Christophe Rousset, Les Talens Lyriques - Tommaso Traetta: Antigona (2000)
Christophe Rousset, Les Talens Lyriques - Tommaso Traetta: Antigona (2000)
EAC | FLAC | Image (Cue & Log) ~ 618 Mb | Total time: 79:16+80:41 | Scans included
Classical | Label: DECCA | # 460 204-2 | Recorded: 2000
EAC | FLAC | Image (Cue & Log) ~ 618 Mb | Total time: 79:16+80:41 | Scans included
Classical | Label: DECCA | # 460 204-2 | Recorded: 2000
In November 1772, as the 16-year-old Mozart was preparing to astonish the Milanese with his third operatic work for the Teatro Regio Ducal, his older contemporary, Tommaso Traetta (1727–79) from the Puglia region of Italy, was presenting the premiere of his second opera for the court of Catherine the Great in St Petersburg. Today, the former’s Lucio Silla is probably better known than the latter’s Antigona. But which is the finer work? On the basis of this outstanding new recorded version, I would say that Traetta’s tragedia per musica in three acts far outclasses Mozart’s opera seria for its consistent musical inspiration and sheer theatrical know-how. If Traetta’s music were at all familiar to opera-lovers today, that would not be so surprising because this contemporary and disciple of Gluck was, by 1772, an experienced composer for the theatre, already in the prime of a life that was to end, prematurely, only seven years later. His career had taken him from the conservatory in Naples to that city’s famous San Carlo, where his first commission in 1751 was Il Farnace. From there he travelled throughout Europe.
His librettist for Antigona was the celebrated Marco Coltellini, who adapted Goldoni’s La finta semplice for the 10-year-old Mozart in 1766, wrote the original text for Haydn’s L’infedelta delusa (1773) and had collaborated with Traetta on one of his greatest successes, an Ifigenia in Tauride (1763) written for the court of Empress Maria Theresia in the wake of Gluck’s mould-breaking ‘reform’ opera, Orfeo ed Euridice (1762). It was around this time – during his period as court composer in Parma – that Traetta had encountered the tragedies-lyriques of Rameau and written his own operas on similar subjects: Ippolito ed Aricia (1759) and I Tintaridi (Castor and Pollux, 1760) enriched the standard aria-recitative sequences of traditional Italian opera seria with French-style choruses.
Certainly, one can hear the French influence in Traetta’s score for Antigona, which opens with a striking and solemn choral scene including dancing and pantomime; the action depicts the fatal combat of Antigona’s brothers, Eteocles and Polynices. The unwitting listener finds himself plunged into the tragic world of Gluck or the Mozart of Idomeneo (1781) – a work manifestly influenced by Traetta’s and Gluck’s francophile style.
In her illuminating booklet essay, Giovanna Ferrara dubs Antigona ‘an outstanding example of a “reformed” tragedia per musica’, occupying ‘a position half-way between the long-established theatrical taste which saw its own ideals reflected in the spirit of Greek tragedy and the desire for an innovative language free at last from tedious long-windedness, dull moralism and mechanical convention’. In these respects Antigona is very much a transitional work, adapting and developing the opera seria tradition of the da capo aria and bringing dramatic variety to the genre through the extensive use of choruses and the larger ensembles of duet, trio and quartet (these are rare even in a masterpiece such as Mozart’s Idomeneo).
Where Traetta parts company with the reformed Gluck is in his native Italian veneration of virtuoso singing: he wrote the title-role of Antigona for the outstanding soprano, Caterina Gabrielli, and both she and the tenor Prati, creator of Creonte, must have had considerable technical ability judging by the difficulty of their music as recorded here. These parts suggest bravura singers of a stature commensurate with the creators of Mozart’s Elettra and Idomeneo.
Although Coltellini follows the action of Sophocles’ great tragedy fairly closely – he omits the character of Creon’s wife Eurydice – he inevitably adheres to the tradition of the happy end in which the apparently despotic tyrant, Creon, makes the enlightened decision to spare Antigona after his son has made a Radames-like tryst with the incarcerated heroine in her living tomb. Unusually for this period, though, there is no deus ex machina: Creon is made to see the error of his severity by the humanity and love of his son Hemon’s actions. The Tsarina would have been flattered by this picture of despotic magnanimity.
