Ernst Pepping - Passionsbericht des Matthäus
Rundfunkchor Berlin / Stefan Parkman
EAC+LOG+CUE | FLAC: 291 MB | Full Artwork: 187 MB | 5% Recovery Info
Label/Cat#: Coviello Classics # COV 40801 | Country/Year: Germany 2008
Genre: Classical, Sacred | Style: Contemporary, Vocal
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Exact Audio Copy V1.0 beta 3 from 29. August 2011
EAC extraction logfile from 8. July 2013, 22:58
Rundfunkchor Berlin - Stefan Parkman / Pepping: Passionsbericht des Matthäus
Used drive : PIONEER BD-RW BDR-206 Adapter: 0 ID: 2
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 667
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Used output format : User Defined Encoder
Selected bitrate : 1024 kBit/s
Quality : High
Add ID3 tag : Yes
Command line compressor : C:\Program Files\FLAC\flac.exe
Additional command line options : -5 -T "Artist=%artist%" -T "Title=%title%" -T "Album=%albumtitle%" -T "Date=%year%" -T "Tracknumber=%tracknr%" -T "Genre=%genre%" %source% -o %dest%
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 4:33.10 | 0 | 20484
2 | 4:33.10 | 0:58.07 | 20485 | 24841
3 | 5:31.17 | 9:15.12 | 24842 | 66478
4 | 14:46.29 | 3:02.65 | 66479 | 80193
5 | 17:49.19 | 6:59.61 | 80194 | 111679
6 | 24:49.05 | 4:37.21 | 111680 | 132475
7 | 29:26.26 | 6:35.48 | 132476 | 162148
8 | 36:01.74 | 6:53.01 | 162149 | 193124
9 | 42:55.00 | 3:18.41 | 193125 | 208015
10 | 46:13.41 | 3:19.60 | 208016 | 223000
11 | 49:33.26 | 2:59.50 | 223001 | 236475
12 | 52:33.01 | 5:01.31 | 236476 | 259081
13 | 57:34.32 | 2:49.15 | 259082 | 271771
14 | 60:23.47 | 10:09.06 | 271772 | 317452
15 | 70:32.53 | 5:31.23 | 317453 | 342300
Range status and errors
Selected range
Filename F:\=== VINYL RIPS ===\=== EAC===\X FRESH RIP\Pepping- Rundfunkchor Berlin, Parkman - Passionsbericht des Matthäus.wav
Peak level 97.2 %
Extraction speed 8.2 X
Range quality 99.9 %
Test CRC 41FFE5F0
Copy CRC 41FFE5F0
Copy OK
No errors occurred
AccurateRip summary
Track 1 accurately ripped (confidence 2) [C4C45810] (AR v1)
Track 2 accurately ripped (confidence 2) [19D84132] (AR v1)
Track 3 accurately ripped (confidence 2) [FB70EE08] (AR v1)
Track 4 accurately ripped (confidence 2) [B1D317F8] (AR v1)
Track 5 accurately ripped (confidence 2) [B2504CEB] (AR v1)
Track 6 accurately ripped (confidence 2) [9331764A] (AR v1)
Track 7 accurately ripped (confidence 2) [242C4A22] (AR v1)
Track 8 accurately ripped (confidence 2) [67B2EE9A] (AR v1)
Track 9 accurately ripped (confidence 2) [5217D2B9] (AR v1)
Track 10 accurately ripped (confidence 2) [A3977C5B] (AR v1)
Track 11 accurately ripped (confidence 2) [A303EB0F] (AR v1)
Track 12 accurately ripped (confidence 2) [1830134E] (AR v1)
Track 13 accurately ripped (confidence 2) [59E8FA31] (AR v1)
Track 14 accurately ripped (confidence 2) [E30F2799] (AR v1)
Track 15 accurately ripped (confidence 2) [8A6547EF] (AR v1)
All tracks accurately ripped
End of status report
–– CUETools DB Plugin V2.1.3
[CTDB TOCID: .lTC_NQyE8IBxL.OCQzXDUAfzhk-] disk not present in database, Submit result: .lTC_NQyE8IBxL.OCQzXDUAfzhk- has been uploaded
==== Log checksum 38B9B7BAB890F757672E0E576BE9898A5BB6E5E921328EB925587135C9D0A6D5 ====
EAC extraction logfile from 8. July 2013, 22:58
Rundfunkchor Berlin - Stefan Parkman / Pepping: Passionsbericht des Matthäus
Used drive : PIONEER BD-RW BDR-206 Adapter: 0 ID: 2
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 667
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Used output format : User Defined Encoder
Selected bitrate : 1024 kBit/s
Quality : High
Add ID3 tag : Yes
Command line compressor : C:\Program Files\FLAC\flac.exe
Additional command line options : -5 -T "Artist=%artist%" -T "Title=%title%" -T "Album=%albumtitle%" -T "Date=%year%" -T "Tracknumber=%tracknr%" -T "Genre=%genre%" %source% -o %dest%
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 4:33.10 | 0 | 20484
2 | 4:33.10 | 0:58.07 | 20485 | 24841
3 | 5:31.17 | 9:15.12 | 24842 | 66478
