After being dormant for nearly 10 years, Italian gore-metal maniacs Antropofagus have awakened. They make their brutal return to the death metal scene with their new full length album Architecture of Lust. Musically their approach has evolved into a more technical style, but sustains the classic death metal pressence of frantic riffing and supreme drumming. Lyrics are inspired by the deranged works of Clive Barker and thrive with gore and sickness. This release is the embodiment of evil and sure to be a top release on many lists in 2012.

Compilation including soundtracks from Più forte ragazzi, Lo chiamavano Bulldozer, Anche gli angeli tirano di destro , Big man , Altrimenti ci arrabbiamo, Uno sceriffo extraterrestre , Anche gli angeli mangiano fagioli , Rocky Joe , 40 giorni di libertà .

WHAT YOU SHOULD KNOW ABOUT NITROGODS?
Nitrogods is a no bullshit Rock'n Roll band.
We won't sell stuff that is not what it seems to be.
Attitude was one reason for the birth of this band. Another is pure lust in playing our music and pride for keeping things real.”
Looking back at 20 years of Rock'n Roll, the members of Nitrogods ain't exactly new to the business.
(official site)

The Dance of Innocents is a unique musical synthesis of East and West, seamlessly blending Khechog’s meditative flute with Kater’s artistry on piano. A soothing journey through the peaceful hearts of two extraordinary artists that is fresh, original, and unforgettably beautiful.

Bjork - Voltaic (2009) [Special 2CD+2DVD Limited Edition] {Polydor}
EAC rip (secure mode) | FLAC+CUE+LOG -> 782 Gb | MP3 @320 -> 287 Mb | Full Artwork @ 600 dpi (jpg) -> 85 Mb
DVD9 + DVD5 -> 6.18 Gb + 3.83 Gb | All Regions | NTSC 16:9 | English LinearPCM, 2 ch / DTS, 6 ch / Dolby AC3, 6 ch | ~ 01h 33m + 1h 07m
© 2009 Polydor / Wellhart | 1797269 | 5% repair rar | ISO Images
Experimental Rock / Electronic / Alternative

Leave it to Björk to make a live album set that can be treated as part of her regular body of work rather than a side note. While Björk fans have occasionally complained about the amount of repackaging of her albums, Voltaic reaffirms just how important the live aspect is to her music, and provides a couple of different perspectives on it as well. Volta sparked a particularly inspired and lavish tour that, arguably, ended up being bigger than the actual album was, but tapped into the most dramatic, primal, and elegant aspects of Björk's art overall.

Besides occasional appearances with Benny Goodman, pianist Teddy Wilson taught summer courses at the famous Juilliard School for music from 1946 to 1952. Despite this prestigious profession, he recorded only irregularly during these years and made most of his money as a staff pianist for WNEW. In the fall of 1952, he went on a brief tour to Scandinavia where he was finally able to record again.

Lydia Mordkovitch performs a personal selection of violin and viola works, chosen for their idiom which combines brilliant violin technique and strong expressivity and the theme of Russia. This album has been generously supported by the Royal Academy of Music and is the first time Lydia has recorded a viola performance for Chandos.

Album released in Spain in 1999 by the label Envidia, a compilation of 12 bachata hits at the time. As expected some of the performers appear more recently recognized in the art, such as Nelson Herrera and Jonhnny Reyes and themes of success as 'Suavemente', 'Como loco perdido', etc.. Good set of cuttings, suitable for dance this Dominican and Caribbean sensual dance, with hybrid rhythm from bolero and other Latin styles. Extra party of bachata.

Culled from two BBC radio concerts in 1976 and 1979, this is much better than Hillage's studio albums, with the performances offering a funky kick and a real sense of adventure, since he can stretch out with his guitar work. And he does that right from the outset, with "Hurdy Gurdy Glissando," where he quotes the theme from Lawrence of Arabia – a presage of his future involvement in Arabic music, perhaps. Blessed with a band that can not only stop on a dime but also improvise like demons, Hillage produces some astonishingly fluid fretwork, with arrangements that bring in plenty of compound, complex time signatures and key shifts, but which are ultimately elastic in their construction. And he doesn't limit himself to electric guitar – he's not afraid to offer more delicate acoustic sensibilities.

Hailed as ‘the Jascha Heifetz of our day’ (The Globe and Mail, Canada), the violinist James Ehnes is widely considered one of the most dynamic and exciting performers in classical music, appearing regularly with the world’s finest orchestras and conductors. Accompanied here by the BBC Philharmonic under Gianandrea Noseda, Ehnes is the soloist in Bartók’s two violin concertos in which he plays the ‘Marsick’ Stradivarius of 1715, as well as in the viola concerto, performing on the ‘Rolla’ Giuseppe Guadagnini viola of 1793, on loan from the Fulton Collection.