As I have indicated, Traetta’s music is of a very high quality, if perhaps lacking the spark of genius that distinguishes Idomeneo or Iphigenie en Tauride as two of the 18th century’s greatest operas. He writes beautifully for women’s voices – his duets for Antigona and her sister, Ismene, for Ismene and Emone – a mezzo-soprano castrato part – foreshadow that of Fiordiligi and Dorabella in Cosi fan tutte or Servilia and Annio in La clemenza di Tito. His approach to the aria is often highly innovative: Act 2 closes with a bravura number for the heroine whose ‘coda’ is a duet for Ismene and Emone. One of the most striking passages in the score is the funerary chorus at the beginning of Act 2 in which Antigona illegally cremates the remains of her degraded brother and cries out his name, Polinice – like Orpheus bemoaning Eurydice in the opening chorus of Gluck’s opera.
Decca’s recording certainly deserves to put Antigona – and Traetta – back on the modern musical map: Christophe Rousset’s musical direction of his Talens Lyriques is evangelical in its fervour. The French conductor – with his experience of tragedie-lyrique and Italian opera seria – really knows how to bring a hybrid piece such as this vividly to life. Although the recording is based on concert performances at the Beaune International Festival of Baroque Music (strictly speaking Traetta is high-classical), it has a highly charged theatrical atmosphere thanks to Rousset’s dynamic and expressive conducting. It is possible, I think, to imagine more vocally charismatic singers for the leading roles; listening to Maria Bayo’s fluent, effortless coloratura and sweet but slightly soubrettish timbre in the title-role, I hankered for the richer sound and more tragic demeanour of, say, a Cecilia Bartoli, but we can’t have Bartoli in everything and Bayo’s singing is never less than accomplished. A nobler, darker tone than that possessed by Carlo Vincenzo Allemano might lend greater gravitas to Creon’s part, but the Italian tenor copes extremely well with the demanding fioriture of the part and is especially successful at suggesting the pent-up fury of the Theban tyrant when his orders are flouted by his niece. Anna Maria Panzarella’s warm, slightly husky tone contrasts well with the brightness of Bayo’s in their duets, and the Italian mezzo Laura Polverelli blends well with both voices as Antigona’s betrothed, Emone.–Hugh Canning
Performed:
Antigona – María Bayo
Ismene – Anna Maria Panzarella
Creonte – Carlo Vincenzo Allemano
Ermone – Laura Polverelli
Adrasto – Gilles Ragon
Chœur de chambre Accentus
Les Talens Lyriques
Conductor – Christophe Rousset
Tracklist:
Tommaso Traetta (1727-1779)
Antigona
CD1:
01. Sinfonia
02. Atto I. Danza e Coro: Giusti numi, ah voi rendete (Coro, Creonte, Adrasto)
03. Coro: O trista, infausta scena
04. Recitativo: Popoli, amici, a' nostri il cielo (Creonte)
05. Coro: Regna lunghi anni felici
06. Recitativo: Cedo al pubblico voto (Creonte)
07. Coro: Così finiscando, così periscano
08. Recitativo accompagnato: Fermatevi crudeli (Antigona, Ismeme, Creonte)
09. Terzetto: Ah de' tuoi re, tiranno (Antigona, Ismeme, Creonte)
10. Recitativo: Ah di; rimane ancora (Antigona, Ismeme)
11. Aria: D'una misera famiglia (Antigona)
12. Recitativo: Rimproveri crudeli (Ismene)
13. Aria: Ah giunto invan credeli (Ismene)
14. Duetto: Grazie a' pietosi (Emone, Ismene)
15. Recitativo: Misero me, che ascolto! (Emone, Ismene)
16. Duetto: No, ti fida (Emone, Ismene)
