El Gato's Rhythm Orchestra - Strictly Dancing "Cha Cha" (1991)
El Gato's Rhythm Orchestra - Strictly Dancing "Cha Cha" (1991)
Latin | EAC Rip | FLAC (tracks)+CUE+LOG | mp3@320 | 298 MB. & 120 MB.
500dpi. Complete Scans (JPG) - 17 MB. | WinRar, 3% recovery
Audio CD (1991) | Label: Delta/LaserLight | Catalog# 15-336 | 50:49 min.
Latin | EAC Rip | FLAC (tracks)+CUE+LOG | mp3@320 | 298 MB. & 120 MB.
500dpi. Complete Scans (JPG) - 17 MB. | WinRar, 3% recovery
Audio CD (1991) | Label: Delta/LaserLight | Catalog# 15-336 | 50:49 min.
~amazon
If you want Cha Cha music with a beat that is easy to feel, then this CD should work just fine. I bought this CD because my spouse was having trouble finding the Cha Cha beat while we danced together. Dancing the music from this collection has made it easier and more enjoyable for us. All of the tracks are well-suited for Cha Cha and fun to dance to.
El Gato's Rhythm Orchestra - Strictly Dancing "Cha Cha" (1991)
Tracklist:
01. Tea for Two (3:15)
02. Blue Cha Cha (3:46)
03. Volare (nel blu dipinto di blu) (3:35)
04. Vendedor De Bananas (4:39)
05. El Musico (3:22)
06. Cha-Chaparral (2:38)
07. Tiritomba (1:50)
08. Hello Dolly (3:12)
09. En Casa (3:04)
10. Que Hora Es (3:33)
11. Colonel Bogey Cha Cha (3:26)
12. Vacaciones En Caracas (3:05)
13. Amada Mia (3:26)
14. Sugar Cha Cha (2:50)
15. Cha Cha Por Estrellita (2:16)
16. Ojos Oscuros (2:52)
El Gato's Rhythm Orchestra - Strictly Dancing "Cha Cha" (1991)
Personnel:
El Gato's Rhythm Orchestra
(detailed personnel information is not given on booklet)
~wikipedia
The Cha-cha-cha is the name of a dance of Cuban origin.
It is danced to the music of the same name introduced by Cuban composer and violinist Enrique Jorrín in 1953. This rhythm was developed from the danzón by a syncopation of the fourth beat.
The name is onomatopoeic, derived from the rhythm of the güiro (scraper) and the shuffling of the dancers' feet.
Origin
The modern style of dancing the cha-cha-chá comes from studies made by dance teacher Monsieur Pierre (Pierre Zurcher-Margolle), who partnered Doris Lavelle.
Pierre, then from London, visited Cuba in 1952 to find out how and what Cubans were dancing at the time. He noted that this new dance had a split fourth beat, and to dance it one started on the second beat, not the first. He brought this dance idea to England and eventually created what is now known as ballroom cha-cha-cha.
The validity of his analysis is well established for that time, and some forms of evidence exist today. First, there is in existence film of Orquesta Jorrin playing to a cha-cha-cha dance contest in Cuba; second, the rhythm of the Benny More classic Santa Isabel de las Lajas written and recorded at about the same time is quite clearly syncopated on the fourth beat. Also, note that the slower bolero-son ("rumba") was always danced on the second beat.
Description
Cha-cha-cha may be either danced to authentic Cuban music, or Latin Pop or Latin Rock. The music for the international ballroom cha-cha-cha is energetic and with a steady beat. The Cuban cha-cha-chá is more sensual and may involve complex polyrhythms.
Styles of cha-cha-cha dance may differ in the place of the chasse in the rhythmical structure. The original Cuban and the ballroom cha-cha-cha count is "two, three, chachacha" or "four-and-one, two, three". The dance does not start on the first beat of a bar, though it can start with a transfer of weight to the lead's right.
Nevertheless, many social dancers count "one, two, cha-cha-cha" and may find it difficult to make the adjustment to the "correct" timing of the dance.
Basic Step of Cha-Cha-Cha
The basic pattern involves the lead (usually the man) taking a checked forward step with the left foot retaining some weight on the right foot, the knee of the right leg must stay straight and close to the back of the left knee, the left leg having straightened just prior to receiving part weight. This step is taken on the second beat of the bar. Full weight is returned to the right leg on the second step (beat three).
