Su	Mo	Tu	We	Th	Fr	Sa
1	2	3	4	5	6	7
8	9	10	11	12	13	14
15	16	17	18	19	20	21
22	23	24	25	26	27	28
29	30	1	2	3	4	5

Magdalena Kozena, Private Musicke, Pierre Pitzl - Lettere Amorose (2010)

Posted By: Designol

Date: 3 Jun 2025 20:55:00

Magdalena Kozena, Private Musicke, Pierre Pitzl - Lettere Amorose (2010)

Mezzo-soprano Magdalena Kozená's collection of vocal solos (plus a few instrumental tracks) from the early Baroque, Lettere Amorose, "Love Letters," is a delight. The recital includes some familiar pieces like d'India's Cruda Amarilli, Monteverdi's Sì dolce è il tormento, and Sanz's giddy dance, Canarios, but consists largely of repertoire that's more obscure but no less engaging. Merula's lullaby chaconne Hor ch'è tempo di dormire is a jewel, gorgeously idiosyncratic and deeply emotional. Caccini's erotic Odi, Euterpe, 'I dolce canto could be mistaken for mature Monteverdi at his most mischievous, but it dates from 1601 or 1602, when Monteverdi was at an early stage in his career. A real standout of the album is Strozzi's L'Eraclito amoroso: Udite amanti, which alternates sections of extravagantly expressive recitative with a ravishingly lyrical chaconne. Kozená easily has the technique to make the music glow and the dramatic gifts to bring it movingly to life. Her sharply characterized interpretations of the songs make each of them seem as fully realized and potent as a short operatic scene. Her voice has the burnished warmth of a mezzo, but can gleam when she soars into her upper register, and throughout she maintains an exquisite purity. Private Musicke, an ensemble of plucked and bowed strings led by Pierre Pitzl, beautifully matches Kozená's performances with inventive, understated, and expressive accompaniments. Deutsche Grammophon's sound is clean and wonderfully realistic. This is an album that should have strong appeal for lovers of Baroque music, or anyone who loves exceptional singing.

Review by Stephen Eddins, Allmusic.com

Magdalena Kožená at Allmusic
Magdalena Kožená at Wiki

Magdalena Kožená, mezzo-soprano

Private Musicke:
Hugh Sandilands, guitar
Margret Köll, harp
Daniel Pilz, colascione
Jesús Fernández Baena, theorbo
Brigitte Gasser, lirone
Richard Myron, violone
Gabriele Miracle, percussion
Pierre Pitzl, guitar, viola da gamba, direction

Recording: Potsdam, Nikolaisaal, 9-10/2009

Tracklist:

01. FILIPPO VITALI (c.1599–c.1653)
O bei lumi (Musiche a una e due voci, Libro secondo, 1618) [2:56]

02. SIGISMONDO D’INDIA (c.1582–c.1629)
Cruda Amarilli (Primo libro di musiche da cantar solo, 1609) [2:56]

03. CLAUDIO MONTEVERDI (1567–1643)
Sì dolce è il tormento (Quarto scherzo delle ariose vaghezze, 1624) [3:30]

04. GIULIO CACCINI (1551–1618)
Odi, Euterpe, il dolce canto (Le nuove musiche, 1602) [3:28]

05. LUIS DE BRIÇEÑO (early 17th century)
Caravanda Chacona [1:41]

06. TARQUINIO MERULA (1594/5–1665)
Canzonetta spirituale sopra alla nanna: Hor ch’é tempo di dormire
(Curtio precipitato et altri capricii, Libro secondo, 1638) [8:42]

