Antonio Bertali - Freiburger Barockorchester Consort - Tausend Gülden (2000)

Posted By: luckburz

Antonio Bertali - Freiburger Barockorchester Consort - Tausend Gülden. Sonatas from the Habsburg Court
EAC+LOG+CUE | WV: 295 MB | Full Artwork | 5% Recovery Info
Label/Cat#: Carus # 83.303 | Country/Year: Germany 2000
Genre: Classical | Style: Baroque

MD5 [X] CUE [X] LOG [X] INFO TEXT [X] ARTWORK [X]

selfrip [] not my rip [X]



Exact Audio Copy V1.0 beta 2 from 29. April 2011

EAC extraction logfile from 16. May 2012, 20:44

Freiburger Barockorchester / Antonio Bertali - Tausend Gulden. Sonatas

Used drive : HL-DT-STDVDRAM GH20NS10 Adapter: 4 ID: 0

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 667
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Installed external ASPI interface

Used output format : Internal WAV Routines
Sample format : 44.100 Hz; 16 Bit; Stereo


TOC of the extracted CD

Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 8:49.45 | 0 | 39719
2 | 8:49.45 | 9:04.15 | 39720 | 80534
3 | 17:53.60 | 2:12.60 | 80535 | 90494
4 | 20:06.45 | 2:38.67 | 90495 | 102411
5 | 22:45.37 | 2:02.13 | 102412 | 111574
6 | 24:47.50 | 7:50.32 | 111575 | 146856
7 | 32:38.07 | 3:50.20 | 146857 | 164126
8 | 36:28.27 | 4:27.25 | 164127 | 184176
9 | 40:55.52 | 6:20.50 | 184177 | 212726
10 | 47:16.27 | 4:15.13 | 212727 | 231864
11 | 51:31.40 | 4:16.07 | 231865 | 251071
12 | 55:47.47 | 8:51.48 | 251072 | 290944


Range status and errors

Selected range

Filename Z:\NetLab\Antonio Bertali - Tausend Gulden. Sonatas (Freiburger Barockorchester) (2000) {Carus 83.303}\Antonio Bertali - Tausend Gulden. Sonatas.wav

Peak level 71.6 %
Extraction speed 6.6 X
Range quality 100.0 %
Test CRC A0343E07
Copy CRC A0343E07
Copy OK

No errors occurred


AccurateRip summary

Track 1 accurately ripped (confidence 2) [B760F237] (AR v2)
Track 2 accurately ripped (confidence 3) [B16ACEFB] (AR v2)
Track 3 accurately ripped (confidence 3) [621643D3] (AR v2)
Track 4 accurately ripped (confidence 3) [4E6BF4F8] (AR v2)
Track 5 accurately ripped (confidence 3) [15048D3B] (AR v2)
Track 6 accurately ripped (confidence 3) [A4AF17FC] (AR v2)
Track 7 accurately ripped (confidence 3) [4EBF3C7C] (AR v2)
Track 8 accurately ripped (confidence 3) [99E2DE73] (AR v2)
Track 9 accurately ripped (confidence 3) [D6A4D426] (AR v2)
Track 10 accurately ripped (confidence 3) [B3E6F62C] (AR v2)
Track 11 accurately ripped (confidence 3) [B5871F76] (AR v2)
Track 12 accurately ripped (confidence 3) [070E652C] (AR v2)

All tracks accurately ripped

End of status report

==== Log checksum CA65425E848AFC480A46C57A60D3274D0EC90E339A799B82B42AC4A6B4D62635 ====

auCDtect: CD records authenticity detector, version 0.8.2
Copyright © 2004 Oleg Berngardt. All rights reserved.
Copyright © 2004 Alexander Djourik. All rights reserved.

Detect mode (0..40 with 0 = most accurate): 8 (default)


––––––––––––––––––––––––––––––
[01 - Sonata a 5 in F 'Tausend Gulden'.wav]
Detected average hi-boundary frequency: 2.037789e+004 Hz
Detected average lo-boundary frequency: 1.410941e+004 Hz
Detected average hi-cut frequency: 2.147233e+004 Hz
Detected average lo-cut frequency: 1.504408e+004 Hz
Maximum probablis boundary frequency: 2.189100e+004 Hz
Coefficient of nonlinearity of a phase: 1.002740e+000
First order smothness: 2.895570e-001
Second order smothness: 8.164557e-001
––––––––––––––––––––––––––––––
This track looks like CDDA with probability 99%.

––––––––––––––––––––––––––––––
[02 - Ciacona in C.wav]
Detected average hi-boundary frequency: 2.046343e+004 Hz
Detected average lo-boundary frequency: 1.448680e+004 Hz
Detected average hi-cut frequency: 2.149437e+004 Hz
Detected average lo-cut frequency: 1.698559e+004 Hz
Maximum probablis boundary frequency: 2.189600e+004 Hz
Coefficient of nonlinearity of a phase: 1.427526e+000
First order smothness: 3.144172e-001
Second order smothness: 8.619632e-001
––––––––––––––––––––––––––––––
This track looks like CDDA with probability 99%.

