Anita Wardell - Noted (2006)
Jazz (Vocal) | EAC Rip | FLAC (tracks)+CUE+LOG | mp3@320 | 382 MB. & 155 MB.
300dpi. Complete Scans (JPG) included | WinRar, 3% recovery
Audio CD (2006) | Label: Specific Jazz | Catalog# SPEC-006 | 60:00 min.
Jazz (Vocal) | EAC Rip | FLAC (tracks)+CUE+LOG | mp3@320 | 382 MB. & 155 MB.
300dpi. Complete Scans (JPG) included | WinRar, 3% recovery
Audio CD (2006) | Label: Specific Jazz | Catalog# SPEC-006 | 60:00 min.
~allAboutJazzTracklist:
The best straight-ahead jazz singer on the scene today is Anita Wardell, the winner of the prestigious BBC Jazz Award last month, and Noted is one of the most impressive displays of vocal jazz and vocalese in many years. Backed up by her usual working trio of pianist Robin Aspland, bassist Jeremy Brown and drummer Steve Brown (along with guest saxophonist Alex Garnett), Wardell delivers knockout performances of well-known jazz classics and less familiar works that she has updated using her own unique swinging style.
The album starts off with a rousing rendition of Jon Hendricks' vocalese to the jazz classic "Moanin'. Aside from her scatting and improvisational abilities, Wardell possess an almost flawless vocal technique. Indeed, one would be hard pressed to find clearer enunciation and pitch from a Bartoli or Netrebko.
Standards receive their due from Wardell and company, in particular "Night and Day and "Autumn Leaves. The arrangement of the latter is especially nice when it goes into double time. The unrelenting swing of the former displays Wardell's scatting in its fullest virtuosity and also features a particularly nice piano solo by Robin Asplund.
Horace Silver's well-known "Doodlin' was a logical choice for this album, and it is performed here with great aplomb. But a real treat is the soulful rendition of Silver's less well-known "Lonely Woman. Herbie Hancock receives similar treatment with a pairing of his oft-performed "Watermelon Man and his lesser-known "And What If I Don't. As far as I am aware, this is the first recording of a vocal version of the latter tune.
Another piece that Wardell has rescued from relative obscurity is Ben Raleigh and Sherman Edwards' "Wonderful, Wonderful, which was a minor hit for Johnny Mathis in 1957 and for the Supremes in the early '60s. Wardell's up-tempo version completely transforms this tune and would make a great candidate for a big band accompaniment.
As always, Wardell surrounds herself with first-class musicians. Long-time collaborators Robin Asplund, Steve Brown and Jeremy Brown make up an almost perfect rhythm section for a singer. They are all superb soloists in their own rights, and their understated accompaniment is a paradigm of taste and musicality. Saxophonist Alex Garnett combines the intensity of an Art Pepper with a lighter tone a la Grover Washington, Jr.
Noted is an important album and a testament to Anita Wardell's rising status as a jazz artist of the first caliber. With a BBC Jazz Award under her belt, a Jazz Grammy should not be too far behind.
01. Moanin' (7:47)
02. Watermelon Man (7:03)
03. Autumn Leaves (7:47)
04. Night and Day (4:16)
05. Lonely Woman (5:24)
06. Doodlin' (4:44)
07. The Sidewinder (6:04)
08. Blues on the Corner (6:51)
09. Wonderful, Wonderful (4:39)
10. And What If I Don't (5:33)
Personnel:
Anita Wardell - vocals
Robin Aspland - piano
Jeremy Brown - double bass
Steve Brown - drums
Alex Garnett - saxophones (on #1-3, 6, 7, and 10)
~AnitaWardell.com
Born in Guildford, UK, Anita moved to Australia with her family as a child. Anita's formative years were spent soaking up the Rodgers and Hammerstein and Cole Porter classics. She also explored her father's collection of big band albums by Duke Ellington, Count Basie and many more. During her teens, she started to get to grips with the complexities of modern Jazz when she discovered Clifford Brown, Cannonball Adderley, Miles Davis and Charlie Parker. At the same time she learned her vocal craft from greats like Ella Fitzgerald, Mark Murphy, Carmen McRae, Betty Carter, Jon Hendricks and Eddie Jefferson.
After attending secondary School she completed her degree in Music at the Adelaide University. In 1990, Anita relocated back to the UK where she studied at the Guildhall school of music and drama.