07. GASPAR SANZ (mid 17th–early 18th century)
Canarios (Instrucción de música sobre la guitarra española, 1674) [3:15]

08. SIGISMONDO D’INDIA
Ma che? Squallido e oscuro (Primo libro di musiche da cantar solo, 1609) [2:44]

09. BIAGIO MARINI (1594–1663)
Con le stelle in ciel (Scherzi e canzonette op. 5, 1622) [4:22]

10. GIROLAMO KAPSBERGER (c.1580–1651)
Felici gl’animi (Libro quarto di villanelle, 1623) [2:57]

11. GIOVANNI DE MACQUE (1548/50–1614)
Capriccio stravagante [1:43]

12. GIROLAMO KAPSBERGER
Aurilla mia, quando m’accese (Libro secondo di villanelle, 1619) [3:17]

13. SIGISMONDO D’INDIA
Torna il sereno zefiro (Quinto libro di musiche da cantar solo, 1623) [3:28]

14. GIOVANNI PAOLO FOSCARINI (mid 17th century)
Ciacona [1:48]

15. BARBARA STROZZI (1619–1677)
L’Eraclito amoroso: Udite, amanti (Cantate, ariette e duetti op. 2, 1651) [7:56]

16. LUCAS RUIZ DE RIBAYAZ (*before 1650)
Españoletas (Luz y norte musical para caminar, 1677) [2:54]

17. TARQUINIO MERULA
Foll’è ben che si crede (Curtio precipitatoet altri capricii, Libro secondo, 1638) [3:54]

EAC log

Exact Audio Copy V1.3 from 2. September 2016

EAC extraction logfile from 21. April 2020, 15:57

Magdalena Kožená / Lettere Amorose

Used drive : ATAPI iHAS124 F Adapter: 1 ID: 0

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000

Used output format : User Defined Encoder
Selected bitrate : 1024 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files (x86)\Exact Audio Copy\FLAC\FLAC.EXE
Additional command line options : -6 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "COMMENT=%comment%" -T "BAND=%albuminterpret%" -T "ALBUMARTIST=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%–tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" %hascover%–picture="%coverfile%"%hascover% %source% -o %dest%

TOC of the extracted CD

Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 2:55.63 | 0 | 13187
2 | 2:55.63 | 2:56.28 | 13188 | 26415
3 | 5:52.16 | 3:29.71 | 26416 | 42161
4 | 9:22.12 | 3:27.63 | 42162 | 57749
5 | 12:50.00 | 1:41.37 | 57750 | 65361
6 | 14:31.37 | 8:42.20 | 65362 | 104531
7 | 23:13.57 | 3:15.48 | 104532 | 119204
8 | 26:29.30 | 2:44.42 | 119205 | 131546
9 | 29:13.72 | 4:22.12 | 131547 | 151208
10 | 33:36.09 | 2:57.21 | 151209 | 164504
11 | 36:33.30 | 1:43.30 | 164505 | 172259
12 | 38:16.60 | 3:17.12 | 172260 | 187046
13 | 41:33.72 | 3:28.15 | 187047 | 202661
14 | 45:02.12 | 1:48.12 | 202662 | 210773
15 | 46:50.24 | 7:55.69 | 210774 | 246467
16 | 54:46.18 | 2:54.09 | 246468 | 259526
17 | 57:40.27 | 3:53.72 | 259527 | 277073

Range status and errors

Selected range

Filename C:\EACRip\KOZENA\Lettere Amorose (Magdalena Kozena, Private Musicke, Pierre Pitzl) (2010)\Lettere Amorose - Magdalena Kozena, Private Musicke, Pierre Pitzl.wav

Peak level 99.5 %
Extraction speed 8.8 X
Range quality 100.0 %
Test CRC 4791FD57
Copy CRC 4791FD57
Copy OK

No errors occurred

AccurateRip summary

Track 1 accurately ripped (confidence 43) [53E4EE44] (AR v2)
Track 2 accurately ripped (confidence 44) [2A0F3607] (AR v2)
Track 3 accurately ripped (confidence 44) [523D0A43] (AR v2)
Track 4 accurately ripped (confidence 44) [11D1F9A0] (AR v2)
Track 5 accurately ripped (confidence 43) [1245BD2F] (AR v2)
Track 6 accurately ripped (confidence 43) [D0A21668] (AR v2)
Track 7 accurately ripped (confidence 44) [AACA6083] (AR v2)
Track 8 accurately ripped (confidence 44) [B20F349D] (AR v2)
Track 9 accurately ripped (confidence 44) [F48A6CED] (AR v2)
Track 10 accurately ripped (confidence 44) [3C4D38E0] (AR v2)
Track 11 accurately ripped (confidence 44) [0A9EEDA8] (AR v2)
Track 12 accurately ripped (confidence 44) [C8767962] (AR v2)
Track 13 accurately ripped (confidence 44) [D85190CC] (AR v2)
Track 14 accurately ripped (confidence 44) [B11007E0] (AR v2)
Track 15 accurately ripped (confidence 43) [90EF6EF1] (AR v2)
Track 16 accurately ripped (confidence 44) [CE7A9E10] (AR v2)
Track 17 accurately ripped (confidence 43) [11E02C1A] (AR v2)