4 | 14:46.29 | 3:02.65 | 66479 | 80193
5 | 17:49.19 | 6:59.61 | 80194 | 111679
6 | 24:49.05 | 4:37.21 | 111680 | 132475
7 | 29:26.26 | 6:35.48 | 132476 | 162148
8 | 36:01.74 | 6:53.01 | 162149 | 193124
9 | 42:55.00 | 3:18.41 | 193125 | 208015
10 | 46:13.41 | 3:19.60 | 208016 | 223000
11 | 49:33.26 | 2:59.50 | 223001 | 236475
12 | 52:33.01 | 5:01.31 | 236476 | 259081
13 | 57:34.32 | 2:49.15 | 259082 | 271771
14 | 60:23.47 | 10:09.06 | 271772 | 317452
15 | 70:32.53 | 5:31.23 | 317453 | 342300
Range status and errors
Selected range
Filename F:\=== VINYL RIPS ===\=== EAC===\X FRESH RIP\Pepping- Rundfunkchor Berlin, Parkman - Passionsbericht des Matthäus.wav
Peak level 97.2 %
Extraction speed 8.2 X
Range quality 99.9 %
Test CRC 41FFE5F0
Copy CRC 41FFE5F0
Copy OK
No errors occurred
AccurateRip summary
Track 1 accurately ripped (confidence 2) [C4C45810] (AR v1)
Track 2 accurately ripped (confidence 2) [19D84132] (AR v1)
Track 3 accurately ripped (confidence 2) [FB70EE08] (AR v1)
Track 4 accurately ripped (confidence 2) [B1D317F8] (AR v1)
Track 5 accurately ripped (confidence 2) [B2504CEB] (AR v1)
Track 6 accurately ripped (confidence 2) [9331764A] (AR v1)
Track 7 accurately ripped (confidence 2) [242C4A22] (AR v1)
Track 8 accurately ripped (confidence 2) [67B2EE9A] (AR v1)
Track 9 accurately ripped (confidence 2) [5217D2B9] (AR v1)
Track 10 accurately ripped (confidence 2) [A3977C5B] (AR v1)
Track 11 accurately ripped (confidence 2) [A303EB0F] (AR v1)
Track 12 accurately ripped (confidence 2) [1830134E] (AR v1)
Track 13 accurately ripped (confidence 2) [59E8FA31] (AR v1)
Track 14 accurately ripped (confidence 2) [E30F2799] (AR v1)
Track 15 accurately ripped (confidence 2) [8A6547EF] (AR v1)
All tracks accurately ripped
End of status report
–– CUETools DB Plugin V2.1.3
[CTDB TOCID: .lTC_NQyE8IBxL.OCQzXDUAfzhk-] disk not present in database, Submit result: .lTC_NQyE8IBxL.OCQzXDUAfzhk- has been uploaded
==== Log checksum 38B9B7BAB890F757672E0E576BE9898A5BB6E5E921328EB925587135C9D0A6D5 ====
foobar2000 1.1.14a / Dynamic Range Meter 1.1.1
log date: 2013-07-09 18:59:01
––––––––––––––––––––––––––––––––––––––––
Analyzed: Rundfunkchor Berlin - Stefan Parkman / Pepping: Passionsbericht des Matthäus
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR15 -2.84 dB -24.97 dB 4:33 01-Fürwahr, er trug
DR11 -6.46 dB -29.96 dB 0:58 02-Verrat des Judas (Bericht)
DR16 -0.25 dB -23.56 dB 9:15 03-Abendmahl
DR16 -5.06 dB -28.63 dB 3:03 04-Jesus und Petrus
DR17 -0.44 dB -25.10 dB 7:00 05-Gethsemane
DR16 -3.19 dB -26.12 dB 4:37 06-Gefangennahme
DR13 -4.49 dB -25.07 dB 6:36 07-Herr, bleibe bei uns (Intermedium)
DR15 -3.27 dB -25.87 dB 6:53 08-Jesus vor dem Hohen Rat (Bericht)
DR16 -5.50 dB -30.44 dB 3:19 09-Petri Verleugnung
DR15 -5.17 dB -28.02 dB 3:20 10-Tod des Judas
DR14 -6.91 dB -30.44 dB 3:00 11-Jesus vor Pilatus
DR14 -1.20 dB -22.12 dB 5:01 12-Jesus vor dem Volke
DR14 -3.75 dB -24.80 dB 2:49 13-Jesus und die Kriegsknechte
DR16 -1.69 dB -24.44 dB 10:09 14-Golgatha
DR14 -0.54 dB -20.76 dB 5:31 15-Im Anfang war das Wort (Schluss)
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 15
Official DR value: DR15
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 511 kbps
Codec: FLAC
================================================================================
log date: 2013-07-09 18:59:01
––––––––––––––––––––––––––––––––––––––––
Analyzed: Rundfunkchor Berlin - Stefan Parkman / Pepping: Passionsbericht des Matthäus
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR15 -2.84 dB -24.97 dB 4:33 01-Fürwahr, er trug
DR11 -6.46 dB -29.96 dB 0:58 02-Verrat des Judas (Bericht)
DR16 -0.25 dB -23.56 dB 9:15 03-Abendmahl
DR16 -5.06 dB -28.63 dB 3:03 04-Jesus und Petrus
DR17 -0.44 dB -25.10 dB 7:00 05-Gethsemane
DR16 -3.19 dB -26.12 dB 4:37 06-Gefangennahme
DR13 -4.49 dB -25.07 dB 6:36 07-Herr, bleibe bei uns (Intermedium)
DR15 -3.27 dB -25.87 dB 6:53 08-Jesus vor dem Hohen Rat (Bericht)
