Rory Gallagher – Tattoo (1973) 24-bit 96kHZ vinyl rip and redbook
Rory Gallagher – Tattoo
Vinyl rip in 24-bit / 96kHZ and redbook | FLAC | no cue or log (vinyl) | artwork
968 MB (24/96) + 271 MB (RB) | HF | Rock | Polydor PD 5539
Vinyl rip in 24-bit / 96kHZ and redbook | FLAC | no cue or log (vinyl) | artwork
968 MB (24/96) + 271 MB (RB) | HF | Rock | Polydor PD 5539
Tattoo was the fourth studio album released by Rory Gallagher.
Returning quickly to the studio in the Summer of ’73 with his Blueprint line-up, Rory was in a prolific and confident mood. Rehearsals for ‘Tattoo’ began at a rowing club in Cork City, which allowed Rory to develop the musical arrangements of his material at a leisurely, relaxed pace.
The original version contained 9 tracks, all of which were written by Rory Gallagher. The album showcased the skill of Gallagher and his band across a number of genres from Delta and Chicago blues (“Who’s That Coming”), the jazz influenced “They Don’t Make Them Like You Anymore”, blues-rock tracks such as “Tattoo’d Lady” and the riff rock shown in “Sleep On A Clothes-Line”.
The album also showcased Rory’s writing ability and tracks have gone on to be covered by modern artists, most famously, “Cradle Rock” which was covered by Joe Bonamassa on the album A New Day Yesterday, Live. This album gave Rory Gallagher many live favourites and many tracks were played as staples in his live sets.
The original version contained 9 tracks, all of which were written by Rory Gallagher. The album showcased the skill of Gallagher and his band across a number of genres from Delta and Chicago blues (“Who’s That Coming”), the jazz influenced “They Don’t Make Them Like You Anymore”, blues-rock tracks such as “Tattoo’d Lady” and the riff rock shown in “Sleep On A Clothes-Line”.
The album also showcased Rory’s writing ability and tracks have gone on to be covered by modern artists, most famously, “Cradle Rock” which was covered by Joe Bonamassa on the album A New Day Yesterday, Live. This album gave Rory Gallagher many live favourites and many tracks were played as staples in his live sets.
side a
A1 - “Tattoo’d Lady” – 4:34
A2 - “Cradle Rock” – 6:15
A3 - “20:20 Vision” – 4:02
A4 - “They Don’t Make Them Like You Anymore” – 4:05
A5 - “Livin’ Like a Trucker” – 4:19
side b
B1 - “Sleep on a Clothes Line” – 5:13
B2 - “Who’s That Coming” – 7:09
B3 - “A Million Miles Away” – 6:55
B4 - “Admit It” – 4:19
personnel
RORY GALLAGHER (Vocals, Guitars, Harmonica, Saxes, Mandolin)
GERRY McAVOY (Bass)
LOU MARTIN (Keyboards, Accordion)
ROD De’ATH (Drums, Percussion)
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Analyzed folder: /rory_tattoo
–––––––––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Filename
–––––––––––––––––––––––––––––––––––––––––––––––
DR13 -7.91 dB -22.27 dB A1 Tattoo'd Lady.wav
DR10 -9.74 dB -21.22 dB A2 Cradle Rock.wav
DR13 -10.00 dB -25.87 dB A3 20:20 Vision.wav
DR12 -9.33 dB -22.67 dB A4 They Don't Make Them Like You Anymore.wav
DR12 -8.88 dB -22.85 dB A5 Livin' Like A Trucker.wav
DR12 -7.57 dB -21.27 dB B1 Sleep On A Clothes Line.wav
DR11 -9.19 dB -22.63 dB B2 Who's That Coming.wav
DR11 -8.28 dB -22.64 dB B3 A Million Miles Away.wav
DR11 -8.48 dB -22.27 dB B4 Admit It.wav
–––––––––––––––––––––––––––––––––––––––––––––––
Number of files: 9
Official DR value: DR12
==============================================================================================
Analyzed folder: /rory_tattoo
–––––––––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Filename
–––––––––––––––––––––––––––––––––––––––––––––––
DR13 -7.91 dB -22.27 dB A1 Tattoo'd Lady.wav
DR10 -9.74 dB -21.22 dB A2 Cradle Rock.wav
DR13 -10.00 dB -25.87 dB A3 20:20 Vision.wav
DR12 -9.33 dB -22.67 dB A4 They Don't Make Them Like You Anymore.wav
DR12 -8.88 dB -22.85 dB A5 Livin' Like A Trucker.wav
DR12 -7.57 dB -21.27 dB B1 Sleep On A Clothes Line.wav
DR11 -9.19 dB -22.63 dB B2 Who's That Coming.wav
DR11 -8.28 dB -22.64 dB B3 A Million Miles Away.wav
DR11 -8.48 dB -22.27 dB B4 Admit It.wav
–––––––––––––––––––––––––––––––––––––––––––––––
Number of files: 9
Official DR value: DR12
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hw: pro-ject rpm 1.3 w/sumiko pearl → rogue metis preamp → macbook pro
sw: audacity [capture] → izotope rx2 [declick/resample] → xact [sbe correction] → xld [flac conversion/tag[/hide]
sw: audacity [capture] → izotope rx2 [declick/resample] → xact [sbe correction] → xld [flac conversion/tag[/hide]