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    Louis Spohr - RSO Berlin / Fröhlich - Violinkonzerte Nr. 7, 9 & 10 (1999, CPO # 999 232-2)

    Posted By: luckburz
    Louis Spohr - RSO Berlin / Fröhlich - Violinkonzerte Nr. 7, 9 & 10 (1999, CPO # 999 232-2)

    Louis Spohr - Violinkonzerte Nr. 10, 7 & 9
    Ulf Hoelscher / Rundfunk-Sinfonieorchester Berlin / Christian Fröhlich
    EAC+LOG+CUE | FLAC: 311 MB | Full Artwork: 176 MB | 5% Recovery Info
    Label/Cat#: CPO # 999 232-2 | Country/Year: Germany 1999
    Genre: Classical | Style: Viennese School, Romantic

    MD5 [X] CUE [X] LOG [X] INFO TEXT [X] ARTWORK [X]

    my rip [X] not my rip [ ]

    Louis Spohr - RSO Berlin / Fröhlich - Violinkonzerte Nr. 7, 9 & 10 (1999, CPO # 999 232-2)


    Exact Audio Copy V1.0 beta 3 from 29. August 2011

    EAC extraction logfile from 17. September 2013, 16:37

    Hoelscher, RSO Berlin, Fröhlich / Spohr: Violinkonzerte Nr. 7, 9 & 10

    Used drive : PIONEER BD-RW BDR-206 Adapter: 0 ID: 2

    Read mode : Secure
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    Make use of C2 pointers : No

    Read offset correction : 667
    Overread into Lead-In and Lead-Out : No
    Fill up missing offset samples with silence : Yes
    Delete leading and trailing silent blocks : No
    Null samples used in CRC calculations : Yes
    Used interface : Native Win32 interface for Win NT & 2000

    Used output format : User Defined Encoder
    Selected bitrate : 1024 kBit/s
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    TOC of the extracted CD

    Track | Start | Length | Start sector | End sector
    ––––––––––––––––––––––––––––-
    1 | 0:00.32 | 11:10.68 | 32 | 50349
    2 | 11:11.25 | 5:03.07 | 50350 | 73081
    3 | 16:14.32 | 8:12.00 | 73082 | 109981
    4 | 24:26.32 | 10:13.18 | 109982 | 155974
    5 | 34:39.50 | 5:25.67 | 155975 | 180416
    6 | 40:05.42 | 7:25.65 | 180417 | 213856
    7 | 47:31.32 | 10:03.43 | 213857 | 259124
    8 | 57:35.00 | 7:55.07 | 259125 | 294756
    9 | 65:30.07 | 8:50.25 | 294757 | 334531


    Range status and errors

    Selected range

    Filename F:\=== VINYL RIPS ===\=== EAC===\X FRESH RIP\Spohr- RSO Berlin, Fröhlich - Violinkonzerte Nr. 7, 9 & 10.wav

    Peak level 100.0 %
    Extraction speed 8.1 X
    Range quality 99.9 %
    Test CRC 69D3106E
    Copy CRC 69D3106E
    Copy OK

    No errors occurred


    AccurateRip summary

    Track 1 accurately ripped (confidence 3) [53A0DDDB] (AR v1)
    Track 2 accurately ripped (confidence 3) [D8EB0B8A] (AR v1)
    Track 3 accurately ripped (confidence 3) [75C16B59] (AR v1)
    Track 4 accurately ripped (confidence 3) [273BDEE0] (AR v1)
    Track 5 accurately ripped (confidence 3) [18DDEEA2] (AR v1)
    Track 6 accurately ripped (confidence 3) [CB485553] (AR v1)
    Track 7 accurately ripped (confidence 3) [C9695F53] (AR v1)
    Track 8 accurately ripped (confidence 3) [049AB2D6] (AR v1)
    Track 9 accurately ripped (confidence 3) [0C2EAAD5] (AR v1)

    All tracks accurately ripped

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    –– CUETools DB Plugin V2.1.3

    [CTDB TOCID: _2GSlXwmdf.xLtBWJ_XkvDjRhqg-] disk not present in database, Submit result: discs with pregaps not supported in this protocol version