17. Atto II. Danza e Coro: Ascolta il nostro pianto (Coro, Antigona)
18. Recitativo e aria: Ombra cara, amorosa (Antigona)
19. Aria: Io resto sempre a piangere (Antigona)
20. Coro: O folle orgoglio umano
21. Recitativo accompagnato: O reliquie funeste (Antigona, Emone)
22. Aria e duo: Ah sì; da te dipende (Emone, Antigona)
23. Recitativo: Non v'è più dubbio (Adrasto)
24. Aria: Chi può dir: sono innocente? (Adrasto)
25. Danza
26. Coro: Se più non s'accende
27. Strofe: Se Tebe non vede (Ismene, Creonte, coro)
28. Strofe: Quante lacrime versò (Ismene)
29. Coro delle fanciulle: Quante strida al ciel mandò
30. Coro: Mai più non s'accende
31. Recitativo accompagnato: Sommo, provvido Nume (Creonte, Adrasto, Ismene)
32. Recitativo: Quell'urna? (Creonte, Adrasto, Emone)
CD2:
01. Aria: Non lusingarti ingrato (Creonte)
02. Coro: Ah, serba il figlio (Coro, Creonte)
03. Recitativo: La rea son io (Antigona, Ismene, Emone, Creonte)
04. Aria e duetto: Non è il rigor tiranno (Creonte, Ismene, Emone)
05. Recitativo accompagnato: All'ombre amate (Antigona, Ismene, Emone)
06. Aria: Finito è il mio tormento (Antigona)
07. Duetto: Quando di duol d'affanno (Ismene, Emone)
08. Atto III. Coro: Piangi, o Tebe
09. Coro di donzelle: Ahi, come presto, o misera
10. Recitativo accompagnato: O Tebe, o cittadini (Antigona)
11. Coro: Da te ripete, o misera (Coro, Antigona, Ismene)
12. Recitativo: Signor, da te non vengo (Ismene, Antigona, Creonte)
13. Aria: Ah, lasciami morir, misera! (Ismene)
14. Recitativo accompagnato: O germana! O Tebani! (Antigona)
15. Aria: Non piangete I casi miei (Antigona)
16. Coro: Piangi, o Tebe
17. Recitativo: Ah, t'affretta signor (Adrasto, Creonte)
18. Recitativo accompagnato: Ahimè! qual nera benda (Creonte)
19. Aria: Ah, no, non son gli Dei cagion di tanto affanno (Creonte)
20. Coro: Ah! quando avrà mai fine
21. Recitativo: Adrasto! - Oh Dei, che miro! (Emone, Adrasto)
22. Aria: Ah se lo vedi piangere (Emone, Adrasto)
23. Recitativo: Misera, ove m'inoltro? (Antigona, Emone)
24. Duetto: E quella del mio ben (Antigona, Emone)
25. Recitativo: Che dissi? Oh me infelice! (Antigona, Emone)
26. Duetto: Ah sì! mio ben (Antigona, Emone)
27. Recitativo accompagnato: Ma qual colpi improvisi (Emone, Antigona, Creonte)
28. Festa che termina lo spettacolo. Ballo
29. Coro: Sorgi di Venere
30. Strofe: O come presto obliasi (Antigona, Emone)
31. Coro: Vieni e restaura
32. Strofe: Costan sospiri e lacrime (Ismene, Creonte, Adrasto)
33. Coro: Stendan sull'ali rosee
34. Ciaccona
Exact Audio Copy V1.6 from 23. October 2020
EAC extraction logfile from 20. May 2025, 12:38
Christophe Rousset, Les Talens Lyriques / Traetta: Antigona (Disc 1)
Used drive : ASUS BW-16D1HT Adapter: 1 ID: 1
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Used output format : User Defined Encoder
Selected bitrate : 768 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files (x86)\Exact Audio Copy\FLAC\FLAC.EXE
Additional command line options : -6 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "COMMENT=%comment%" -T "BAND=%albuminterpret%" -T "ALBUMARTIST=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%–tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" %hascover%–picture="%coverfile%"%hascover% %source% -o %dest%
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 5:53.42 | 0 | 26516
2 | 5:53.42 | 2:59.03 | 26517 | 39944
3 | 8:52.45 | 1:06.72 | 39945 | 44966
4 | 9:59.42 | 1:50.48 | 44967 | 53264
5 | 11:50.15 | 1:26.05 | 53265 | 59719
6 | 13:16.20 | 0:42.65 | 59720 | 62934
