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Johann Sebastian Bach - Calefax Reed Quintet - Die Kunst der Fuge BWV 1080 (2000)

Posted By: luckburz

Date: 17 Dec 2013 13:33:30

Johann Sebastian Bach - Calefax Reed Quintet - Die Kunst der Fuge BWV 1080 (2000)

Johann Sebastian Bach - Calefax Reed Quintet - Die Kunst der Fuge BWV 1080
EAC+LOG+CUE | FLAC: 299 MB | Full Artwork | 5% Recovery Info
Label/Cat#: MDG "Scene" # 619 0989-2 | Country/Year: Germany 2000
Genre: Classical | Style: Baroque, Reed Instruments

MD5 [X] CUE [X] LOG [X] INFO TEXT [X] ARTWORK [X]

selfrip [X] not my rip []

EAC

Exact Audio Copy V1.0 beta 3 from 29. August 2011

EAC extraction logfile from 7. May 2013, 12:03

Calefax Reed Quintet / Bach: Die Kunst der Fuge BWV 1080

Used drive : PIONEER BD-RW BDR-206 Adapter: 0 ID: 2

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 667
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000

Used output format : User Defined Encoder
Selected bitrate : 1024 kBit/s
Quality : High
Add ID3 tag : Yes
Command line compressor : C:\Program Files\FLAC\flac.exe
Additional command line options : -5 -T "Artist=%artist%" -T "Title=%title%" -T "Album=%albumtitle%" -T "Date=%year%" -T "Tracknumber=%tracknr%" -T "Genre=%genre%" %source% -o %dest%

TOC of the extracted CD

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18 | 65:55.07 | 7:02.43 | 296632 | 328324
19 | 72:57.50 | 3:54.30 | 328325 | 345904

Range status and errors

Selected range

Filename F:\=== VINYL RIPS ===\=== EAC===\X FRESH RIP\Bach- Calefax Reed Quintet - Die Kunst der Fuge BWV 1080.wav

Peak level 87.6 %
Extraction speed 8.2 X
Range quality 100.0 %
Copy CRC 3086B7AC
Copy OK

No errors occurred

AccurateRip summary

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Track 2 accurately ripped (confidence 4) [3C7EFA99] (AR v1)
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All tracks accurately ripped

End of status report

–– CUETools DB Plugin V2.1.3

[CTDB TOCID: UPA8C_Watlj9vLuqB4fpKriWxS4-] found, Submit result: UPA8C_Watlj9vLuqB4fpKriWxS4- has been confirmed
[c428087b] (2/2) Accurately ripped

==== Log checksum DDCA59BE07430269722A7A593407127C71906F4024682B0C4E6CFA967D4CC3E8 ====

Dynamic

foobar2000 1.1.14a / Dynamic Range Meter 1.1.1
log date: 2013-05-07 17:34:15

––––––––––––––––––––––––––––––––––––––––
Analyzed: Calefax Reed Quintet / Bach: Die Kunst der Fuge BWV 1080
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR10 -1.15 dB -18.31 dB 3:20 01-Contrapunctus 01
DR11 -4.88 dB -20.82 dB 2:37 02-Contrapunctus 02
DR11 -6.56 dB -20.89 dB 2:40 03-Contrapunctus 03
DR11 -3.73 dB -18.67 dB 4:34 04-Contrapunctus 04
DR11 -5.86 dB -20.22 dB 2:15 05-Canon alla Ottava
DR11 -2.83 dB -18.26 dB 3:01 06-Contrapunctus 05
DR12 -2.57 dB -17.64 dB 3:34 07-Contrapunctus 06 a 4 stylo Francese
DR11 -4.65 dB -18.71 dB 3:54 08-Contrapunctus 07 a 4 per Augm et Dimin
DR11 -5.58 dB -21.06 dB 2:28 09-Canon alla Duodecima in Contrapunto alla Quinta
DR11 -4.75 dB -20.57 dB 6:33 10-Contrapunctus 08 a 3
DR11 -5.48 dB -20.50 dB 2:26 11-Contrapunctus 09 a 4 alla Duodecima
DR11 -2.39 dB -18.30 dB 3:55 12-Contrapunctus 10 a 4 alla Decima
DR13 -1.73 dB -19.50 dB 6:18 13-Contrapunctus 11 a 4
DR10 -5.90 dB -21.46 dB 4:28 14-Canon alla Decima, Contrapunto alla Terza
DR10 -5.21 dB -19.03 dB 3:59 15-Contrapunctus 12 inversus a 4 - rectus, inversus
DR12 -1.43 dB -17.74 dB 4:12 16-Contrapunctus 13 inversus a 3 - rectus, inversus
DR11 -9.14 dB -25.38 dB 5:42 17-Canon per Augm in Contrario Motu
DR13 -2.12 dB -19.53 dB 7:03 18-Fuga a 3 Soggetti
DR10 -4.75 dB -20.33 dB 3:54 19-Choral 'Wenn wir in hoechsten Noethen sein'
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 19
Official DR value: DR11

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 545 kbps
Codec: FLAC
================================================================================

CD Info:

Johann Sebastian Bach - Calefax Reed Quintet - Die Kunst der Fuge BWV 1080

Instrumentation: Bassoon, Oboe, Saxophone, Clarinet, Basset Horn

Label: MDG
Series: Scene
Catalog#: 619 0989-2
Format: CD, Album
Country: Germany
Released: 2000
Genre: Classical
Style: Baroque, Reed Instruments

Tracklist:

1 Contrapunctus 01 3:20
2 Contrapunctus 02 2:37
3 Contrapunctus 03 2:40
4 Contrapunctus 04 4:34
5 Canon alla Ottava 2:15
6 Contrapunctus 05 3:01
7 Contrapunctus 06 a 4 stylo Francese 3:34
8 Contrapunctus 07 a 4 per Augm et Dimin 3:54
9 Canon alla Duodecima in Contrapunto alla Quinta 2:28
10 Contrapunctus 08 a 3 6:33
11 Contrapunctus 09 a 4 alla Duodecima 2:26
12 Contrapunctus 10 a 4 alla Decima 3:55
13 Contrapunctus 11 a 4 6:18
14 Canon alla Decima, Contrapunto alla Terza 4:28
15 Contrapunctus 12 inversus a 4 - rectus, inversus 3:59
16 Contrapunctus 13 inversus a 3 - rectus, inversus 4:12
17 Canon per Augm in Contrario Motu 5:42
18 Fuga a 3 Soggetti 7:03
19 Choral 'Wenn wir in hoechsten Noethen sein' 3:54

Recording: January, 24-27, 2000, Evangelische Kirche in Lienen

Calefax Reed Quintet:
Oliver Boekhoorn: oboe, oboe dÆamore, english horn
Raaf Hekkema: soprano and alto saxophone
Ivar Berix: B flat and E flat clarinet
Jelte Althuis: basset horn and bass clarinet
Alban Wesly: bassoon

The Dutch reed quintet Calefax has issued five previous compact discs under the MDG label, including J.S. Bach’s Kunst der Fuge and arrangements of piano music by Debussy and Ravel. Calefax’s exceptional ensemble technique has earned the group international praise and has led to concert appearances throughout Europe, at contemporary music venues and renowned early music festivals in Utrecht, Saintes and Regensburg. Calefax has turned the obvious repertoire limitations of its instrumentation to its advantage, performing not only contemporary music (often written specifically for the quintet) but also enjoying an 18-year tradition of arranging a wide range of music, from the middle ages to the present. Polyphonic music, such as compositions of the Flemish School, Bach’s Kunst der Fuge and Shostakovich’s Preludes and Fugues, lends itself splendidly for this instrumentation: the fi ve reed instruments are unifi ed in their diversity, the individual voices each providing its own distinctive expressive quality.

Das Holländische Bläserquintett Calefax hat bei MDG bisher fünf CDs veröffentlicht, darunter J. S. Bach’s Kunst der Fuge und Bearbeitungen von Klavierwerken von Debussy und Ravel. Das außergewöhnliche Ensemble-Spiel von Calefax hat der Gruppe internationale Anerkennung gebracht und
führte sie auf Konzertreisen durch Europa zu Neue-Musik-Treffen und zu renommierten Alte Musik-Festivals in Utrecht, Saintes und Regensburg. Calefax hat die Grenzen des Repertoires für seine Besetzung zu seinem Vorteil gesprengt und führt nicht nur zeitgenössische Musik, die häufig direkt für das Ensemble komponiert wurde, auf, sondern genießt es seit 18 Jahren eine große Bandbreite an Musik vom Mittelalter bis zur Neuzeit zu arrangieren. Polyphone Musik wie die Kompositionen der Niederländer, Bachs Kunst der Fuge und Schostakowitschs Präludien und Fugen bieten sich hervorragend für diese Besetzung an: die fünf Blasinstrumente bilden in ihrer Unterschiedlichkeit eine Einheit und die einzelnen
Stimmen erhalten dennoch eine deutlich zu unterscheidende Ausdrucksqualität.

The Dutch quintet plays DKdF in the saxophonist’s Raaf Hekkema’s arrangement for ten different reed instruments: oboe, oboe d’amore, english horn, saxophones, clarinets, basset horn and bassoon.

Amazing enough, this recording on modern reed instruments sounds more “baroque” (and sometimes “renaissancy”) than many others, regarding the tone of certain instruments - oboe d’amore, bassoon etc. The Canon alla Decima, e.g., with basset horn andâ€¦ well, I’d bet the best discs of my collection that this is not a soprano sax playing, but a cornet! And more reminiscences - in Cp.12: a trombone! - Cp.13: a trumpet! (Compare it with the wind sections of Jordi Savall’s recordingâ€¦)

But even the manner of their ensemble playing achieves a fresh consort-like impression. Here we have not another essay of as-if-it-could-have-been-in-the-baroque-period, but certainly a solid concert performed by historically inspired musicians as-it-is-nowadays, collecting the best traditions of musical research and performing. Stunningly perfect intonation, clarity without any strength, and a twinkle here and there.

In the booklet essay “Bach rid of his wig” the bassoon player Alban Wesly informs in a very open-minded way about the transcription for reeds. Concerning the question if the Choral is actually part of Bach’s conception, he simply states “We will leave it up to you to decide whether or not you want to hear this last track.” And further on: “Still, nobody should be surprised that this “art” has a magical sound to it because everything that a genius like Bach touched turned to gold.” An audibly fine symbiosis of modern skill with respect towards historic traditions.

In this sense, the remarkable cover artwork by Pascal Mühlmann is more than a joke; rather a program. It shows a very normal elder man at home, and obviously a composer at work: J. S. Bach himself, bearing the same facial expression as on Hausmann’s portrait, but without wig and collar, holding a bundle of notes and a ball pen writer. Golden threads on a black background represent the painting’s title: Contrapunctus XIV.

Recommendation: Satisfaction guaranteed for many a different musical taste.

(May 2002) dkdf.net

all of my uploads in my blog

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