Menswe@r - Nuisance (1995)

Posted By: luckburz

Menswe@r - Nuisance
EAC+LOG+CUE | FLAC: 290 MB | Full Artwork | 5% Recovery Info
Label/Cat#: Laurel # 828 676 2 | Country/Year: UK 1995
Genre: Rock, Indie | Style: Brit Pop

MD5 [X] CUE [X] LOG [X] INFO TEXT [X] ARTWORK [X]

selfrip [X] not my rip []

Exact Audio Copy V1.0 beta 2 from 29. April 2011

EAC extraction logfile from 28. January 2012, 15:22

Menswear / Nuisance

Used drive : HL-DT-STDVDRAM GSA-H12L Adapter: 0 ID: 0

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 667
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000

Used output format : User Defined Encoder
Selected bitrate : 896 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files\FLAC\flac.exe
Additional command line options : -5 -T "Artist=%artist%" -T "Title=%title%" -T "Album=%albumtitle%" -T "Date=%year%" -T "Tracknumber=%tracknr%" -T "Genre=%genre%" %source% -o %dest%


TOC of the extracted CD

Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 3:05.72 | 0 | 13946
2 | 3:05.72 | 2:35.33 | 13947 | 25604
3 | 5:41.30 | 4:42.55 | 25605 | 46809
4 | 10:24.10 | 2:07.00 | 46810 | 56334
5 | 12:31.10 | 2:16.42 | 56335 | 66576
6 | 14:47.52 | 2:18.18 | 66577 | 76944
7 | 17:05.70 | 4:02.25 | 76945 | 95119
8 | 21:08.20 | 3:23.40 | 95120 | 110384
9 | 24:31.60 | 3:43.47 | 110385 | 127156
10 | 28:15.32 | 2:55.40 | 127157 | 140321
11 | 31:10.72 | 3:03.00 | 140322 | 154046
12 | 34:13.72 | 14:38.15 | 154047 | 219911


Range status and errors

Selected range

Filename I:\=== VINYL RIPS ===\=== EAC===\X FRESH RIP\Menswear - Nuisance.wav

Peak level 99.8 %
Extraction speed 7.5 X
Range quality 100.0 %
Test CRC 6C5ECAEE
Copy CRC 6C5ECAEE
Copy OK

No errors occurred


AccurateRip summary

Track 1 accurately ripped (confidence 4) [B1A282D4] (AR v2)
Track 2 accurately ripped (confidence 4) [3AC4E779] (AR v2)
Track 3 accurately ripped (confidence 4) [6492D4CE] (AR v2)
Track 4 accurately ripped (confidence 4) [FE09FC2F] (AR v2)
Track 5 accurately ripped (confidence 4) [A47311BD] (AR v2)
Track 6 accurately ripped (confidence 4) [F7DED07C] (AR v2)
Track 7 accurately ripped (confidence 4) [DED7D29F] (AR v2)
Track 8 accurately ripped (confidence 4) [B6187CAE] (AR v2)
Track 9 accurately ripped (confidence 4) [F823AE0B] (AR v2)
Track 10 accurately ripped (confidence 4) [A7555B32] (AR v2)
Track 11 accurately ripped (confidence 4) [63CB54D2] (AR v2)
Track 12 accurately ripped (confidence 4) [B0ECF152] (AR v2)

All tracks accurately ripped

End of status report

==== Log checksum 6B184BB56DCBC6FABD895FCD33DB6D2E0D716B002D9552ECAD4226EF883807B5 ====

foobar2000 1.1.7 / Dynamic Range Meter 1.1.1
log date: 2012-06-11 20:51:08

––––––––––––––––––––––––––––––––––––––––
Analyzed: Menswear / Nuisance
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR7 -0.02 dB -8.71 dB 3:06 01-125 West 3rd Street
DR7 -0.03 dB -8.01 dB 2:35 02-I'll Manage Somehow
DR6 -0.03 dB -7.63 dB 4:43 03-Sleeping In
DR7 -0.01 dB -8.82 dB 2:07 04-Little Miss Pinpoint Eyes
DR7 -2.81 dB -11.46 dB 2:17 05-Daydreamer
DR8 -0.10 dB -8.64 dB 2:18 06-Hollywood Girl
DR7 -0.02 dB -9.71 dB 4:02 07-Being Brave
DR6 -0.62 dB -7.76 dB 3:24 08-Around You Again
DR7 -0.02 dB -7.61 dB 3:44 09-The One
DR7 -0.01 dB -8.09 dB 2:56 10-Stardust
DR7 -1.63 dB -10.46 dB 3:03 11-Piece Of Me
DR7 -0.06 dB -13.61 dB 14:38 12-Stardust (Reprise)
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 12
Official DR value: DR7

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 827 kbps
Codec: FLAC
================================================================================



CD Info:

Menswe@r – Nuisance

Label: Laurel
Catalog#: 828 676 2
Format: CD, Album
Country: UK & Europe
Released: 1995
Genre: Rock
Style: Brit Pop, Indie Rock

Tracklist:

1 125 West 3rd Street 3:05
2 I'll Manage Somehow 2:35
3 Sleeping In 4:42
4 Little Miss Pinpoint Eyes 2:06
5 Daydreamer 2:16
6 Hollywood Girl 2:18
7 Being Brave 4:02
8 Around You Again 3:23
9 The One 3:43
10 Stardust 2:55
11 Piece Of Me 3:02
12 Stardust (Reprise) 1:12
Hidden Track
13 Bones And Red Meat 3:20

Notes:

At the end of track 12 there is an unlisted hidden track.



review by Stephen Thomas Erlewine

Perhaps Menswear was always destined to be a footnote in pop history, a product of the heady good times of London in 1994 and 1995. Reportedly signed after only three shows, the band was never given the chance to fully develop before they recorded their debut album, Nuisance. At the time of their first single, they appropriated the sound of Blur and the style of Pulp; by the time Nuisance was released, they also incorporated the sound of Elastica and Oasis, making the band a virtual Cliff Notes of Brit-pop. Naturally, Menswear doesn't quite have the skills or panache of any of their idols, but that doesn't mean they are lacking in charm. Like Oasis and Blur, Menswear appropriates sections of pop history, claiming them as their own. However, they aren't half the songwriters that Noel Gallagher and Damon Albarn are, which means many of their ideas are never developed. Nevertheless, when they assimilate them fully – like the intoxicating rush of "Around You Again" or the sweeping ballad "Being Brave," which lifts the intro to Pink Floyd's "Comfortably Numb" – the band is an undeniable guilty pleasure. When pressed, the 'swear can come up with irresistably infectious pop gems, from the frazzled Monkees pop of "Sleeping In" to the flat-out great single "Daydreamer," which sounds more like Wire than Elastica, only funnier, even if it may be unintentional. Even funnier are Johnny Dean's lyrics, from the groupie saga of "125 West 3rd Street" to "Stardust," a silly attack on Primal Scream's Bobby Gillespie. In all, Nuisance is the perfect product from a band that is better known for being seen than being heard.
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