––––––––––––––––––––––––––––––
[03 - Sonatella I.wav]
Detected average hi-boundary frequency: 2.048008e+004 Hz
Detected average lo-boundary frequency: 1.237388e+004 Hz
Detected average hi-cut frequency: 2.147719e+004 Hz
Detected average lo-cut frequency: 1.357012e+004 Hz
Maximum probablis boundary frequency: 2.169200e+004 Hz
Coefficient of nonlinearity of a phase: 1.207201e+000
First order smothness: 2.578616e-001
Second order smothness: 8.616352e-001
––––––––––––––––––––––––––––––
This track looks like CDDA with probability 100%.

––––––––––––––––––––––––––––––
[04 - Sonatella III.wav]
Detected average hi-boundary frequency: 2.057450e+004 Hz
Detected average lo-boundary frequency: 1.324367e+004 Hz
Detected average hi-cut frequency: 2.146199e+004 Hz
Detected average lo-cut frequency: 1.555592e+004 Hz
Maximum probablis boundary frequency: 2.189100e+004 Hz
Coefficient of nonlinearity of a phase: 1.458901e+000
First order smothness: 4.188482e-001
Second order smothness: 8.376963e-001
––––––––––––––––––––––––––––––
This track looks like CDDA with probability 100%.

––––––––––––––––––––––––––––––
[05 - Sonatella II.wav]
Detected average hi-boundary frequency: 1.996167e+004 Hz
Detected average lo-boundary frequency: 1.165758e+004 Hz
Detected average hi-cut frequency: 2.129944e+004 Hz
Detected average lo-cut frequency: 1.146675e+004 Hz
Maximum probablis boundary frequency: 2.118600e+004 Hz
Coefficient of nonlinearity of a phase: 1.589426e+000
First order smothness: 3.265306e-001
Second order smothness: 7.619048e-001
––––––––––––––––––––––––––––––
This track looks like CDDA with probability 99%.

––––––––––––––––––––––––––––––
[06 - Sonata a 2 in d.wav]
Detected average hi-boundary frequency: 2.042827e+004 Hz
Detected average lo-boundary frequency: 1.412788e+004 Hz
Detected average hi-cut frequency: 2.143413e+004 Hz
Detected average lo-cut frequency: 1.348011e+004 Hz
Maximum probablis boundary frequency: 2.189100e+004 Hz
Coefficient of nonlinearity of a phase: 9.695419e-001
First order smothness: 3.552398e-001
Second order smothness: 7.992895e-001
––––––––––––––––––––––––––––––
This track looks like CDDA with probability 100%.

––––––––––––––––––––––––––––––
[07 - Sonata VI- Prothimia suavissima.wav]
Detected average hi-boundary frequency: 2.062302e+004 Hz
Detected average lo-boundary frequency: 1.281021e+004 Hz
Detected average hi-cut frequency: 2.149152e+004 Hz
Detected average lo-cut frequency: 1.506034e+004 Hz
Maximum probablis boundary frequency: 2.189600e+004 Hz
Coefficient of nonlinearity of a phase: 1.211643e+000
First order smothness: 3.260870e-001
Second order smothness: 8.442029e-001
––––––––––––––––––––––––––––––
This track looks like CDDA with probability 100%.

––––––––––––––––––––––––––––––
[08 - Sonata a 8 in C.wav]
Detected average hi-boundary frequency: 2.028304e+004 Hz
Detected average lo-boundary frequency: 1.409444e+004 Hz
Detected average hi-cut frequency: 2.144430e+004 Hz
Detected average lo-cut frequency: 1.379117e+004 Hz
Maximum probablis boundary frequency: 2.189100e+004 Hz
Coefficient of nonlinearity of a phase: 1.532320e+000
First order smothness: 2.468750e-001
Second order smothness: 8.562500e-001
––––––––––––––––––––––––––––––
This track looks like CDDA with probability 100%.

––––––––––––––––––––––––––––––
[09 - Sonata a 6 in e.wav]
Detected average hi-boundary frequency: 2.041713e+004 Hz
Detected average lo-boundary frequency: 1.357078e+004 Hz
Detected average hi-cut frequency: 2.145759e+004 Hz
Detected average lo-cut frequency: 1.591006e+004 Hz
Maximum probablis boundary frequency: 2.143900e+004 Hz
Coefficient of nonlinearity of a phase: 1.097845e+000
First order smothness: 3.969298e-001
Second order smothness: 8.881579e-001
––––––––––––––––––––––––––––––
This track looks like CDDA with probability 100%.

––––––––––––––––––––––––––––––
[10 - Sonata IX- Prothimia suavissima.wav]
Detected average hi-boundary frequency: 2.024406e+004 Hz
Detected average lo-boundary frequency: 1.350575e+004 Hz
Detected average hi-cut frequency: 2.141183e+004 Hz
Detected average lo-cut frequency: 1.457365e+004 Hz
Maximum probablis boundary frequency: 2.189100e+004 Hz
Coefficient of nonlinearity of a phase: 1.383083e+000
First order smothness: 3.464052e-001
Second order smothness: 8.692810e-001
––––––––––––––––––––––––––––––
This track looks like CDDA with probability 100%.