DR16 -5.50 dB -30.44 dB 3:19 09-Petri Verleugnung
DR15 -5.17 dB -28.02 dB 3:20 10-Tod des Judas
DR14 -6.91 dB -30.44 dB 3:00 11-Jesus vor Pilatus
DR14 -1.20 dB -22.12 dB 5:01 12-Jesus vor dem Volke
DR14 -3.75 dB -24.80 dB 2:49 13-Jesus und die Kriegsknechte
DR16 -1.69 dB -24.44 dB 10:09 14-Golgatha
DR14 -0.54 dB -20.76 dB 5:31 15-Im Anfang war das Wort (Schluss)
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 15
Official DR value: DR15
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 511 kbps
Codec: FLAC
================================================================================
CD Info:
Ernst Pepping - Passionsbericht des Matthäus
Rundfunkchor Berlin / Stefan Parkman
Label: Coviello Classics
Co-Prod.: Deutschlandradio Kultur
Catalog#: COV 40801
Format: Hybrid-SACD, Album
Country: Germany
Released: 2008
Genre: Classical
Style: Contemporary, Vocal, Sacred
Tracklist:
1 Fürwahr, er trug 4:33
2 Verrat des Judas (Bericht) 0:58
3 Abendmahl 9:15
4 Jesus und Petrus 3:03
5 Gethsemane 7:00
6 Gefangennahme 4:37
7 Herr, bleibe bei uns (Intermedium) 6:36
8 Jesus vor dem Hohen Rat (Bericht) 6:53
9 Petri Verleugnung 3:19
10 Tod des Judas 3:20
11 Jesus vor Pilatus 3:00
12 Jesus vor dem Volke 5:01
13 Jesus und die Kriegsknechte 2:49
14 Golgatha 10:09
15 Im Anfang war das Wort (Schluss) 5:31
Ernst Pepping (born 12 September 1901 in Duisburg, died 1 February 1981 in Spandau) was a German composer of classical music.
Pepping studied composition at the Berliner Hochschule für Musik with Walter Gmeindl between 1922 and 1926. In 1934 he was appointed a teacher for music theory and composition at the Spandauer Kirchenmusikschule in Spandau, where he remained for much of his life. Among his many students was Helmut Barbe. Pepping taught also at the Berliner Hochschule from 1935 to 1938, and again from 1947 to 1968 as a professor of church music and composition.
Pepping received honours for his compositions, an honorary doctorate from the Freie Universität Berlin in 1961 and the Kirchliche Hochschule Berlin in 1971. wikipedia
Review by James Leonard
Ernst Pepping was once hot stuff, with conductors of Furtwängler's ilk recording his works. Indeed, there remains a famous 1943 recording of Pepping's Second Symphony with Furtwängler leading the Berliner Philharmoniker that has been reissued on a variety of labels. The conservative German modernist's star has sunk since then, however, and there are barely a handful of his works in print on CD. Pepping's Passion According to St. Matthew, for example, received over 500 performance in the first five years after its premiere, but this recording with Stefan Parkman leading the Rundfunkchor Berlin from 2007 is only the second of the digital age – and the first was from 1991. Perhaps its stern tonality and severe expressivity explain the work's drop in popular standing. There's no atonality and very little chromaticism here; in fact, strictly speaking, there's hardly any counterpoint at all and next to no melody. There are expressive unison declamations that sometimes branch out into thirds or fourths that give the music an antique, even prehistoric feel, as if it wasn't written by a twentieth century German but by a fourth century Byzantine composer, albeit a fourth century composer singularly lacking in adventurousness, and, some might say, musical interest. In truth, there isn't much going on in Pepping's Passion. The storyline is observed but the spiritual drama is largely absent and the musical activity is fairly minimal, without, one hastens to add, granting the music the hypnotic repetition of minimalism. Though the Rundfunkchor Berlin is passionately invested in the music and Parkman sounds committed to giving the work the best possible performance, and this super audio digital recording is even lusher than the earlier pure digital recording, the work itself may prove of interest only to listeners with a bottomless appetite for postwar German music. allmusicguide