All tracks accurately ripped

End of status report

–– CUETools DB Plugin V2.1.6

[CTDB TOCID: Zcrz6IgtKPlZBwhm36AISVeI758-] found
Submit result: Zcrz6IgtKPlZBwhm36AISVeI758- has been confirmed
Track | CTDB Status
1 | (73/74) Accurately ripped
2 | (73/74) Accurately ripped
3 | (73/74) Accurately ripped
4 | (73/74) Accurately ripped
5 | (73/74) Accurately ripped
6 | (71/74) Accurately ripped
7 | (73/74) Accurately ripped
8 | (73/74) Accurately ripped
9 | (73/74) Accurately ripped
10 | (73/74) Accurately ripped
11 | (73/74) Accurately ripped
12 | (73/74) Accurately ripped
13 | (72/74) Accurately ripped
14 | (73/74) Accurately ripped
15 | (71/74) Accurately ripped
16 | (72/74) Accurately ripped
17 | (71/74) Accurately ripped

==== Log checksum 14974691327EC88EA4ABE730B544100C6B387F315F7A9F4EA4D64C4B8F7D61CB ====

CUETools log

[CUETools log; Date: 04.06.2025 1:52:07; Version: 2.1.7]
[CTDB TOCID: Zcrz6IgtKPlZBwhm36AISVeI758-] found.
Track | CTDB Status
1 | (103/104) Accurately ripped
2 | (103/104) Accurately ripped
3 | (103/104) Accurately ripped
4 | (103/104) Accurately ripped
5 | (103/104) Accurately ripped
6 | (101/104) Accurately ripped
7 | (103/104) Accurately ripped
8 | (103/104) Accurately ripped
9 | (103/104) Accurately ripped
10 | (103/104) Accurately ripped
11 | (103/104) Accurately ripped
12 | (103/104) Accurately ripped
13 | (102/104) Accurately ripped
14 | (103/104) Accurately ripped
15 | (101/104) Accurately ripped
16 | (102/104) Accurately ripped
17 | (101/104) Accurately ripped
[AccurateRip ID: 00251ac8-01d8d113-060e6e11] found.
Track [ CRC | V2 ] Status
01 [f8f9daef|53e4ee44] (21+50/71) Accurately ripped
02 [44d1abcd|2a0f3607] (21+51/72) Accurately ripped
03 [b5ba6113|523d0a43] (21+51/72) Accurately ripped
04 [e9917110|11d1f9a0] (20+51/71) Accurately ripped
05 [9ec730f2|1245bd2f] (21+50/71) Accurately ripped
06 [08960bd8|d0a21668] (21+50/71) Accurately ripped
07 [9bc2547d|aaca6083] (21+51/72) Accurately ripped
08 [3d9e0f7c|b20f349d] (21+51/72) Accurately ripped
09 [744de3c6|f48a6ced] (21+51/72) Accurately ripped
10 [d1688aef|3c4d38e0] (20+51/71) Accurately ripped
11 [1218e279|0a9eeda8] (21+51/72) Accurately ripped
12 [f69fc048|c8767962] (21+51/72) Accurately ripped
13 [b75497ec|d85190cc] (21+51/72) Accurately ripped
14 [7582616d|b11007e0] (21+51/72) Accurately ripped
15 [e3410cbc|90ef6ef1] (21+50/71) Accurately ripped
16 [b4c3e58d|ce7a9e10] (21+51/72) Accurately ripped
17 [70662a26|11e02c1a] (21+50/71) Accurately ripped

Track Peak [ CRC32 ] [W/O NULL] [ LOG ]
– 99,5 [4791FD57] [E36DDFCF] CRC32
01 85,0 [2759A11F] [63F0F1C3]
02 72,0 [C2C62E14] [D420DAFA]
03 81,3 [DCAE4252] [B6F03762]
04 73,3 [367B7691] [489A51B7]
05 67,4 [588CC1CB] [6E8235BB]
06 89,3 [5B7565B0] [CC4C9084]
07 40,8 [B72B44A4] [954EDA7E]
08 79,8 [36CCA8A6] [9A08D2D5]
09 81,1 [C126E4F8] [1C097AC1]
10 70,4 [18AAE3DD] [6C4CF4D7]
11 39,7 [3614036D] [0DF83F50]
12 67,0 [5E406991] [1E17A8E2]
13 85,1 [9E25F737] [6A939009]
14 36,8 [E24A5B27] [A2AAB96B]
15 99,5 [AD2E80D2] [D4DE49F3]
16 44,0 [719CBE50] [47EEF3DA]
17 68,4 [C1D9B096] [83C6691E]

