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    Rush - Fly By Night (1975) US Richmond Pressing - LP/FLAC In 24bit/96kHz

    Posted By: Fran Solo
    Rush - Fly By Night (1975) US Richmond Pressing - LP/FLAC In 24bit/96kHz

    Rush - Fly By Night
    Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz & 16bit/44kHz | 900mb & 300mb
    Mastered At MASTERDISK By Gilbert Kong
    Label: Mercury ‎/ 822 542-1 M-1 | Released: 1975 | This Issue: 1985 | Genre: Hard-Progressive


    A1 Anthem 4:10
    A2 Best I Can 3:24
    A3 Beneath, Between & Behind 3:00
    By-Tor & The Snow Dog (8:57)
    A4.1 At The Tobes Of Hades
    A4.2 Across The Styx
    A4.3 The Battle
    A4.3.1 Challenge And Defiance
    A4.3.2 7/4 War Furor
    A4.3.3 Aftermath
    A4.3.4 Hymn Of Triumph
    A4.4 Epilogue

    B1 Fly By Night 3:20
    B2 Making Memories 2:56
    B3 Rivendell 5:00
    B4 In The End 6:51


    Companies, etc.

    Recorded At – Toronto Sound Studios
    Mixed At – Toronto Sound Studios
    Mastered At – Masterdisk
    Pressed By – PRC Recording Company, Richmond, IN

    Credits

    Arranged By – Rush, Terry Brown
    Artwork – AGI (4), Eraldo Carugati, Jim Ladwig, Joe Kotleba
    Artwork By – AGI, Chicago
    Bass, Guitar (Classical), Vocals – Geddy Lee
    Drums, Percussion – Neil Peart
    Engineer – John Woloschuk, Terry Brown
    Guitar – Alex Lifeson
    Mastered By – Gilbert Kong
    Photography By – Richard Fegley
    Producer – Rush, Terry Brown
    Written By – Lee (tracks: A1), Lee/Lifeson/Peart (tracks: A1, A4, B2), Lee/Peart (tracks: B1, B3, B4), Lifeson/Peart (tracks: A3)
    Written-By – Lifeson* (tracks: A1, A3, A4, B2), Lee* (tracks: A1, A2, A4 to B4), Peart* (tracks: A1, A3 to B4)

    Notes
    Vinyl Reissue c. 1980s with Different Catalog # and barcode (which has the old catalog number in parenthesis underneath it)

    Recorded and mixed at Toronto Sound Studios, Toronto, Canada.
    Mastered at Masterdisk, New York.
    Barcode and Other Identifiers

    Matrix / Runout (Side A): SRM-1-1023-A-422-822-5421 MASTERDISK
    Matrix / Runout (Side B): B– SRM-1023-B-422-822-5421 MASTERDISK
    Barcode: 0 422-822542-1 4


    Rush - Fly By Night (1975) US Richmond Pressing - LP/FLAC In 24bit/96kHz

    Rush - Fly By Night (1975) US Richmond Pressing - LP/FLAC In 24bit/96kHz

    Rush - Fly By Night (1975) US Richmond Pressing - LP/FLAC In 24bit/96kHz



    This Rip: 2019
    Cleaning: RCM Moth MkII Pro Vinyl
    Direct Drive Turntable: Technics SL-1200MK2 Quartz
    Cartridge: SHURE M97xE With JICO SAS Stylus
    Amplifier: Marantz 2252
    ADC: E-MU 0404
    DeClick with iZotope RX6: Only Manual (Click per click)
    This LP: NM- / From my personal collection
    LP Rip & Full Scan LP Cover: Fran Solo
    Password: WITHOUT PASSWORD

    They came riding from the North, ready to do battle with the notion that progressive rock was a dying art form. No disservice to JOHN RUTSEY, but new drummer/lyricist NEIL PEART was the missing chink in this power trio’s armor, as “Fly By Night” makes plain. This is a firestorm of a record, with music delivered in great chunks of hot metal: the epic “By-Tor and The Snow Dog”, the searing “Beneath, Between and Behind”, et al. PEART’s drumming, sometimes treated with an echo, is the perfect foil to LEE’s impassioned (if awkwardly high register) vocals and Lifeson’s gargantuan guitars. At this stage, RUSH hadn’t incorporated the standard LEE/LIFESON/PEART credits for their music, allowing various members to pair off in songwriting (including a song written completely by Lee, “Best I Can”). The title track, which served as the album’s single, is as catchy a song as they’ve written over their career (the style is reprised on “In The End”, my personal favorite on here). The LED ZEPPELIN comparisons still hold on a few tracks, notably “Making Memories”, which sounds like an outtake from “Houses of the Holy” (or a southern boogie band, given LIFESON’s leads). The band also slips into GENESIS territory on the delicate “Rivendell”, with LIFESON stretching out the guitar notes a la STEVE HACKETT.

    “Fly By Night” may find the band groping for their own voice, but what I hear is a band throwing down the gauntlet and challenging for their own fiefdom in prog rock’s storied land.

    Review by daveconn, progarchives.com
    Welcome to the Dark Side of the Vinyl
    Silent spaces haven't been deleted in this rip.

    Vinyl / CUE/ FLAC/ High Definition Cover: