UK - Night After Night (1979) Original US Pressing - LP/FLAC In 24bit/96kHz
UK - Night After Night-Live!
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz | 900mb
Mastered At Sterling Sound
Label: Polydor/PD-1-6234 | Released: 1979 | Genre: Progressive-Rock
A1 Night After Night
A2 Rendezvous 6•02
A3 Nothing To Lose
A4 As Long As You Want Me Here
-
B1 Alaska
B2 Time To Kill
B3 Presto Vivace
B4 In The Dead Of Night
B5 Caesar's Palace Blues
Recorded At – Nakano Sun Plaza
Recorded At – Nippon Seinen-kan Hall
Mixed At – Westlake Studios
Mastered At – Sterling Sound
Pressed By – PRC Recording Company, Richmond, IN
Manufactured By – Polydor Incorporated
Marketed By – Polydor Incorporated
Distributed By – PolyGram Distribution
Published By – E.G. Music Ltd.
Phonographic Copyright (p) – E.G. Records Ltd.
Copyright © – E.G. Records Ltd.
Credits
Bass, Lead Vocals – John Wetton
Cover – Alwyn Clayden, John Wetton
Drums, Percussion – Terry Bozzio
Engineer – Michael Braunstein
Engineer [Second] – Mitch Gibson
Keyboards, Violin [Electric] – Eddie Jobson
Photography By – Ebet Roberts, John Shaw (6), Max Takahashi, Neil Zlozower
Producer – Eddie Jobson, John Wetton
Written-By – Bruford* (tracks: B2), Jobson*, Wetton* (tracks: A1 to A4, B2, B4, B5)
Notes
℗© E G Records Ltd.
PRC Richmond Pressing, denoted by code (72) on label
Recorded live at Sun Plaza and Seinen Kan, Tokyo, June 1979
Mixed at Westlake Studios, Beverly Hills, California, June 1979
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz | 900mb
Mastered At Sterling Sound
Label: Polydor/PD-1-6234 | Released: 1979 | Genre: Progressive-Rock
A1 Night After Night
A2 Rendezvous 6•02
A3 Nothing To Lose
A4 As Long As You Want Me Here
-
B1 Alaska
B2 Time To Kill
B3 Presto Vivace
B4 In The Dead Of Night
B5 Caesar's Palace Blues
Recorded At – Nakano Sun Plaza
Recorded At – Nippon Seinen-kan Hall
Mixed At – Westlake Studios
Mastered At – Sterling Sound
Pressed By – PRC Recording Company, Richmond, IN
Manufactured By – Polydor Incorporated
Marketed By – Polydor Incorporated
Distributed By – PolyGram Distribution
Published By – E.G. Music Ltd.
Phonographic Copyright (p) – E.G. Records Ltd.
Copyright © – E.G. Records Ltd.
Credits
Bass, Lead Vocals – John Wetton
Cover – Alwyn Clayden, John Wetton
Drums, Percussion – Terry Bozzio
Engineer – Michael Braunstein
Engineer [Second] – Mitch Gibson
Keyboards, Violin [Electric] – Eddie Jobson
Photography By – Ebet Roberts, John Shaw (6), Max Takahashi, Neil Zlozower
Producer – Eddie Jobson, John Wetton
Written-By – Bruford* (tracks: B2), Jobson*, Wetton* (tracks: A1 to A4, B2, B4, B5)
Notes
℗© E G Records Ltd.
PRC Richmond Pressing, denoted by code (72) on label
Recorded live at Sun Plaza and Seinen Kan, Tokyo, June 1979
Mixed at Westlake Studios, Beverly Hills, California, June 1979
UK - Night After Night (1979) Original US Pressing - LP/FLAC In 24bit/96kHz
UK - Night After Night (1979) Original US Pressing - LP/FLAC In 24bit/96kHz
UK - Night After Night (1979) Original US Pressing - LP/FLAC In 24bit/96kHz
This Rip: 2015
Cleaning: RCM Moth MkII Pro Vinyl
Direct Drive Turntable: Marantz 6170
Cartridge: SHURE M97xE With JICO SAS Stylus
Amplifier: Sansui 9090DB
ADC: E-MU 0404
DeClick with iZotope RX3 & ClickRepair: Only Manual (Click per click)
Vinyl Condition: NM-
This LP: From my personal collection
LP Rip & Full Scan LP Cover: Fran Solo
Password: WITHOUT PASSWORD
This is the live record of the 2 UK's studio albums. The sound is only good. There are 2 new songs: "Night after night" and "As long as you want me here". The more accessible "Night after night" is not very complex, more diluted, so that it is a bit disappointing, although there is a very good organ solo. "As long as you want me here" contains an interesting & too short intro of really modern & futuristic keyboards; Jobson's simple piano and Wetton's vocals are quite addictive and catchy, but nothing is really complex and elaborated on this track. The keyboards intro on "Alaska" is ABSOLUTELY flamboyant: quite better and louder than on the studio album. The complex & fast parts like on "Presto vivace" are VERY well played: Jobson is a GOD! Jobson's electric violins are very fast and elaborated, especially on "Caesar's Palace Blues", reminding Darryl Way's work or himself playing with Curved Air. The enthusiastic crowd favorably responds. Instead of the 2 new tracks mentioned above, UK should have played the complex bit a la ELP on "Carrying no cross". Have you heard the curious cut effect made on the crowd's "UK" shout, after the "Caesar's Palace Blues" track?
Rating: 4.5 starsReview by greenback, progarchives.com
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