7 | 13:59.10 | 0:36.09 | 62935 | 65643
8 | 14:35.19 | 2:09.17 | 65644 | 75335
9 | 16:44.36 | 4:39.61 | 75336 | 96321
10 | 21:24.22 | 1:52.72 | 96322 | 104793
11 | 23:17.19 | 4:17.11 | 104794 | 124079
12 | 27:34.30 | 1:01.55 | 124080 | 128709
13 | 28:36.10 | 3:17.55 | 128710 | 143539
14 | 31:53.65 | 2:34.25 | 143540 | 155114
15 | 34:28.15 | 0:49.60 | 155115 | 158849
16 | 35:18.00 | 5:23.53 | 158850 | 183127
17 | 40:41.53 | 7:16.52 | 183128 | 215879
18 | 47:58.30 | 3:12.34 | 215880 | 230313
19 | 51:10.64 | 2:21.04 | 230314 | 240892
20 | 53:31.68 | 0:31.49 | 240893 | 243266
21 | 54:03.42 | 2:54.48 | 243267 | 256364
22 | 56:58.15 | 5:41.04 | 256365 | 281943
23 | 62:39.19 | 0:52.74 | 281944 | 285917
24 | 63:32.18 | 3:29.19 | 285918 | 301611
25 | 67:01.37 | 1:22.01 | 301612 | 307762
26 | 68:23.38 | 1:21.11 | 307763 | 313848
27 | 69:44.49 | 1:31.18 | 313849 | 320691
28 | 71:15.67 | 1:29.37 | 320692 | 327403
29 | 72:45.29 | 1:35.63 | 327404 | 334591
30 | 74:21.17 | 0:57.57 | 334592 | 338923
31 | 75:18.74 | 2:44.18 | 338924 | 351241
32 | 78:03.17 | 1:10.68 | 351242 | 356559
Range status and errors
Selected range
Filename D:\ArlegZ\Traetta - Antigona - Christophe Rousset (Disc 1).wav
Peak level 99.1 %
Extraction speed 9.0 X
Range quality 100.0 %
Test CRC EB923EAD
Copy CRC EB923EAD
Copy OK
No errors occurred
AccurateRip summary
Track 1 accurately ripped (confidence 14) [318C85BF] (AR v2)
Track 2 accurately ripped (confidence 14) [4B82DB24] (AR v2)
Track 3 accurately ripped (confidence 14) [E2876430] (AR v2)
Track 4 accurately ripped (confidence 14) [42342F65] (AR v2)
Track 5 accurately ripped (confidence 14) [C6369FBF] (AR v2)
Track 6 accurately ripped (confidence 14) [B1F33495] (AR v2)
Track 7 accurately ripped (confidence 14) [F02FA222] (AR v2)
Track 8 accurately ripped (confidence 14) [3239974E] (AR v2)
Track 9 accurately ripped (confidence 14) [4C6687ED] (AR v2)
Track 10 accurately ripped (confidence 14) [69E6B503] (AR v2)
Track 11 accurately ripped (confidence 14) [156AD101] (AR v2)
Track 12 accurately ripped (confidence 14) [B05942D4] (AR v2)
Track 13 accurately ripped (confidence 14) [27F2CD1A] (AR v2)
Track 14 accurately ripped (confidence 14) [FF8AFD07] (AR v2)
Track 15 accurately ripped (confidence 14) [D5DCFE62] (AR v2)
Track 16 accurately ripped (confidence 14) [CD083DAD] (AR v2)
Track 17 accurately ripped (confidence 14) [250F2FC9] (AR v2)
Track 18 accurately ripped (confidence 14) [9DFD03FE] (AR v2)
Track 19 accurately ripped (confidence 14) [5F8A7AD7] (AR v2)
Track 20 accurately ripped (confidence 14) [4C4F5577] (AR v2)
Track 21 accurately ripped (confidence 14) [14744B1A] (AR v2)
Track 22 accurately ripped (confidence 14) [AB12AE3C] (AR v2)
Track 23 accurately ripped (confidence 14) [1716490B] (AR v2)
Track 24 accurately ripped (confidence 14) [18FBAF0C] (AR v2)
Track 25 accurately ripped (confidence 14) [C4931182] (AR v2)
Track 26 accurately ripped (confidence 14) [90BD0720] (AR v2)
Track 27 accurately ripped (confidence 14) [7DB1085D] (AR v2)
Track 28 accurately ripped (confidence 14) [8B9B3896] (AR v2)
Track 29 accurately ripped (confidence 14) [EB228593] (AR v2)
Track 30 accurately ripped (confidence 14) [047927B8] (AR v2)
Track 31 accurately ripped (confidence 14) [2F5367F6] (AR v2)
Track 32 accurately ripped (confidence 14) [246586F2] (AR v2)
All tracks accurately ripped
End of status report
–– CUETools DB Plugin V2.1.6
[CTDB TOCID: hnaH82Ol5NJ9ZrfFact867Er.Io-] found
Submit result: hnaH82Ol5NJ9ZrfFact867Er.Io- has been confirmed
Track | CTDB Status
1 | (31/31) Accurately ripped
2 | (31/31) Accurately ripped
3 | (31/31) Accurately ripped
4 | (31/31) Accurately ripped
5 | (31/31) Accurately ripped
6 | (31/31) Accurately ripped
7 | (31/31) Accurately ripped
8 | (31/31) Accurately ripped
9 | (31/31) Accurately ripped
10 | (31/31) Accurately ripped
11 | (31/31) Accurately ripped
12 | (31/31) Accurately ripped
13 | (31/31) Accurately ripped
14 | (31/31) Accurately ripped
15 | (31/31) Accurately ripped
16 | (31/31) Accurately ripped
17 | (31/31) Accurately ripped
18 | (31/31) Accurately ripped
19 | (31/31) Accurately ripped
20 | (31/31) Accurately ripped
21 | (31/31) Accurately ripped
22 | (31/31) Accurately ripped
23 | (31/31) Accurately ripped
24 | (31/31) Accurately ripped
25 | (30/31) Accurately ripped
26 | (31/31) Accurately ripped
27 | (31/31) Accurately ripped
28 | (31/31) Accurately ripped
29 | (31/31) Accurately ripped
30 | (31/31) Accurately ripped
31 | (31/31) Accurately ripped
32 | (30/31) Accurately ripped
==== Log checksum CBD1125F7678F8F28D907A260825D3192986BBBD09DAA2A04CCD101D7818BEA4 ====
Exact Audio Copy V1.6 from 23. October 2020
EAC extraction logfile from 20. May 2025, 12:59
Christophe Rousset, Les Talens Lyriques / Traetta: Antigona (Disc 2)
Used drive : ASUS BW-16D1HT Adapter: 1 ID: 1
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Used output format : User Defined Encoder
Selected bitrate : 768 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files (x86)\Exact Audio Copy\FLAC\FLAC.EXE
Additional command line options : -6 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "COMMENT=%comment%" -T "BAND=%albuminterpret%" -T "ALBUMARTIST=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%–tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" %hascover%–picture="%coverfile%"%hascover% %source% -o %dest%
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 1:35.39 | 0 | 7163
2 | 1:35.39 | 2:11.07 | 7164 | 16995
3 | 3:46.46 | 1:49.29 | 16996 | 25199
4 | 5:36.00 | 2:09.13 | 25200 | 34887
5 | 7:45.13 | 0:58.65 | 34888 | 39302
6 | 8:44.03 | 5:08.59 | 39303 | 62461
7 | 13:52.62 | 0:59.43 | 62462 | 66929
8 | 14:52.30 | 2:24.35 | 66930 | 77764
9 | 17:16.65 | 1:21.59 | 77765 | 83898
10 | 18:38.49 | 1:53.68 | 83899 | 92441
11 | 20:32.42 | 1:25.31 | 92442 | 98847
12 | 21:57.73 | 1:50.03 | 98848 | 107100
13 | 23:48.01 | 2:06.72 | 107101 | 116622
14 | 25:54.73 | 2:46.32 | 116623 | 129104
15 | 28:41.30 | 4:41.65 | 129105 | 150244
16 | 33:23.20 | 2:21.49 | 150245 | 160868
17 | 35:44.69 | 1:32.67 | 160869 | 167835
18 | 37:17.61 | 1:48.43 | 167836 | 175978
19 | 39:06.29 | 6:22.54 | 175979 | 204682
20 | 45:29.08 | 0:16.05 | 204683 | 205887
21 | 45:45.13 | 1:18.46 | 205888 | 211783
22 | 47:03.59 | 4:09.07 | 211784 | 230465
23 | 51:12.66 | 3:33.56 | 230466 | 246496
24 | 54:46.47 | 2:45.69 | 246497 | 258940
25 | 57:32.41 | 2:10.26 | 258941 | 268716
26 | 59:42.67 | 4:11.45 | 268717 | 287586
27 | 63:54.37 | 1:41.42 | 287587 | 295203
28 | 65:36.04 | 1:39.60 | 295204 | 302688
29 | 67:15.64 | 1:46.30 | 302689 | 310668
30 | 69:02.19 | 1:51.71 | 310669 | 319064
31 | 70:54.15 | 1:54.56 | 319065 | 327670
32 | 72:48.71 | 1:16.36 | 327671 | 333406
33 | 74:05.32 | 0:55.28 | 333407 | 337559
34 | 75:00.60 | 5:37.44 | 337560 | 362878
Range status and errors
Selected range
Filename D:\ArlegZ\Traetta - Antigona - Christophe Rousset (Disc 2).wav
Peak level 94.0 %
Extraction speed 9.0 X
Range quality 100.0 %
Test CRC 7AAC5874
Copy CRC 7AAC5874
Copy OK
No errors occurred
AccurateRip summary