Anita Wardell's singing is exciting and breathtaking. She is noted for her mesmerizing and captivating vocal improvisations and vocalese lyrics to instrumental solos. Anita is a musician who uses the voice as her instrument, displaying precision and agility, mixed with heartfelt emotion.
Kinda Blue, her second and most recent album for Proper Records UK, shows Anita's versatility and complete command of her instrument. On this recording, she has teamed up with some of the UK's finest musicians: Robin Aspland (piano), Jeremy Brown (bass) and Steve Brown (drums), with special guest performances by Tristan Maillot on drums, Adam Glasser on harmonica and Phil Robson on guitar. This carefully selected set of songs gives you an insight to the infectious and spellbinding performances heard live.
Anita received the prestigious BBC Jazz Award for Best of Jazz category in 2006. This, coupled with the release of Kinda Blue, are now propelling Anita into the major artist arena.
Noted, her first release for the new label (released in July 2006), is a collection of well known material from the Blue Note era to which Anita has penned many of her own lyrics. It received much radio play and 4 and 5 star reviews from UK and European jazz publications".
Singer Norma Winstone praised her “unexpected vulnerability, which makes her reading of the ballads both beautiful and touching. Her honesty shines in this well-chosen collection of songs.”
Bebop pioneer, Mark Murphy, proclaimed Anita, "a gift from Australia", adding “What hits me, is how expressive her ballad singing is. Then she has the courage to scat a ballad or two, not unlike a young lady disciple of the Ben Webster school.”
Born in Guildford, UK, Anita moved to Australia with her family as a child. Anita's formative years were spent soaking up the Rodgers and Hammerstein and Cole Porter classics. She also explored her father's collection of big band albums by Duke Ellington, Count Basie and many more. During her teens, she started to get to grips with the complexities of modern Jazz when she discovered Clifford Brown, Cannonball Adderley, Miles Davis and Charlie Parker. At the same time she learned her vocal craft from greats like Ella Fitzgerald, Mark Murphy, Carmen McRae, Betty Carter, Jon Hendricks and Eddie Jefferson.
After attending secondary School she completed her degree in Music at the Adelaide University. In 1990, Anita relocated back to the UK where she studied at the Guildhall school of music and drama.
Anita Wardell's singing is exciting and breathtaking. She is noted for her mesmerizing and captivating vocal improvisations and vocalese lyrics to instrumental solos. Anita is a musician who uses the voice as her instrument, displaying precision and agility, mixed with heartfelt emotion.
Kinda Blue, her second and most recent album for Proper Records UK, shows Anita's versatility and complete command of her instrument. On this recording, she has teamed up with some of the UK's finest musicians: Robin Aspland (piano), Jeremy Brown (bass) and Steve Brown (drums), with special guest performances by Tristan Maillot on drums, Adam Glasser on harmonica and Phil Robson on guitar. This carefully selected set of songs gives you an insight to the infectious and spellbinding performances heard live.
Anita received the prestigious BBC Jazz Award for Best of Jazz category in 2006. This, coupled with the release of Kinda Blue, are now propelling Anita into the major artist arena.
Noted, her first release for the new label (released in July 2006), is a collection of well known material from the Blue Note era to which Anita has penned many of her own lyrics. It received much radio play and 4 and 5 star reviews from UK and European jazz publications".
Singer Norma Winstone praised her “unexpected vulnerability, which makes her reading of the ballads both beautiful and touching. Her honesty shines in this well-chosen collection of songs.”
Bebop pioneer, Mark Murphy, proclaimed Anita, "a gift from Australia", adding “What hits me, is how expressive her ballad singing is. Then she has the courage to scat a ballad or two, not unlike a young lady disciple of the Ben Webster school.”
