Winston Tong - Theoretical China (1984) FR 1st Pressing - 12"/FLAC In 24bit/96kHz
Winston Tong - Theoretical China
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz | 500mb
Label: Les Disques Du Crépuscule/12TWI310 | Released: 1984 | Genre: New-Age
Side A
Theoretical China 5:36
Side B
The Hunger 16:02
Bass – Jah Wobble
Drums – Steve Morris
Guitar, Producer – Alan Rankine
Keyboards, Producer – Dave Formula
Percussion – Simon Topping
Keyboards, Producer – Satoshi Kadokura
Percussion – Kanazu Hiroshi
Percussion [Ko-tsuzumi] – Shi-On Matsuba
Percussion [O-tsuzumi] – Masao Suzuki
Producer – Niki Mono, Winston Tong
Shamisen, Producer – Atsuo Suzuki
Zither [Koto] – Sachiko Kadokura
Credits
Vocals – Niki Mono, Winston Tong
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz | 500mb
Label: Les Disques Du Crépuscule/12TWI310 | Released: 1984 | Genre: New-Age
Side A
Theoretical China 5:36
Side B
The Hunger 16:02
Bass – Jah Wobble
Drums – Steve Morris
Guitar, Producer – Alan Rankine
Keyboards, Producer – Dave Formula
Percussion – Simon Topping
Keyboards, Producer – Satoshi Kadokura
Percussion – Kanazu Hiroshi
Percussion [Ko-tsuzumi] – Shi-On Matsuba
Percussion [O-tsuzumi] – Masao Suzuki
Producer – Niki Mono, Winston Tong
Shamisen, Producer – Atsuo Suzuki
Zither [Koto] – Sachiko Kadokura
Credits
Vocals – Niki Mono, Winston Tong
Winston Tong - Theoretical China (1984) FR 1st Pressing - 12"/FLAC In 24bit/96kHz
Winston Tong - Theoretical China (1984) FR 1st Pressing - 12"/FLAC In 24bit/96kHz
Winston Tong - Theoretical China (1984) FR 1st Pressing - 12"/FLAC In 24bit/96kHz
This Rip: 2013
This LP: NM-/With the gentle sponsorship of polux, merci beaucoup!
Cleaning: RCM Moth MkII Pro Vinyl
Direct Drive Turntable: Marantz 6170
Cartridge: SHURE M97xE
Amplifier: Sansui 9090DB
ADC: E-MU 0404
LP Rip & Full Scan LP Cover: Fran Solo
Password: WITHOUT PASSWORD
Tong's final solo effort, or at least the last one that has seen any sort of formal release, Theoretically Chinese is at times quite an intriguing attempt at an art-pop/dance effort, mid-'80s vintage. Most of the album is essentially a collaboration with ex-Associates member Alan Rankine, and if Theoretically Chinese isn't a hysterical classic on the level of Sulk, say, Rankine brings shimmering energy to the album that pays off in spades. The sparkling "Endgame" and the moodier "Reports From the Heart" are fine pop through and through, with Tong's smooth, often underplayed singing at the center – he rarely takes over a song, instead easily flowing with the arrangements. Throughout the album Tong touches on everything from lyrical references to George Orwell ("Big Brother" – not a cover of the Bowie song, though Tong himself owes a debt to Bowie's crooning style more than once) to a fine enough reworking of Marianne Faithfull's stellar "Broken English." This perhaps takes on a new level of meaning givenTong's long-standing interest in his Chinese descent and American upbringing, also addressed via his calling another song "Yellow Peril." One song, the almost-title-track "Theoretical China," is a supergroup jam of sorts, with players including New Order's Stephen Morris and Jah Wobble, but it's a touch overcooked, Tong sounding a bit forced on the verses. LTM's reissue, as is par for the course with their efforts, includes a fine essay on Tong from label boss James Nice as well as three bonus tracks – an Italian remix of "Broken English" and two collaborations with Belgian singer Niki Mono. One, "The Hunger," is a striking tour de force, a quarter-of-an-hour-long effort done in collaboration with a number of Japanese musicians.
allmusic.com
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