The fourth beat is split in two so the count of the next three steps is 4-and-1. These three steps constitute the cha-cha-cha chasse. A step to the side is taken with the left foot, the right foot is half closed towards the left foot (typically leaving both feet under the hips or perhaps closed together), and finally there is a last step to the left with the left foot. The length of the steps in the chasse depends very much on the effect the dancer is attempting to make.
The partner takes a step back on the right foot, the knee being straightened as full weight is taken. The other leg is allowed to remain straight. It is possible it will shoot slightly but no deliberate flexing of the free leg is attempted. This is quite different from technique associated with salsa, for instance. On the next beat (beat three) weight is returned to the left leg. Then a cha-cha-cha chasse is danced RLR.
Each partner is now in a position to dance the bar their partner just danced. Hence the fundamental construction of Cha-cha-cha extends over two bars.
The checked first step is a later development in the International Cha-cha-cha. Because of the action used during the forward step (the one taking only part weight) the basic pattern turns left, whereas in earlier times Cha-cha-cha was danced without rotation of the alignment. Hip actions are allowed to occur at the end of every step. For steps taking a single beat the first half of the beat constitutes the foot movement and the second half is taken up by the hip movement. The hip sway eliminates any increase in height as the feet are brought towards each other.
Footwork
In general, steps in all directions should be taken first with the ball of the foot in contact with the floor, and then with the heel lowering when the weight is fully transferred; however, some steps require that the heel remain lifted from the floor. When weight is released from a foot, the heel should release from the floor first, allowing the toe to maintain contact with the floor…
Hip Movement
In traditional American Rhythm style, Latin hip movement is achieved through the alternate bending and straightening action of the knees, though in modern competitive dancing, the technique is virtually identical to the International Latin style.
In the International Latin style, the weighted leg is almost always straight. The free leg will bend, allowing the hips to naturally settle into the direction of the weighted leg. As a step is taken, a free leg will straighten the instant before it receives weight. It should then remain straight until it is completely free of weight again.
International Latin Style Cha-Cha-Cha
Cha-cha-cha is one of the five dances of the "Latin American" program of international ballroom competitions.
As described above, the basis of the modern dance was laid down in the 1950s by Pierre & Lavelle and developed in the 1960s by Walter Laird and other top competitors of the time. The basic steps taught to learners today are based on these accounts.
In general, steps are kept compact and the dance is danced generally without any rise and fall. The modern ballroom technique of Cha-cha-cha (and other ballroom dances) does undergo gradual evolution, particularly in competition dancing, but in essence is still firmly based on its Cuban origin in the 1950s.
The Cha-cha-cha is the name of a dance of Cuban origin.
It is danced to the music of the same name introduced by Cuban composer and violinist Enrique Jorrín in 1953. This rhythm was developed from the danzón by a syncopation of the fourth beat.
The name is onomatopoeic, derived from the rhythm of the güiro (scraper) and the shuffling of the dancers' feet.
Origin
The modern style of dancing the cha-cha-chá comes from studies made by dance teacher Monsieur Pierre (Pierre Zurcher-Margolle), who partnered Doris Lavelle.
Pierre, then from London, visited Cuba in 1952 to find out how and what Cubans were dancing at the time. He noted that this new dance had a split fourth beat, and to dance it one started on the second beat, not the first. He brought this dance idea to England and eventually created what is now known as ballroom cha-cha-cha.
The validity of his analysis is well established for that time, and some forms of evidence exist today. First, there is in existence film of Orquesta Jorrin playing to a cha-cha-cha dance contest in Cuba; second, the rhythm of the Benny More classic Santa Isabel de las Lajas written and recorded at about the same time is quite clearly syncopated on the fourth beat. Also, note that the slower bolero-son ("rumba") was always danced on the second beat.
Description
Cha-cha-cha may be either danced to authentic Cuban music, or Latin Pop or Latin Rock. The music for the international ballroom cha-cha-cha is energetic and with a steady beat. The Cuban cha-cha-chá is more sensual and may involve complex polyrhythms.
Styles of cha-cha-cha dance may differ in the place of the chasse in the rhythmical structure. The original Cuban and the ballroom cha-cha-cha count is "two, three, chachacha" or "four-and-one, two, three". The dance does not start on the first beat of a bar, though it can start with a transfer of weight to the lead's right.
Nevertheless, many social dancers count "one, two, cha-cha-cha" and may find it difficult to make the adjustment to the "correct" timing of the dance.
Basic Step of Cha-Cha-Cha
The basic pattern involves the lead (usually the man) taking a checked forward step with the left foot retaining some weight on the right foot, the knee of the right leg must stay straight and close to the back of the left knee, the left leg having straightened just prior to receiving part weight. This step is taken on the second beat of the bar. Full weight is returned to the right leg on the second step (beat three).
The fourth beat is split in two so the count of the next three steps is 4-and-1. These three steps constitute the cha-cha-cha chasse. A step to the side is taken with the left foot, the right foot is half closed towards the left foot (typically leaving both feet under the hips or perhaps closed together), and finally there is a last step to the left with the left foot. The length of the steps in the chasse depends very much on the effect the dancer is attempting to make.
The partner takes a step back on the right foot, the knee being straightened as full weight is taken. The other leg is allowed to remain straight. It is possible it will shoot slightly but no deliberate flexing of the free leg is attempted. This is quite different from technique associated with salsa, for instance. On the next beat (beat three) weight is returned to the left leg. Then a cha-cha-cha chasse is danced RLR.
Each partner is now in a position to dance the bar their partner just danced. Hence the fundamental construction of Cha-cha-cha extends over two bars.
The checked first step is a later development in the International Cha-cha-cha. Because of the action used during the forward step (the one taking only part weight) the basic pattern turns left, whereas in earlier times Cha-cha-cha was danced without rotation of the alignment. Hip actions are allowed to occur at the end of every step. For steps taking a single beat the first half of the beat constitutes the foot movement and the second half is taken up by the hip movement. The hip sway eliminates any increase in height as the feet are brought towards each other.
Footwork
In general, steps in all directions should be taken first with the ball of the foot in contact with the floor, and then with the heel lowering when the weight is fully transferred; however, some steps require that the heel remain lifted from the floor. When weight is released from a foot, the heel should release from the floor first, allowing the toe to maintain contact with the floor…
Hip Movement
In traditional American Rhythm style, Latin hip movement is achieved through the alternate bending and straightening action of the knees, though in modern competitive dancing, the technique is virtually identical to the International Latin style.
In the International Latin style, the weighted leg is almost always straight. The free leg will bend, allowing the hips to naturally settle into the direction of the weighted leg. As a step is taken, a free leg will straighten the instant before it receives weight. It should then remain straight until it is completely free of weight again.
International Latin Style Cha-Cha-Cha
Cha-cha-cha is one of the five dances of the "Latin American" program of international ballroom competitions.
As described above, the basis of the modern dance was laid down in the 1950s by Pierre & Lavelle and developed in the 1960s by Walter Laird and other top competitors of the time. The basic steps taught to learners today are based on these accounts.
In general, steps are kept compact and the dance is danced generally without any rise and fall. The modern ballroom technique of Cha-cha-cha (and other ballroom dances) does undergo gradual evolution, particularly in competition dancing, but in essence is still firmly based on its Cuban origin in the 1950s.