Track 1 accurately ripped (confidence 14) [67BF92D7] (AR v2)
Track 2 accurately ripped (confidence 14) [0966D548] (AR v2)
Track 3 accurately ripped (confidence 14) [8D1D5727] (AR v2)
Track 4 accurately ripped (confidence 14) [CACA2F6B] (AR v2)
Track 5 accurately ripped (confidence 14) [5E156F88] (AR v2)
Track 6 accurately ripped (confidence 14) [965F6179] (AR v2)
Track 7 accurately ripped (confidence 14) [9E0C93CA] (AR v2)
Track 8 accurately ripped (confidence 14) [0D3B88F7] (AR v2)
Track 9 accurately ripped (confidence 14) [6ED686E5] (AR v2)
Track 10 accurately ripped (confidence 14) [605CA367] (AR v2)
Track 11 accurately ripped (confidence 14) [3C922F5B] (AR v2)
Track 12 accurately ripped (confidence 14) [F48B9480] (AR v2)
Track 13 accurately ripped (confidence 14) [5592B312] (AR v2)
Track 14 accurately ripped (confidence 14) [D02C6510] (AR v2)
Track 15 accurately ripped (confidence 14) [34CDE00B] (AR v2)
Track 16 accurately ripped (confidence 14) [46846C82] (AR v2)
Track 17 accurately ripped (confidence 14) [3816DB2E] (AR v2)
Track 18 accurately ripped (confidence 14) [33EC9ED7] (AR v2)
Track 19 accurately ripped (confidence 14) [0878753F] (AR v2)
Track 20 accurately ripped (confidence 14) [7288A8BC] (AR v2)
Track 21 accurately ripped (confidence 14) [83A4FD08] (AR v2)
Track 22 accurately ripped (confidence 13) [E230CA71] (AR v2)
Track 23 accurately ripped (confidence 14) [D9A5FF0A] (AR v2)
Track 24 accurately ripped (confidence 14) [1E67EF2D] (AR v2)
Track 25 accurately ripped (confidence 14) [83C85748] (AR v2)
Track 26 accurately ripped (confidence 14) [2759679B] (AR v2)
Track 27 accurately ripped (confidence 14) [2121EF83] (AR v2)
Track 28 accurately ripped (confidence 14) [5043AE4F] (AR v2)
Track 29 accurately ripped (confidence 14) [EDB3A034] (AR v2)
Track 30 accurately ripped (confidence 14) [681175CC] (AR v2)
Track 31 accurately ripped (confidence 14) [26EE008A] (AR v2)
Track 32 accurately ripped (confidence 14) [3D3D2CC8] (AR v2)
Track 33 accurately ripped (confidence 14) [F2780EC6] (AR v2)
Track 34 accurately ripped (confidence 14) [31C42BB0] (AR v2)
All tracks accurately ripped
End of status report
–– CUETools DB Plugin V2.1.6
[CTDB TOCID: hMDjyOprQ5jECml3WXhUV86wRtg-] found
Submit result: hMDjyOprQ5jECml3WXhUV86wRtg- has been confirmed
Track | CTDB Status
1 | (29/29) Accurately ripped
2 | (29/29) Accurately ripped
3 | (29/29) Accurately ripped
4 | (29/29) Accurately ripped
5 | (29/29) Accurately ripped
6 | (29/29) Accurately ripped
7 | (29/29) Accurately ripped
8 | (29/29) Accurately ripped
9 | (29/29) Accurately ripped
10 | (29/29) Accurately ripped
11 | (29/29) Accurately ripped
12 | (29/29) Accurately ripped
13 | (29/29) Accurately ripped
14 | (29/29) Accurately ripped
15 | (29/29) Accurately ripped
16 | (29/29) Accurately ripped
17 | (29/29) Accurately ripped
18 | (29/29) Accurately ripped
19 | (29/29) Accurately ripped
20 | (29/29) Accurately ripped
21 | (29/29) Accurately ripped
22 | (29/29) Accurately ripped
23 | (29/29) Accurately ripped
24 | (29/29) Accurately ripped
25 | (29/29) Accurately ripped
26 | (29/29) Accurately ripped
27 | (29/29) Accurately ripped
28 | (29/29) Accurately ripped
29 | (29/29) Accurately ripped
30 | (29/29) Accurately ripped
31 | (29/29) Accurately ripped
32 | (29/29) Accurately ripped
33 | (29/29) Accurately ripped
34 | (29/29) Accurately ripped
==== Log checksum 12180E953D2FD977E2EF0BD1113A30EAE820372466559B27A1541B3EEF66DE38 ====
Christophe Rousset, Les Talens Lyriques - Tommaso Traetta: Antigona (2000)