Recorded by Paul Riley at Specific Sound, January 2006
Sleeve design by Chris Musto
Photographs of Anita by Catriona MckKenzie
Liner notes by Anita Wardell - May 2006
Exact Audio Copy V1.0 beta 3 from 18. July 2011
EAC extraction logfile from 15. September 2011, 0:21
Anita Wardell / Noted
Used drive : HL-DT-STDVDRAM GSA-E10N Adapter: 1 ID: 1
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : No
Make use of C2 pointers : Yes
Read offset correction : 667
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Gap handling : Not detected, thus appended to previous track
Used output format : User Defined Encoder
Selected bitrate : 1024 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files (x86)\Exact Audio Copy\FLAC\FLAC.EXE
Additional command line options : -6 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "COMMENT=%comment%" -T "BAND=%albuminterpret%" -T "ALBUMARTIST=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%–tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" %hascover%–picture="%coverfile%"%hascover% %source% -o %dest%
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 7:47.30 | 0 | 35054
2 | 7:47.30 | 7:03.09 | 35055 | 66788
3 | 14:50.39 | 7:46.43 | 66789 | 101781
4 | 22:37.07 | 4:15.64 | 101782 | 120970
5 | 26:52.71 | 5:23.66 | 120971 | 145261
6 | 32:16.62 | 4:44.06 | 145262 | 166567
7 | 37:00.68 | 6:03.41 | 166568 | 193833
8 | 43:04.34 | 6:51.17 | 193834 | 224675
9 | 49:55.51 | 4:39.14 | 224676 | 245614
10 | 54:34.65 | 5:33.25 | 245615 | 270614
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Accurately ripped (confidence 2) [6D1612CF] (AR v1)
Copy OK
Track 2
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Accurately ripped (confidence 2) [8B5175B8] (AR v1)
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Track 3
Filename L:\03 Autumn Leaves.wav
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Track quality 100.0 %
Copy CRC 8B153179
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Copy OK
Track 4
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Accurately ripped (confidence 2) [B524DC75] (AR v1)
Copy OK
Track 5
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Accurately ripped (confidence 2) [7853EBFE] (AR v1)
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Track 6
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Track 7
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Track 8
Filename L:\08 Blues on the Corner.wav
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Accurately ripped (confidence 2) [19331B86] (AR v1)
Copy OK
Track 9
Filename L:\09 Wonderful, Wonderful.wav
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Accurately ripped (confidence 2) [40A9B836] (AR v1)
Copy OK
Track 10
Filename L:\10 And What If I Don't.wav
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Accurately ripped (confidence 2) [76C98B00] (AR v1)
Copy OK
All tracks accurately ripped
No errors occurred
End of status report
==== Log checksum 6D950416CC29CBFF5E1DA285A185CE3A8559B5121EA7849EC78CB1C5BC064AE2 ====
EAC extraction logfile from 15. September 2011, 0:21
Anita Wardell / Noted
Used drive : HL-DT-STDVDRAM GSA-E10N Adapter: 1 ID: 1
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : No
Make use of C2 pointers : Yes
Read offset correction : 667
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Gap handling : Not detected, thus appended to previous track
Used output format : User Defined Encoder
Selected bitrate : 1024 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files (x86)\Exact Audio Copy\FLAC\FLAC.EXE
Additional command line options : -6 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "COMMENT=%comment%" -T "BAND=%albuminterpret%" -T "ALBUMARTIST=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%–tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" %hascover%–picture="%coverfile%"%hascover% %source% -o %dest%
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 7:47.30 | 0 | 35054
2 | 7:47.30 | 7:03.09 | 35055 | 66788
3 | 14:50.39 | 7:46.43 | 66789 | 101781
4 | 22:37.07 | 4:15.64 | 101782 | 120970
5 | 26:52.71 | 5:23.66 | 120971 | 145261
6 | 32:16.62 | 4:44.06 | 145262 | 166567
7 | 37:00.68 | 6:03.41 | 166568 | 193833
8 | 43:04.34 | 6:51.17 | 193834 | 224675
9 | 49:55.51 | 4:39.14 | 224676 | 245614
10 | 54:34.65 | 5:33.25 | 245615 | 270614
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Filename L:\06 Doodlin'.wav
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Filename L:\08 Blues on the Corner.wav
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Accurately ripped (confidence 2) [19331B86] (AR v1)
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Accurately ripped (confidence 2) [40A9B836] (AR v1)
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Accurately ripped (confidence 2) [76C98B00] (AR v1)
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All tracks accurately ripped
No errors occurred
End of status report
==== Log checksum 6D950416CC29CBFF5E1DA285A185CE3A8559B5121EA7849EC78CB1C5BC064AE2 ====
[CUETools log; Date: 12.01.2012 20:55:38; Version: 2.0.9]
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c:\Program Files\Exact Audio Copy>CheckLog.EXE "R:\eac.LOG"
Log Integrity Checker (C) 2010 by Andre Wiethoff
1. Log entry is fine!
c:\Program Files\Exact Audio Copy>
Log Integrity Checker (C) 2010 by Andre Wiethoff
1. Log entry is fine!
c:\Program Files\Exact Audio Copy>
Thanks to the original releaser.
(all links are interchangeable)