Third of the LaserLight's "Strictly Dancing Part-I" series
Licensed by Countdown Music
Illustration by M. Klinnert
Cover Design: Adam Backhausen, Köln
1991, Delta Music GmbH, D-50226, Frechen
Exact Audio Copy V1.0 beta 1 from 15. November 2010
EAC extraction logfile from 12. December 2011, 9:19
El Gato's Rhythm Orchestra / Strictly Dancing ''Cha Cha'' {LaserLight}
Used drive : ASUS DRW-1608P3S Adapter: 0 ID: 1
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 48
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Gap handling : Appended to previous track
Used output format : Internal WAV Routines
Sample format : 44.100 Hz; 16 Bit; Stereo
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 3:14.65 | 0 | 14614
2 | 3:14.65 | 3:46.30 | 14615 | 31594
3 | 7:01.20 | 3:35.00 | 31595 | 47719
4 | 10:36.20 | 4:39.00 | 47720 | 68644
5 | 15:15.20 | 3:22.05 | 68645 | 83799
6 | 18:37.25 | 2:37.45 | 83800 | 95619
7 | 21:14.70 | 1:49.40 | 95620 | 103834
8 | 23:04.35 | 3:12.35 | 103835 | 118269
9 | 26:16.70 | 3:04.12 | 118270 | 132081
10 | 29:21.07 | 3:33.28 | 132082 | 148084
11 | 32:54.35 | 3:25.50 | 148085 | 163509
12 | 36:20.10 | 3:04.57 | 163510 | 177366
13 | 39:24.67 | 3:26.18 | 177367 | 192834
14 | 42:51.10 | 2:49.57 | 192835 | 205566
15 | 45:40.67 | 2:16.10 | 205567 | 215776
16 | 47:57.02 | 2:52.23 | 215777 | 228699
Track 1
Filename H:\EAC@Oceandrop rips\El Gato's Rhythm Orchestra - Strictly Dancing ''Cha Cha'' {LaserLight}\01 - Tea for Two.wav
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Test CRC D0AA9E47
Copy CRC D0AA9E47
Accurately ripped (confidence 3) [17F2C6AA]
Copy OK
Track 2
Filename H:\EAC@Oceandrop rips\El Gato's Rhythm Orchestra - Strictly Dancing ''Cha Cha'' {LaserLight}\02 - Blue Cha Cha.wav
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Peak level 78.8 %
Extraction speed 4.7 X
Track quality 100.0 %
Test CRC 9E499C64
Copy CRC 9E499C64
Accurately ripped (confidence 3) [93DCD74D]
Copy OK
Track 3
Filename H:\EAC@Oceandrop rips\El Gato's Rhythm Orchestra - Strictly Dancing ''Cha Cha'' {LaserLight}\03 - Volare (nel blu dipinto di blu).wav
Pre-gap length 0:00:01.20
Peak level 73.8 %
Extraction speed 5.0 X
Track quality 100.0 %
Test CRC CFD96DD7
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Accurately ripped (confidence 3) [22979B11]
Copy OK
Track 4
Filename H:\EAC@Oceandrop rips\El Gato's Rhythm Orchestra - Strictly Dancing ''Cha Cha'' {LaserLight}\04 - Vendedor De Bananas.wav
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Peak level 70.3 %
Extraction speed 5.6 X
Track quality 100.0 %
Test CRC C3373C2B
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Accurately ripped (confidence 2) [3D2B43D3]
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Track 5
Filename H:\EAC@Oceandrop rips\El Gato's Rhythm Orchestra - Strictly Dancing ''Cha Cha'' {LaserLight}\05 - El Musico.wav
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Track quality 100.0 %
Test CRC E4436C0A
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Accurately ripped (confidence 3) [A5407D97]
Copy OK
Track 6
Filename H:\EAC@Oceandrop rips\El Gato's Rhythm Orchestra - Strictly Dancing ''Cha Cha'' {LaserLight}\06 - Cha-Chaparral.wav
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Peak level 71.8 %
Extraction speed 5.6 X
Track quality 100.0 %
Test CRC B0EBF816
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Accurately ripped (confidence 3) [BC6DF1BA]
Copy OK
Track 7
