cello and Basso Continuo, Op. 5 No. 2: IV. Allegro
    DR12 -4.14 dB -20.55 dB 2:20 13-The Art of Playing the Guitar or Cittra (Arranged for Cello Piccolo and b.c.): Affettuoso
    DR11 -3.99 dB -21.01 dB 1:35 14-Sonata for Cello and Basso Continuo, Op. 5 No. 1: I. Andante
    DR14 -2.78 dB -19.59 dB 3:38 15-Sonata for Cello and Basso Continuo, Op. 5 No. 1: II. Allegro
    DR13 -1.93 dB -19.69 dB 0:45 16-Sonata for Cello and Basso Continuo, Op. 5 No. 1: III. Andante
    DR14 -2.64 dB -20.02 dB 4:03 17-Sonata for Cello and Basso Continuo, Op. 5 No. 1: IV. Allegro
    DR10 -9.66 dB -23.83 dB 0:39 18-Sonata for Cello and Basso Continuo, Op. 5 No. 6: I. Adagio
    DR14 -1.01 dB -20.38 dB 3:38 19-Sonata for Cello and Basso Continuo, Op. 5 No. 6: II. Allegro assai - Grave
    DR14 -5.76 dB -24.02 dB 4:12 20-Sonata for Cello and Basso Continuo, Op. 5 No. 6: III. Allegro - Non tanto
    ––––––––––––––––––––––––––––––––––––––––

    Number of tracks: 20
    Official DR value: DR13

    Samplerate: 96000 Hz
    Channels: 2
    Bits per sample: 24
    Bitrate: 2386 kbps
    Codec: FLAC
    ================================================================================



    Thanks to the Original customer.