DR log

foobar2000 1.6.3 / Dynamic Range Meter 1.1.1
log date: 2025-06-03 16:20:35

––––––––––––––––––––––––––––––––––––––––
Analyzed: Magdalena Kožená & Private Musicke, Pierre Pitzl / Lettere Amorose
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR15 -1.41 dB -22.21 dB 2:56 01-Filippo Vitali [c.1599-1653] - “O bei lumi” (‘Musiche a una e due voci’, Libro secondo, 1618)
DR11 -2.84 dB -19.78 dB 2:56 02-Sigismondo d’India [c.1582-1629] - “Cruda Amarilli” (‘Primo libro di musiche da cantar solo’, 1609)
DR12 -1.79 dB -20.89 dB 3:30 03-Claudio Monteverdi [1567-1643] - “Si dolce è’l tormento” (‘Quarto scherzo delle ariose vaghezze’, 1624)
DR14 -2.70 dB -22.16 dB 3:28 04-Giulio Caccini [1551-1618] - “Odi, Euterpe, il dolce canto” (‘Le nuove musiche’, 1601/02)
DR15 -3.43 dB -25.06 dB 1:41 05-Luis de Briçeño [fl early 17th century] - Caravanda ciacona (instrumental)
DR14 -0.98 dB -21.48 dB 8:42 06-Tarquinio Merula [1594/5-1665] - “Hor ch’è tempo di dormire” (Canzonetta spirituale sopra alla nanna from ‘Curtio precipitato et altri capricii’, Libro secondo, 1638)
DR15 -7.78 dB -30.10 dB 3:16 07-Gaspar Sanz [mid 17th-early 18th century] - Canarios (instrumental from ‘Instrucción de música sobre la guitarra española’, 1674)
DR13 -1.96 dB -22.64 dB 2:45 08-Sigismondo d’India - “Ma che? Squallido e oscuro” (‘Primo libro di musiche da cantar solo’, 1609)
DR15 -1.81 dB -23.45 dB 4:22 09-Biagio Marini [1594-1663] - “Con le stelle in ciel” (‘Scherzi e canzonette’ Op. 5, 1622)
DR15 -3.04 dB -22.68 dB 2:57 10-Girolamo Kapsberger [c1580-1651] - “Felici gl’animi” (‘Libro quarto di villanelle’, 1623)
DR14 -8.01 dB -29.25 dB 1:43 11-Giovanni de Macque [1548/50-1614] - Capriccio stravagante (instrumental)
DR14 -3.48 dB -24.82 dB 3:17 12-Girolamo Kapsberger - “Aurilla mia, quando m’accese” (‘Libro secondo di villanelle’, 1619)
DR13 -1.40 dB -20.44 dB 3:28 13-Sigismondo d’India - “Torna il sereno Zefiro” (‘Quinto libro di musiche da cantar solo’, 1623)
DR14 -8.68 dB -27.96 dB 1:48 14-Giovanni Paolo Foscarini [fl 1629-1647] - Ciacona (instrumental from ‘Primo libro di musiche da cantar solo’, 1609)
DR13 -0.04 dB -19.74 dB 7:56 15-Barbara Strozzi [1619-1677] - L’Eraclito amoroso: “Udite, amanti” (‘Cantate, ariette e duetti’, Op. 2, 1651)
DR13 -7.11 dB -28.61 dB 2:54 16-Lucas Ruiz Ribayaz [*before 1650] - Espagnoletta (instrumental from ‘Luz y norte musical para caminar’, 1677)
DR13 -3.29 dB -21.67 dB 3:54 17-Tarquinio Merula - “Folle è ben chi si crede” (‘Curtio precipitato et altri capricii’, Libro secondo, 1638)
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 17
Official DR value: DR14

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 571 kbps
Codec: FLAC
================================================================================

All thanks to original releaser

More interesting music in My Blog

2010s Baroque Classical Lossless Magdalena Kožená Pierre Pitzl Private Musicke Vocal Classical Music Vocal Music CD-Rip + Scans FLAC MP3 CD-Rip