Filename H:\EAC@Oceandrop rips\El Gato's Rhythm Orchestra - Strictly Dancing ''Cha Cha'' {LaserLight}\07 - Tiritomba.wav
Pre-gap length 0:00:02.13
Peak level 73.8 %
Extraction speed 5.3 X
Track quality 100.0 %
Test CRC DC10329B
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Accurately ripped (confidence 3) [019E5A10]
Copy OK
Track 8
Filename H:\EAC@Oceandrop rips\El Gato's Rhythm Orchestra - Strictly Dancing ''Cha Cha'' {LaserLight}\08 - Hello Dolly.wav
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Peak level 78.9 %
Extraction speed 6.2 X
Track quality 100.0 %
Test CRC E39CDDB3
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Accurately ripped (confidence 3) [95ADA606]
Copy OK
Track 9
Filename H:\EAC@Oceandrop rips\El Gato's Rhythm Orchestra - Strictly Dancing ''Cha Cha'' {LaserLight}\09 - En Casa.wav
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Track quality 100.0 %
Test CRC B2D3814D
Copy CRC B2D3814D
Accurately ripped (confidence 3) [E36FB70D]
Copy OK
Track 10
Filename H:\EAC@Oceandrop rips\El Gato's Rhythm Orchestra - Strictly Dancing ''Cha Cha'' {LaserLight}\10 - Que Hora Es.wav
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Peak level 72.9 %
Extraction speed 6.7 X
Track quality 100.0 %
Test CRC B865A1AF
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Accurately ripped (confidence 3) [1596DAED]
Copy OK
Track 11
Filename H:\EAC@Oceandrop rips\El Gato's Rhythm Orchestra - Strictly Dancing ''Cha Cha'' {LaserLight}\11 - Colonel Bogey Cha Cha.wav
Pre-gap length 0:00:01.38
Peak level 49.8 %
Extraction speed 6.8 X
Track quality 100.0 %
Test CRC B34165D0
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Accurately ripped (confidence 3) [6C995583]
Copy OK
Track 12
Filename H:\EAC@Oceandrop rips\El Gato's Rhythm Orchestra - Strictly Dancing ''Cha Cha'' {LaserLight}\12 - Vacaciones En Caracas.wav
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Extraction speed 6.9 X
Track quality 100.0 %
Test CRC F948C458
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Accurately ripped (confidence 3) [37BCD7C7]
Copy OK
Track 13
Filename H:\EAC@Oceandrop rips\El Gato's Rhythm Orchestra - Strictly Dancing ''Cha Cha'' {LaserLight}\13 - Amada Mia.wav
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Test CRC 380FDA81
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Accurately ripped (confidence 3) [0F0C7A2C]
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Track 14
Filename H:\EAC@Oceandrop rips\El Gato's Rhythm Orchestra - Strictly Dancing ''Cha Cha'' {LaserLight}\14 - Sugar Cha Cha.wav
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Test CRC B0B73258
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Accurately ripped (confidence 3) [15860262]
Copy OK
Track 15
Filename H:\EAC@Oceandrop rips\El Gato's Rhythm Orchestra - Strictly Dancing ''Cha Cha'' {LaserLight}\15 - Cha Cha Por Estrellita.wav
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Track quality 99.9 %
Test CRC 0FF98D12
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Accurately ripped (confidence 3) [9B21BF60]
Copy OK
Track 16
Filename H:\EAC@Oceandrop rips\El Gato's Rhythm Orchestra - Strictly Dancing ''Cha Cha'' {LaserLight}\16 - Ojos Oscuros.wav
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Peak level 63.4 %
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Test CRC AC1E97EF
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Accurately ripped (confidence 3) [CF0B46C4]
Copy OK
All tracks accurately ripped
No errors occurred
End of status report
==== Log checksum 530732A2B40E60F2A9CBF421AECEC7A8D5B7E2825EB158DB98D787444FD8B0A6 ====
EAC extraction logfile from 12. December 2011, 9:19
El Gato's Rhythm Orchestra / Strictly Dancing ''Cha Cha'' {LaserLight}
Used drive : ASUS DRW-1608P3S Adapter: 0 ID: 1
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 48
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Gap handling : Appended to previous track
Used output format : Internal WAV Routines
Sample format : 44.100 Hz; 16 Bit; Stereo
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 3:14.65 | 0 | 14614
2 | 3:14.65 | 3:46.30 | 14615 | 31594
3 | 7:01.20 | 3:35.00 | 31595 | 47719
4 | 10:36.20 | 4:39.00 | 47720 | 68644
5 | 15:15.20 | 3:22.05 | 68645 | 83799
6 | 18:37.25 | 2:37.45 | 83800 | 95619
7 | 21:14.70 | 1:49.40 | 95620 | 103834
8 | 23:04.35 | 3:12.35 | 103835 | 118269
9 | 26:16.70 | 3:04.12 | 118270 | 132081
10 | 29:21.07 | 3:33.28 | 132082 | 148084
11 | 32:54.35 | 3:25.50 | 148085 | 163509
12 | 36:20.10 | 3:04.57 | 163510 | 177366
13 | 39:24.67 | 3:26.18 | 177367 | 192834
14 | 42:51.10 | 2:49.57 | 192835 | 205566
15 | 45:40.67 | 2:16.10 | 205567 | 215776
16 | 47:57.02 | 2:52.23 | 215777 | 228699
Track 1
Filename H:\EAC@Oceandrop rips\El Gato's Rhythm Orchestra - Strictly Dancing ''Cha Cha'' {LaserLight}\01 - Tea for Two.wav
Pre-gap length 0:00:02.00
Peak level 80.8 %
Extraction speed 4.2 X
Track quality 100.0 %
Test CRC D0AA9E47
Copy CRC D0AA9E47
Accurately ripped (confidence 3) [17F2C6AA]
Copy OK
Track 2
Filename H:\EAC@Oceandrop rips\El Gato's Rhythm Orchestra - Strictly Dancing ''Cha Cha'' {LaserLight}\02 - Blue Cha Cha.wav
Pre-gap length 0:00:01.48
Peak level 78.8 %
Extraction speed 4.7 X
Track quality 100.0 %
Test CRC 9E499C64
Copy CRC 9E499C64
Accurately ripped (confidence 3) [93DCD74D]
Copy OK
Track 3
Filename H:\EAC@Oceandrop rips\El Gato's Rhythm Orchestra - Strictly Dancing ''Cha Cha'' {LaserLight}\03 - Volare (nel blu dipinto di blu).wav
Pre-gap length 0:00:01.20
Peak level 73.8 %
Extraction speed 5.0 X
Track quality 100.0 %
Test CRC CFD96DD7
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Accurately ripped (confidence 3) [22979B11]
Copy OK
Track 4
Filename H:\EAC@Oceandrop rips\El Gato's Rhythm Orchestra - Strictly Dancing ''Cha Cha'' {LaserLight}\04 - Vendedor De Bananas.wav
Pre-gap length 0:00:01.35
Peak level 70.3 %
Extraction speed 5.6 X
Track quality 100.0 %
Test CRC C3373C2B
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Accurately ripped (confidence 2) [3D2B43D3]
Copy OK
Track 5
Filename H:\EAC@Oceandrop rips\El Gato's Rhythm Orchestra - Strictly Dancing ''Cha Cha'' {LaserLight}\05 - El Musico.wav
Pre-gap length 0:00:01.68
Peak level 72.0 %
Extraction speed 5.7 X
Track quality 100.0 %
Test CRC E4436C0A
Copy CRC E4436C0A
Accurately ripped (confidence 3) [A5407D97]
Copy OK
Track 6
Filename H:\EAC@Oceandrop rips\El Gato's Rhythm Orchestra - Strictly Dancing ''Cha Cha'' {LaserLight}\06 - Cha-Chaparral.wav
Pre-gap length 0:00:01.70
Peak level 71.8 %
Extraction speed 5.6 X
Track quality 100.0 %
Test CRC B0EBF816
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Accurately ripped (confidence 3) [BC6DF1BA]
Copy OK
Track 7
Filename H:\EAC@Oceandrop rips\El Gato's Rhythm Orchestra - Strictly Dancing ''Cha Cha'' {LaserLight}\07 - Tiritomba.wav
Pre-gap length 0:00:02.13
Peak level 73.8 %
Extraction speed 5.3 X
Track quality 100.0 %
Test CRC DC10329B
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Accurately ripped (confidence 3) [019E5A10]
Copy OK
Track 8
Filename H:\EAC@Oceandrop rips\El Gato's Rhythm Orchestra - Strictly Dancing ''Cha Cha'' {LaserLight}\08 - Hello Dolly.wav
Pre-gap length 0:00:01.70
Peak level 78.9 %
Extraction speed 6.2 X
Track quality 100.0 %
Test CRC E39CDDB3
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Accurately ripped (confidence 3) [95ADA606]
Copy OK
Track 9
Filename H:\EAC@Oceandrop rips\El Gato's Rhythm Orchestra - Strictly Dancing ''Cha Cha'' {LaserLight}\09 - En Casa.wav
Pre-gap length 0:00:02.33
Peak level 75.8 %
Extraction speed 6.3 X
Track quality 100.0 %
Test CRC B2D3814D
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Accurately ripped (confidence 3) [E36FB70D]
Copy OK
Track 10
Filename H:\EAC@Oceandrop rips\El Gato's Rhythm Orchestra - Strictly Dancing ''Cha Cha'' {LaserLight}\10 - Que Hora Es.wav
Pre-gap length 0:00:02.25
Peak level 72.9 %
Extraction speed 6.7 X
Track quality 100.0 %
Test CRC B865A1AF
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Accurately ripped (confidence 3) [1596DAED]
Copy OK
Track 11
Filename H:\EAC@Oceandrop rips\El Gato's Rhythm Orchestra - Strictly Dancing ''Cha Cha'' {LaserLight}\11 - Colonel Bogey Cha Cha.wav
Pre-gap length 0:00:01.38
Peak level 49.8 %
Extraction speed 6.8 X
Track quality 100.0 %
Test CRC B34165D0
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Accurately ripped (confidence 3) [6C995583]
Copy OK
Track 12
Filename H:\EAC@Oceandrop rips\El Gato's Rhythm Orchestra - Strictly Dancing ''Cha Cha'' {LaserLight}\12 - Vacaciones En Caracas.wav
Pre-gap length 0:00:02.40
Peak level 48.1 %
Extraction speed 6.9 X
Track quality 100.0 %
Test CRC F948C458
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Accurately ripped (confidence 3) [37BCD7C7]
Copy OK
Track 13
Filename H:\EAC@Oceandrop rips\El Gato's Rhythm Orchestra - Strictly Dancing ''Cha Cha'' {LaserLight}\13 - Amada Mia.wav
Pre-gap length 0:00:00.72
Peak level 57.7 %
Extraction speed 7.1 X
Track quality 100.0 %
Test CRC 380FDA81
Copy CRC 380FDA81
Accurately ripped (confidence 3) [0F0C7A2C]
Copy OK
Track 14
Filename H:\EAC@Oceandrop rips\El Gato's Rhythm Orchestra - Strictly Dancing ''Cha Cha'' {LaserLight}\14 - Sugar Cha Cha.wav
Pre-gap length 0:00:01.23
Peak level 64.6 %
Extraction speed 7.2 X
Track quality 100.0 %
Test CRC B0B73258
Copy CRC B0B73258
Accurately ripped (confidence 3) [15860262]
Copy OK
Track 15
Filename H:\EAC@Oceandrop rips\El Gato's Rhythm Orchestra - Strictly Dancing ''Cha Cha'' {LaserLight}\15 - Cha Cha Por Estrellita.wav
Pre-gap length 0:00:01.55
Peak level 48.9 %
Extraction speed 5.6 X
Track quality 99.9 %
Test CRC 0FF98D12
Copy CRC 0FF98D12
Accurately ripped (confidence 3) [9B21BF60]
Copy OK
Track 16
Filename H:\EAC@Oceandrop rips\El Gato's Rhythm Orchestra - Strictly Dancing ''Cha Cha'' {LaserLight}\16 - Ojos Oscuros.wav
Pre-gap length 0:00:01.67
Peak level 63.4 %
Extraction speed 7.4 X
Track quality 100.0 %
Test CRC AC1E97EF
Copy CRC AC1E97EF
Accurately ripped (confidence 3) [CF0B46C4]
Copy OK
All tracks accurately ripped
No errors occurred
End of status report
==== Log checksum 530732A2B40E60F2A9CBF421AECEC7A8D5B7E2825EB158DB98D787444FD8B0A6 ====
[CUETools log; Date: 12.12.2011 20:40:21; Version: 2.0.9]
[CTDB TOCID: jwumxxtL9kPpRVEpsLoM4P9Zono-] disk not present in database.
[AccurateRip ID: 001ef1f7-016f39f0-010be910] found.
