Miguel Zenon - Identities Are Changeable (2014)

This is home in the sense that these are the streets I grew up in, this is where my friends are. But that's home because that's where my parents came from and they always talk about that and I dream about it. – Juan Flores Alto Saxophonist and Composer Miguel Zen¢n asked his friends the question he had been asking himself: What does it mean to be Puerto Rican in 21st-century New York City? That was the point of departure for Identities Are Changeable, the startlingly original album by Miguel Zen¢n, who grew up in the island's main city of San Juan and came to New York in 1998 to pursue a career in music. Zen¢n's experience of moving via the air bridge from the small Antillean island to the landing strip 1600 miles north is something he shares with hundreds of thousands of other "Puerto Rican-New Yorkers." Puerto Ricans are not immigrants in the United States: for nearly a century - since 1917 - Puerto Ricans have, unlike other natives of Latin America, been US citizens, able to come and go as they please between the island of Puerto Rico and the mainland. When they come north, overwhelmingly they go to New York City. After different waves of migration over the decades - most numerously in the 1950s – about 1.2 million "Puerto Rican-Americans" were living in the greater New York area as of 2012. * * * Miguel Zen¢n has become one of jazz's most original thinkers. Today, at the age of 37, he's one of the best-known alto saxophonists in jazz. The quartet he leads has been working together for more than ten years, building it's ensemble coherence on stages all over the world. But he's more than a good musician and bandleader. One of only a handful of jazz musicians to be chosen for the coveted Macarthur fellowships (in 2008), he's at the forefront of a new movement that in recent years has brought the composer to a new prominence in jazz. But beyond his facility at writing and playing music, there is a great intellectual subject at the center of Miguel Zen¢n's artistic world: the complexity of Puerto Rican culture. Beginning with his third album as a leader, J¡baro (2005), and continuing with Esta Plena (2009) and Alma Adentro: The Puerto Rican Songbook (2011) (both Grammy-nominated), and Oye!!! Live In Puerto Rico (2013), Miguel Zen¢n has created a series of thoughtfully framed works that interpret different facets of Puerto Rican culture. Zen¢n's Puerto Rico is a bit like Gabriel Garc¡a M rquez's Colombia, or Gilberto Gil's Brazil: the highly focused center of an imaginative universe that looks to the world while being rooted at home. It serves a springboard for his personal style: no one else's Puerto Rico - and no one else's jazz - sounds like Miguel Zen¢n's. Identities Are Changeable, Zen¢n's powerful new composition, is a song cycle for large ensemble, with his longtime quartet (Luis Perdomo, piano; Hans Glawischnig, bass; Henry Cole, drums) at the center, incorporating recorded voices from a series of interviews conducted by Zen¢n. Commissioned as a multi-media work by Montclair State University's Peak Performances series, it has a multi-media element with audio and video footage from the interviews, complemented by a video installation created by artist David Dempewolf. It's been performed at such prestigious venues as the New England Conservatory's Jordan Hall in Boston, The SFJAZZ Center in San Francisco, and Zankel Hall in the Carnegie Hall complex in New York City. The album version of Identities Are Changeable is a labor of love, produced by Miguel Zen¢n without commercial backing. It will be released November 4, 2014 as only the second title on his personal label, Miel Music. I think more and more people are realizing that you can be more than one cultural self at the same time, and you're at the crossings of those. Rather than being just squarely in one, you'll be at the crossings. – Juan Flores The core of Identities Are Changeable is a series of English-language interviews Miguel Zen¢n conducted with seven New Yorkers of Puerto Rican descent. His initial impetus for the project came from reading The Diaspo

Tracklist:

01. De Donde Vienes? (Overture)
02. Identities Are Changeable
03. My Home
04. Same Fight
05. First Language
06. Second Generation Lullaby
07. Through Culture and Tradition
08. De Donde Vienes? (Outro)