Art Ensemble Of Chicago - Bap-Tizum (1998)
Art Ensemble Of Chicago - Bap-Tizum (1998)
EAC RIP | APE + CUE + LOG | COVER + BOOK | RAR FILES (3% recovery) | 273 Mb
Jazz | Koch Jazz KOC-CD-8500
EAC RIP | APE + CUE + LOG | COVER + BOOK | RAR FILES (3% recovery) | 273 Mb
Jazz | Koch Jazz KOC-CD-8500
Art Ensemble Of Chicago - Bap-Tizum (1998)
Tracklist:
1 Nfamoudou-Boudougou
2 Immm
3 Unanka
4 Oouffnoon
5 Ohnedaruth
6 Odwalla
7 Untitled
Art Ensemble Of Chicago
Joseph Jarman (vocals, sopranino, soprano, alto, tenor & bass saxophones, alto flute, vibraphone, congas, percussion)
Roscoe Mitchell (vocals, soprano, alto, tenor & bass saxophones, clarinet, drums, percussion)
Lester Bowie (vocals, trumpet, flugelhorn, kelphorn, bass drum, percussion)
Malachi Favors (vocals, whistles, acoustic & electric basses, log drum, gong)
Don Moye (vocals, whistles, bass marimba, drums, congas, log drum, gong, percussion)
This was the Art Ensemble's breakthrough – however short-lived – onto a major U.S. label (Atlantic), as well as a document of the freewheeling band's first appearance at an American festival (the Ann Arbor Blues and Jazz Festival). With activist John Sinclair delivering the introduction, politics is in the air; the crowd is young and predisposed to radical ideas and the Art Ensemble holds back nothing in a chaotic, meandering, exasperating, outrageous – and, thus, always fascinating – performance. The band seems to be clearing its collective throat in the first half of the concert, opening with a battering all-percussion prelude. Roscoe Mitchell and Malachi Favors go at it at length in a staggered, honking tenor sax/bass duet on "Unanka," and Mitchell ratchets up the gears into screeching overdrive on "Oouffnoon." Finally, after a mocking intro by Lester Bowie, the 15-minute
"Ohnedaruth" puts the Art Ensemble on full, ultra-colorful, wailing, free-form display (complete with a few vocal obscenities) before signing off with the "relatively" straight-ahead "Odwalla." It is interesting that Atlantic would lease these way-out recordings to Koch at a time (1998) when it was simultaneously putting out new, safer-sounding releases by the current Art Ensemble and its members.
Richard S. Ginell
Exact Audio Copy V0.99 prebeta 4 from 23. January 2008
EAC extraction logfile from 17. May 2011, 15:21
Art Ensemble of Chicago / BAP-TIZUM
Used drive : ATAPI DVD A DH16A1L Adapter: 1 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Used output format : Internal WAV Routines
Sample format : 44.100 Hz; 16 Bit; Stereo
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.32 | 0:42.50 | 32 | 3231
2 | 0:43.07 | 4:15.53 | 3232 | 22409
3 | 4:58.60 | 5:31.02 | 22410 | 47236
4 | 10:29.62 | 10:43.63 | 47237 | 95524
5 | 21:13.50 | 3:25.12 | 95525 | 110911
6 | 24:38.62 | 15:00.15 | 110912 | 178426
7 | 39:39.02 | 5:42.03 | 178427 | 204079
Range status and errors
Selected range
Filename C:\avaxhome\Art Ensemble of Chicago - BAP-TIZUM.wav
Peak level 96.9 %
Range quality 100.0 %
Copy CRC 6C23D85B
Copy OK
No errors occurred
AccurateRip summary
Track 1 accurately ripped (confidence 8) [6C5F1AE1]
Track 2 accurately ripped (confidence 8) [B11BDAB3]
Track 3 accurately ripped (confidence 8) [5842E80E]
Track 4 accurately ripped (confidence 8) [ADBDB9C5]
Track 5 accurately ripped (confidence 8) [343AFFB2]
Track 6 accurately ripped (confidence 8) [BEDAE294]
Track 7 accurately ripped (confidence 8) [241CD3BC]
All tracks accurately ripped
End of status report
Art Ensemble Of Chicago - Bap-Tizum (1998)
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Art Ensemble Of Chicago - Bap-Tizum (1998)
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Art Ensemble Of Chicago - Bap-Tizum (1998)
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password: basa005