Track [ CRC ] Status
01 [17f2c6aa] (3/3) Accurately ripped
02 [93dcd74d] (3/3) Accurately ripped
03 [22979b11] (3/3) Accurately ripped
04 [3d2b43d3] (2/2) Accurately ripped
05 [a5407d97] (3/3) Accurately ripped
06 [bc6df1ba] (3/3) Accurately ripped
07 [019e5a10] (3/3) Accurately ripped
08 [95ada606] (3/3) Accurately ripped
09 [e36fb70d] (3/3) Accurately ripped
10 [1596daed] (3/3) Accurately ripped
11 [6c995583] (3/3) Accurately ripped
12 [37bcd7c7] (3/3) Accurately ripped
13 [0f0c7a2c] (3/3) Accurately ripped
14 [15860262] (3/3) Accurately ripped
15 [9b21bf60] (3/3) Accurately ripped
16 [cf0b46c4] (3/3) Accurately ripped
Track Peak [ CRC32 ] [W/O NULL] [ LOG ]
– 80,8 [BC113D90] [64DE746C]
01 80,8 [D0AA9E47] [AB3DA643] CRC32
02 78,8 [9E499C64] [7BAC3C36] CRC32
03 73,8 [CFD96DD7] [DA98358A] CRC32
04 70,3 [C3373C2B] [0D4D1CEF] CRC32
05 72,0 [E4436C0A] [3AF80D7A] CRC32
06 71,8 [B0EBF816] [7B9BC6CE] CRC32
07 73,8 [DC10329B] [2D6C2FFA] CRC32
08 78,9 [E39CDDB3] [EC36E17E] CRC32
09 75,8 [B2D3814D] [5884F2CD] CRC32
10 72,9 [B865A1AF] [2A4B79D4] CRC32
11 49,8 [B34165D0] [E6DCB2F5] CRC32
12 48,1 [F948C458] [11B238BB] CRC32
13 57,7 [380FDA81] [87A6F0EF] CRC32
14 64,6 [B0B73258] [68B35846] CRC32
15 48,9 [0FF98D12] [14D89EB6] CRC32
16 63,4 [AC1E97EF] [B8BA9E5D] CRC32
[CTDB TOCID: jwumxxtL9kPpRVEpsLoM4P9Zono-] disk not present in database.
[AccurateRip ID: 001ef1f7-016f39f0-010be910] found.
Track [ CRC ] Status
01 [17f2c6aa] (3/3) Accurately ripped
02 [93dcd74d] (3/3) Accurately ripped
03 [22979b11] (3/3) Accurately ripped
04 [3d2b43d3] (2/2) Accurately ripped
05 [a5407d97] (3/3) Accurately ripped
06 [bc6df1ba] (3/3) Accurately ripped
07 [019e5a10] (3/3) Accurately ripped
08 [95ada606] (3/3) Accurately ripped
09 [e36fb70d] (3/3) Accurately ripped
10 [1596daed] (3/3) Accurately ripped
11 [6c995583] (3/3) Accurately ripped
12 [37bcd7c7] (3/3) Accurately ripped
13 [0f0c7a2c] (3/3) Accurately ripped
14 [15860262] (3/3) Accurately ripped
15 [9b21bf60] (3/3) Accurately ripped
16 [cf0b46c4] (3/3) Accurately ripped
Track Peak [ CRC32 ] [W/O NULL] [ LOG ]
– 80,8 [BC113D90] [64DE746C]
01 80,8 [D0AA9E47] [AB3DA643] CRC32
02 78,8 [9E499C64] [7BAC3C36] CRC32
03 73,8 [CFD96DD7] [DA98358A] CRC32
04 70,3 [C3373C2B] [0D4D1CEF] CRC32
05 72,0 [E4436C0A] [3AF80D7A] CRC32
06 71,8 [B0EBF816] [7B9BC6CE] CRC32
07 73,8 [DC10329B] [2D6C2FFA] CRC32
08 78,9 [E39CDDB3] [EC36E17E] CRC32
09 75,8 [B2D3814D] [5884F2CD] CRC32
10 72,9 [B865A1AF] [2A4B79D4] CRC32
11 49,8 [B34165D0] [E6DCB2F5] CRC32
12 48,1 [F948C458] [11B238BB] CRC32
13 57,7 [380FDA81] [87A6F0EF] CRC32
14 64,6 [B0B73258] [68B35846] CRC32
15 48,9 [0FF98D12] [14D89EB6] CRC32
16 63,4 [AC1E97EF] [B8BA9E5D] CRC32
C:\Program Files\Exact Audio Copy>CheckLog.EXE "R:\El Gato's Rhythm Orchestra - Strictly Dancing ''Cha Cha'' {Laserlight}.LOG"
Log Integrity Checker (C) 2010 by Andre Wiethoff
1. Log entry is fine!
C:\Program Files\Exact Audio Copy>
Log Integrity Checker (C) 2010 by Andre Wiethoff
1. Log entry is fine!
C:\Program Files\Exact Audio Copy>
El Gato's Rhythm Orchestra - Strictly Dancing "Cha Cha" (1991)
(flac & mp3@320 links are interchangeable, artwork = single link)