![Betty (1992) [w/Commentary]](https://pixhost.icu/avaxhome/b3/b32e/b32e364c62cf47c299c873dec0fb9bb0-9988043776199052993_medium.webp)
Betty (1992) [w/Commentary]
![Betty (1992) [w/Commentary]](https://pixhost.icu/avaxhome/b3/b32e/b32e364c62cf47c299c873dec0fb9bb0-9988043776199052993.webp)
Betty (1992)
BDRip 1080p | MKV | 1792 x 1080 | HEVC 10 bit @ 5001 Kbps | 1h 43mn | 4,04 Gb
Audio: French E-AC3 1.0 @ 256 Kbps + English Commentary track | Subtitles: English
Genre: Drama | Director: Claude Chabrol
BDRip 1080p | MKV | 1792 x 1080 | HEVC 10 bit @ 5001 Kbps | 1h 43mn | 4,04 Gb
Audio: French E-AC3 1.0 @ 256 Kbps + English Commentary track | Subtitles: English
Genre: Drama | Director: Claude Chabrol
Based on the novel by Georges Simenon, Betty is, well, about Betty (Marie Trintignant), a young alcoholic woman whose affairs cause her to be removed from her family and not allowed to see her two children. One night in a bar, she meets Laure (Stéphane Audran), who takes her in, gives her a luxury hotel room and the opportunity to tell her story within a series of flashbacks.
The last film that director Claude Chabrol and his former spouse Stéphane Audran (Audran was also married to the father of her co-star, Jean-Louis Trintignant) made together, it features a character deprived of the love of her husband, used as a womb to create children for a rich family and left to only feel through alcohol and sex. But behind her eyes and those bangs, is she trouble for anyone she comes into contact with?
Is this a realistic story of life? A horror movie without the supernatural? A formless movie with no plot instigated within a 1960s conversation between Simenon and Chabrol? All of those things and more? Watch and see.
(Enlargeable)
![Betty (1992) [w/Commentary]](https://pixhost.icu/avaxhome/b3/b32e/b32e364c62cf47c299c873dec0fb9bb0-10850297437452257860_medium.webp)
Betty (1992) [w/Commentary]
![Betty (1992) [w/Commentary]](https://pixhost.icu/avaxhome/b3/b32e/b32e364c62cf47c299c873dec0fb9bb0-10850297437452257860.webp)
Audio Commentary by film critic Kat Ellinger (2022)