Poco - Live (1976) US Pressing - LP/FLAC In 24bit/96kHz
Poco - Live
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz & 16bit/44kHz | 800mb & 200mb
Mastered At Capitol Mastering By Wally Traugott
Label: Epic/PE 33336 | Released: 1976 | This Issue: 1978 | Genre: Country-Rock
Medley
A1a Blue Water
A1b Fools Gold
A1c Rocky Mountain Breakdown
A2 Bad Weather
A3 Ride The Country
–
B1 Angel
B2 High And Dry
B3 Restrain
B4 A Good Feelin’ To Know
Companies, etc.
Phonographic Copyright (p) – CBS Inc.
Copyright © – CBS Inc.
Manufactured By – Epic Records
Manufactured By – CBS Inc.
Mastered At – Capitol Mastering
Recorded At – Record Plant Mobile Studio
Credits
Bass, Vocals – Timothy B. Schmit
Cover [Art] – Stan Zagorski*
Directed By – Hartmann & Goodman
Drums, Vocals – George Grantham
Engineer – Mark Harmon*
Guitar, Vocals – Richie Furay
Mastered By – Wally Traugott
Pedal Steel Guitar, Resonator Guitar [Dobro] – Rusty Young
Photography By – Fred von Schenk, Jim Hoskins
Producer – Mark Harmon*, Poco (3)
Notes
Reissue blue Epic label.
Recorded Live
November 9, 28, 29, 1974 at:
Yale University New Haven, Connecticut
Milwaukee Fine Arts Center, Milwaukee, Wisconsin
Ambassador Theater St. Louis, Missouri
Barcode and Other Identifiers
Matrix / Runout (Side 1 etched): PAL-33336 1D WLY Ω (possibly a horseshoe)
Matrix / Runout (Side 2 etched): PBL-33336 2B WLY ℧ (possibly a horseshoe)
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz & 16bit/44kHz | 800mb & 200mb
Mastered At Capitol Mastering By Wally Traugott
Label: Epic/PE 33336 | Released: 1976 | This Issue: 1978 | Genre: Country-Rock
Medley
A1a Blue Water
A1b Fools Gold
A1c Rocky Mountain Breakdown
A2 Bad Weather
A3 Ride The Country
–
B1 Angel
B2 High And Dry
B3 Restrain
B4 A Good Feelin’ To Know
Companies, etc.
Phonographic Copyright (p) – CBS Inc.
Copyright © – CBS Inc.
Manufactured By – Epic Records
Manufactured By – CBS Inc.
Mastered At – Capitol Mastering
Recorded At – Record Plant Mobile Studio
Credits
Bass, Vocals – Timothy B. Schmit
Cover [Art] – Stan Zagorski*
Directed By – Hartmann & Goodman
Drums, Vocals – George Grantham
Engineer – Mark Harmon*
Guitar, Vocals – Richie Furay
Mastered By – Wally Traugott
Pedal Steel Guitar, Resonator Guitar [Dobro] – Rusty Young
Photography By – Fred von Schenk, Jim Hoskins
Producer – Mark Harmon*, Poco (3)
Notes
Reissue blue Epic label.
Recorded Live
November 9, 28, 29, 1974 at:
Yale University New Haven, Connecticut
Milwaukee Fine Arts Center, Milwaukee, Wisconsin
Ambassador Theater St. Louis, Missouri
Barcode and Other Identifiers
Matrix / Runout (Side 1 etched): PAL-33336 1D WLY Ω (possibly a horseshoe)
Matrix / Runout (Side 2 etched): PBL-33336 2B WLY ℧ (possibly a horseshoe)
Poco - Live (1976) US Pressing - LP/FLAC In 24bit/96kHz
Poco - Live (1976) US Pressing - LP/FLAC In 24bit/96kHz
Poco - Live (1976) US Pressing - LP/FLAC In 24bit/96kHz
This Rip: 2018
Cleaning: RCM Moth MkII Pro Vinyl
Direct Drive Turntable: Technics SL-1200MK2 Quartz
Cartridge: SHURE M97xE With JICO SAS Stylus
Amplifier: Marantz 2252
ADC: E-MU 0404
DeClick with iZotope RX5: Only Manual (Click per click)
Vinyl Condition: NM-
This LP: From my personal collection
LP Rip & Full Scan LP Cover: Fran Solo
Password: WITHOUT PASSWORD
IIn 1975, Poco left Epic Records after six years and jumped to ABC Records. Less than a year later, Epic released this 38-minute live album recorded at a series of November 1974 shows. By this time in their history, Richie Furay and Jim Messina were long gone, and steel guitar player Rusty Young and guitarist Paul Cotton were the dominant musical personalities in the group, between them providing all but one of the songs represented here. The group still had a beautiful sound and put on a lively, spirited show, laced with strong lead singing and sweet harmonies — “Ride the Country,” which shows the strong influence of Neil Young in both its writing and playing, is a radiant piece of hard country-rock highlighted by Timothy B. Schmit’s powerful bass work, Cotton’s searing yet smooth lead, and Young’s haunting steel sound. In contrast to a lot of live albums of this era, the group stretches out elegantly on the repertory without altering the general shape of the songs, so that this is more than a rehash of the familiar studio versions of the music at hand. “Angel” and “High and Dry” get good performances, and the group finishes with Richie Furay’s “A Good Feelin’ to Know.” The recording is very clean and, typically for concert albums of this period, pushes the sound of the audience far into the background, with very crisp separation of the instruments between the two stereo channels.Review by Bruce Eder, allmusic.com
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