––––––––––––––––––––––––––––––
[11 - Sonata X- Prothimia suavissima.wav]
Detected average hi-boundary frequency: 2.044171e+004 Hz
Detected average lo-boundary frequency: 1.263740e+004 Hz
Detected average hi-cut frequency: 2.144649e+004 Hz
Detected average lo-cut frequency: 1.459506e+004 Hz
Maximum probablis boundary frequency: 2.175100e+004 Hz
Coefficient of nonlinearity of a phase: 1.446973e+000
First order smothness: 3.420195e-001
Second order smothness: 8.631922e-001
––––––––––––––––––––––––––––––
This track looks like CDDA with probability 100%.

––––––––––––––––––––––––––––––
[12 - Sonata a 5 in d 'Tausend Gulden'.wav]
Detected average hi-boundary frequency: 2.048303e+004 Hz
Detected average lo-boundary frequency: 1.400694e+004 Hz
Detected average hi-cut frequency: 2.152076e+004 Hz
Detected average lo-cut frequency: 1.645232e+004 Hz
Maximum probablis boundary frequency: 2.189100e+004 Hz
Coefficient of nonlinearity of a phase: 8.953199e-001
First order smothness: 3.500785e-001
Second order smothness: 8.681319e-001
––––––––––––––––––––––––––––––
This track looks like CDDA with probability 100%.

foobar2000 1.1.15 / Dynamic Range Meter 1.1.1
log date: 2012-09-25 14:14:41

––––––––––––––––––––––––––––––––––––––––
Analyzed: Freiburger Barockorchester / Antonio Bertali - Tausend Gulden. Sonatas
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR14 -3.97 dB -22.80 dB 8:50 01-Sonata a 5 in F 'Tausend Gulden'
DR14 -2.90 dB -22.62 dB 9:04 02-Ciacona in C
DR12 -5.04 dB -21.50 dB 2:13 03-Sonatella I
DR12 -5.86 dB -21.12 dB 2:39 04-Sonatella III
DR13 -6.11 dB -24.41 dB 2:02 05-Sonatella II
DR12 -6.77 dB -23.16 dB 7:50 06-Sonata a 2 in d
DR12 -3.98 dB -21.12 dB 3:50 07-Sonata VI: Prothimia suavissima
DR12 -4.56 dB -21.47 dB 4:27 08-Sonata a 8 in C
DR13 -4.79 dB -23.76 dB 6:21 09-Sonata a 6 in e
DR13 -5.11 dB -22.85 dB 4:15 10-Sonata IX: Prothimia suavissima
DR12 -7.01 dB -22.34 dB 4:16 11-Sonata X: Prothimia suavissima
DR14 -3.64 dB -21.57 dB 8:52 12-Sonata a 5 in d 'Tausend Gulden'
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 12
Official DR value: DR13

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 638 kbps
Codec: WavPack
================================================================================



CD Info:

Antonio Bertali - Tausend Gülden. Sonaten vom Habsburgischen Hof

Freiburger Barockorchester Consort

Label: Carus
Catalog#: 83.303
Format: CD, Album
Country: Germany
Released: 2000
Genre: Classical
Style: Baroque

Tracklist:

1. Sonata a 5 in F 'Tausend Gulden'
2. Ciacona in С
3. Sonatella I
4. Sonatella III
5. Sonatella II
6. Sonata a 2 in d
7. Sonata VI: Prothimia suavissima
8. Sonata a 8 in С
9. Sonata a 6 in e
10. Sonata IX: Prothimia suavissima
11. Sonata X: Prothimia suavissima
12. Sonata a 5 in d 'Tausend Gulden'

Freiburger Barockorchester Consort:

Petra Müllejans, Daniela Helm (Violini)
Annette Schidt, Christa Kittel (Violetta)
Christian Gooses (Viola tenore)
Hille Perl (Viola da gamba)
Hille Perl, Matthias Müller (Violone)
Lee Santana (Chittarone & Achiliuto)
Thorsten Johann (Cembalo & Organo di Legno)

Recorded at Evangelische Kirche Bassum, 15. - 19.04.1999


The sonatas are real gems from the mid-17th century Habsburg Court, one of the most exciting times in music history.

Antonio BertaliBertali’s courtly compositions reflect the enormous diversity of instrumental music from the 17th century: sonatas with highly virtuosic violin parts alternate with dance-like sonatelles and a ciacona with boisterous rhythms. The most famous work, perhaps the only one you may have heard before by Bertali, is his ciaconna in C. Among the other works on this album are sonatas for multiple strings (sonatas a2, a8, a6, etc.). The playing is superb, the intonation impeccable, the interpretation brilliantly original. Technically, these sonatas are well-done, with a live acoustic, but plenty of recorded detail to capture the clean playing by the FBO Consort.

Originally uploaded by pr3ss. Thanks a lot!
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