    ==== Log checksum F5ABF358F83517E42F2749F3031DE8A6E3B989921F8EFDF232C6D93477B1B4FD ====

    foobar2000 1.1.14a / Dynamic Range Meter 1.1.1
    log date: 2013-09-21 15:15:02

    ––––––––––––––––––––––––––––––––––––––––
    Analyzed: Hoelscher, RSO Berlin, Fröhlich / Spohr: Violinkonzerte Nr. 7, 9 & 10
    ––––––––––––––––––––––––––––––––––––––––

    DR Peak RMS Duration Track
    ––––––––––––––––––––––––––––––––––––––––
    DR16 -2.82 dB -24.43 dB 11:11 01-Violinkonzert Nr. 10 A-dur op. 62 - 1. Adagio - Allegro
    DR15 -5.85 dB -26.91 dB 5:03 02-Violinkonzert Nr. 10 A-dur op. 62 - 2. Adagio
    DR15 -2.62 dB -25.46 dB 8:12 03-Violinkonzert Nr. 10 A-dur op. 62 - 3. Rondo: Vivace
    DR17 -1.43 dB -23.83 dB 10:13 04-Violinkonzert Nr. 7 e-moll op. 38 - 1. Allegro
    DR13 -10.64 dB -29.44 dB 5:26 05-Violinkonzert Nr. 7 e-moll op. 38 - 2. Adagio
    DR16 0.00 dB -23.99 dB 7:26 06-Violinkonzert Nr. 7 e-moll op. 38 - 3. Rondo: Allegretto
    DR15 -1.07 dB -23.84 dB 10:04 07-Violinkonzert Nr. 9 d-moll op. 55 - 1. Allegro
    DR17 -5.91 dB -28.78 dB 7:55 08-Violinkonzert Nr. 9 d-moll op. 55 - 2. Adagio
    DR16 -0.66 dB -22.82 dB 8:50 09-Violinkonzert Nr. 9 d-moll op. 55 - 3. Rondo: Allegretto
    ––––––––––––––––––––––––––––––––––––––––

    Number of tracks: 9
    Official DR value: DR16

    Samplerate: 44100 Hz
    Channels: 2
    Bits per sample: 16
    Bitrate: 586 kbps
    Codec: FLAC
    ================================================================================



    CD Info:

    Louis Spohr - Violinkonzerte Nr. 10, 7 & 9

    Ulf Hoelscher / Rundfunk-Sinfonieorchester Berlin / Christian Fröhlich

    Label: CPO
    Co.Prod.: DeutschlandRadio
    Catalog#: 999 232-2
    Format: CD, Album
    Country: Germany
    Released: 1999
    Genre: Classical
    Style: Viennese School, Romantic

    Tracklist:

    1 Violinkonzert Nr. 14 a-moll op. 110 - Concertino 'Sonst und jetzt' 16:20
    2 Violinkonzert Nr. 15 e-moll op. 128 - 1. Allegro 9:22
    3 Violinkonzert Nr. 15 e-moll op. 128 - 2. Larghetto 4:51
    4 Violinkonzert Nr. 15 e-moll op. 128 - 3. Rondo grazioso 8:13
    5 Violinkonzert Nr. 1 A-dur op. 1 - 1. Allegro vivace 12:19
    6 Violinkonzert Nr. 1 A-dur op. 1 - 2. Siciliano 5:57
    7 Violinkonzert Nr. 1 A-dur op. 1 - 3. Polonaise 9:11

    During his lifetime the music of Louis Spohr aroused such widespread admiration that his contemporaries frequently mentioned his compositions in the same breath as those of Beethoven. Subsequent generations, however, have taken a much more sober view of his achievement. For instance, out of his 15 numbered violin concertos, only the Eighth, conceived in the rather unconventional form of an operatic scena, still hovers on the fringes of the repertoire. Yet on the evidence of Ulf Hoelscher’s invaluable series for CPO, the almost total neglect of the other concertos seems unjustified. This latest instalment in the complete cycle maintains the impressive standards set in previous recordings. Hoelscher demonstrates a formidable mastery of Spohr’s technically challenging passagework, although his efforts are somewhat undermined by the recessed sound of the orchestra. The music itself is attractive and melodious, without plumbing great emotional depths. Nonetheless, it is fascinating to experience a bird’s-eye view of Spohr’s development, from the elegant if somewhat four-square First Concerto to the more sophisticated harmonic and formal structures of the Fourteenth and Fifteenth. Underlying all these works is Spohr’s remarkable constancy of musical language, as well as a reluctance to move with the times – factors which may well have hastened his demise later in the 19th century. Erik Levi classical-music

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