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    Vivaldi - Sonate da Camera a tre, opus 1

    Posted By: Bibixy
    Vivaldi - Sonate da Camera a tre, opus 1

    Vivaldi - Sonate da Camera a tre, opus 1
    1 CD | Naive | 2012 | RAR | 118Mb
    MP3 192 Kbps | Lame encoded | Tracks, Covers

    Naïve’s valiant project to record Vivaldi’s complete personal library of scores (some four hundred fifty autograph manuscripts preserved in Turin) has surpassed forty CDs and counting, but the label has already begun appendices to the project, including new discoveries and, as here, important pieces not included in the main collection. This is a wonderful thing, as it gives us nine of the Red Priest’s Op. 1 trio sonatas in intense, color-rich performances by the period-instrument ensemble L’Estravagante. One vital development of the latter-day period-instrument movement has been the reclaiming of Italian Baroque repertoire by Italian groups (back from Northern Europeans who got there first, if not best). Like their finest native counterparts, L’Estravagante speaks this music as a mother tongue – and the sound is vivacious, dramatic, gorgeous. Vivaldi’s chamber settings for two violins with cello or harpsichord (and sometimes theorbo or chamber organ) are as fresh as sunshine here, starting with the composer’s eleven-minute set of variations on the compulsive “La Folia” rhythmic-melodic theme so pervasive in the Baroque era. This isn’t demure, rarified chamber art; it’s music as sensual rapture.

    – Bradley Bambarger, Listen Magazine [Summer, 2012]

    In 1705, Giuseppe Sala published in Venice the Suonote do camera a tre, due violini o violone o cembalo op.1 of Antonio Vivaldi. This set of trio sonatas marked the official 'debut' of a composer who was already more than a mere youth (the 'Prete Rosso' was then 27-years old), and probably contains the earliest works of his that have come down to us. It is very likely, though, as Michael Talbot has pointed out, that the copy of 1705 is in fact a reprint of a now lost first edition published in 1703. However that may be, this collection dedicated to the Brescian nobleman Count Annibale Gambara displays a balance - at times, inevitably, somewhat precarious - between reference to codified formulas and models, on the one hand, and the definition of an original expressive voice on the other. In terms of scoring, his Op.1 adopts the recently created Italian format of the trio sonata, the output of which was dominated by the Arcadian reform of Arcangelo Corelli: even in Venice, where a renowned instrumental tradition already existed, Corelli's Opp.1-4 enjoyed almost immediate diffusion and were reprinted by the aforementioned Sala just a few years after the Roman first editions (in 1684, 1686, 1691 and 1695 respectively).

    contents:

    Sonata XII "Follia" in D minor, RV63
    Sonata IX in A major, RV75
    Sonata I in G minor, RV73
    Sonata XI in B minor, RV79
    Sonata VIII In D Minor, Rv64
    Sonata IV in E major, RV66
    Sonata III in C major, RV61
    Sonata VII in E flat major, RV65
    Sonata X in B flat major, RV78

    The Vivaldi Edition, a recording venture conceived by the Italian musicologist Alberto Basso and the independent label Naïve, is one of the most ambitious recording projects of the twenty-first century.
    Its principal objective is to record the massive collection of Vivaldi autograph manuscripts preserved today in the Biblioteca Nazionale in Turin, some 450 works. Incredibly, this is the private library of scores Vivaldi had at home at the time of his death in Vienna in 1741 and includes his extant operas, hundreds of concertos, sacred compositions and cantatas. Much of this music has not been heard since the 18th century.
    Follows a list of the works available at the moment:

    VIVTDP00 - Il Furioso
    VIVTDP07 - Stabat Mater Concerti sacri Clarae Stellae, Scintillate
    VIVTDP08 - Concerti da Camera
    VIVTDP10 - Juditha Triumphans
    VIVTDP11 - Concerti per Flauto Traversiere
    VIVTDP12 - La Senna Festeggiante
    VIVTDP13 - Concerti e Cantate da Camera I
    VIVTDP14 - l Concerti di Dresda
    VIVTDP15 - L'Olimpiade
    VIVTDP16 - La Verità In Cimento
    VIVTDP17 - Mottetti
    VIVTDP18 - Vespri per l'Assunzione di Maria Vergine
    VIVTDP19 - Sonate da Camera
    VIVTDP20 - Concerti per Archi
    VIVTDP21 - Orlando Finto Pazzo
    VIVTDP22 - Concerti per Fagotto e Oboe
    VIVTDP23 - Concerti e Cantate da Camera II
    VIVTDP24 - Orlando Furioso
    VIVTDP25 - Concerti per vari strumenti
    VIVTDP26 - Concerti e Cantate da Camera III
    VIVTDP27 - Arie d'Opera
    VIVTDP28 - Tito Manlio
    VIVTDP29 - Concerti per Violino I - "La Caccia"
    VIVTDP30 - Arie Per Basso
    VIVTDP31 - In Furore
    VIVTDP32 - Griselda
    VIVTDP33 - Musica per Mandolino e Liuto
    VIVTDP34 - Concerti per Violoncello I
    VIVTDP35 - Concerti per violino II - "Di Sfida"
    VIVTDP36 - Atenaide
    VIVTDP37 - Arie Ritrovate
    VIVTDP38 - Concerti per violoncello II
    VIVTDP39 - La Fida Ninfa
    VIVTDP40 - Concerti per Violino III - "Il Ballo"
    VIVTDP41 - Farnace
    VIVTDP42 - Concerti per Oboe
    VIVTDP43 - Gloria
    VIVTDP44 - Armida al Campo d'Egitto
    VIVTDP45 - Concerti per Fagotto I
    VIVTDP46 - Ottone in Villa
    VIVTDP47 - Arie per Tenore
    VIVTDP48 - Concerti per Fagotto II
    VIVTDP49 - Teuzzone
    VIVTDP50 - Sonate da Camera a tre, opus 1

    VIVTDPND - New Discoveries
    VIVTDPOP - Operas
    VivFolViv - La Folie