This release has "Syd Barrett" listed on rear cover sleeve with other members of the band. "David Gilmour" is not mentioned. Live Radio Broadcast Best of Pink Floyd live on European Radio 1968.

Special 2009 four CD edition of this long-deleted 64 track anthology from John 'Johnny Rotten' Lydon and PIL. Rising from the ashes of the Sex Pistols in 1978, Public Image Limited were by definition one of the pioneers of Post-Punk groups. with John Lydon's vocals complemented by ex-Clash guitarist Keith Levene, drummer Jim Walker and the now legendary Jah Wobble on bass, the group created a more Dub-orientated style and their innovative music earned them five UK Top 20 Singles and five UK Top 20 Albums in a period stretching over three decades. Originally released in 1999, the Plastic Box provides a complete overview of the band's work, including tracks taken from every album together with John Peel sessions, remixes and much more. The first two discs cover the band's early years while the remaining two discs spotlight their mid and later periods. An excellent look into the music of a band that continues to defy categorization. EMI.

Japanese composer Ryuichi Sakamoto first entered the public ear in the late 1970s, as a member of the seminal electro-synth band Yellow Magic Orchestra. Although short-lived, the band and its quirky approach to dance music influenced a generation of synth-poppers and techno artists. Sakamoto released a few experimental albums while still with YMO, but his solo career began in earnest with the acclaimed all-synth soundtrack to the 1982 film MERRY CHRISTMAS MR. LAWRENCE, which established him as a composer of some valence. His atmospheric film scores (THE SHELTERING SKY, THE LAST EMPEROR) and adventuresome collaborations with jazz, pop, and world musicians have contributed to his continued reputation as a visionary artist.

Beauty is the eighth solo studio album by Japanese musician Ryuichi Sakamoto. Beauty is notable for its "collage of styles" that range from rock, techno, and classical to flamenco, African, and Japanese traditional. In discussing whether music is narrative and illustrative or an abstract medium, Sakamoto said, "I have visions sometimes when I'm writing contemporary music, even when it's very logical. For example, for one of my songs on the album Beauty, I was always having visions of Amazonian rainforests, a little plane flying very low over the trees. Trees, trees, trees, and some birds. But the title of the song is 'Calling from Tokyo'." Recorded at various sound studios throughout Tokyo, New York, and Los Angeles, Beauty features many collaborators that include Arto Lindsay, Brian Wilson, Robbie Robertson, and Sly Dunbar.

Limited 10 CD box set. The first-ever CD box set gathering the entire 10 album collection released by Brian Eno's Obscure Records. Originally issued between 1975 and 1978, nearly 50 years on the output of Obscure remains radically forward-thinking - offering glimpses of a future yet to be fully seen - and amounts to one of the most important, influential, and creatively accomplished album series ever conceived. Curated by Eno and the composers Gavin Bryars and Michael Nyman - issuing the recording debuts of Bryars, Nyman, John Adams, Christopher Hobbs, David Toop, Max Eastley, Jan Steele, Simon Jeffes / The Penguin Café Orchestra, and Harold Budd, in addition to important works by John Cage, Tom Phillips, and John White - Obscure's collective output is a groundbreaking landmark in the histories of Minimalism, modern composition, and Experimental music, and laid much of the groundwork for the soon to emerge movement of Ambient music. Illuminating the remarkable, and largely otherwise undocumented, creative ferment within and between the British and American scenes of experimental music during the mid to late 1970s. Offering each of Obscure's albums, completely remastered and housed in faithful replicas of their original covers and liner notes, as well as a booklet filled with rare photos, archival material and texts by - among others - Gavin Bryars, Bradford Bailey, David Toop, Max Eastley, Richard Bernas, and Tom Recchion, this historic collection marks the first time this seminal series has received a complete reissue.

Spoonfed Hybrid, the duo of Ian Masters (Pale Saints) and Chris Trout (A.C. Temple), released their one and only album on 4AD imprint, Guernica, in November 1993. Self-titled, this now-cult release has fans constantly asking for it to be reissued. For its 30th anniversary, 4AD are giving it the expanded treatment, re-releasing the album with a bonus disc of singles, demos and rarities. Beautifully designed, the original artwork has been expanded to now include comprehensive song notes.

Edition of 900 copies issued with a printed inner sleeve for Record Store Day. The runouts are laser-etched.All tracks previously unreleased.

The most amazing thing about Stereolab's Margerine Eclipse is how much of a surprise it is. It's not just that it's a fantastic record–Stereolab have made plenty of those. But since 1996's classic Emperor Tomato Ketchup, they've been deconstructing and breaking down their mix of exotic lounge pop and progressive Krautrock, throwing up cyclones of electronic mist. It's yielded some beautiful, but cold and distancing work. Eclipse shocks you with the contrast. Filled with the warmest possible intentions, it invites you to fall in love with its kind thumps and aural flotsam. Anchored by a test pattern baseline and a sly beat machine, the title track wanders around the edges, breaking into the main groove only to smoothly dissolve in a bittersweet end. Sounds like any other Stereolab song, right? But here–stripped down, dynamic, and alive–it's simply charming.

The BBC’s Third Programme aired four radio broadcasts between January 1964 and September 1965, collectively known as Inventions for Radio. They were ground-breaking in both form and content, conceived by playwright Barry Bermange and consisting of the voices of the general public answering questions on four themes, one for each programme: dreams, the existence of God, life after death and ageing. At a time when it was unheard of to give a media platform to anyone perceived as being of low socio-economic status, the broadcasts generated many complaints for the “rough” voices of its participants. Delia Derbyshire was assigned by the Radiophonic Workshop to edit and add electronic music/ effects. The collaborative result is dreamlike and mesmerizing, an audial window to another era. For many years Derbyshire was not credited for her contribution, nor were the broadcasts available commercially, although they still managed to acquire something of a cult following.

Boundary-pushing electronic duo and technological pioneers the Future Sound of London have charted a magnificent, unpredictable course throughout their multi-decade career, ranging from early rave staples to ambitious excursions into ambient soundscapes, psychedelic rock, modern classical, and more. Prodigiously releasing club records under various pseudonyms since the late '80s, Garry Cobain and Brian Dougans launched FSOL with the breakbeat house classic "Papua New Guinea" in 1991, following suit with the Accelerator full-length. After signing with Virgin Records in 1992, the duo began releasing more experimental, atmospheric material, including the highly regarded 1994 double album Lifeforms. They also sidestepped traditional methods of touring, instead broadcasting studio performances via ISDN lines. Following 1996's Dead Cities, the duo went on hiatus, re-emerging with the 2002 psychedelic opus The Isness, one of several releases credited to their Amorphous Androgynous alias.

Downtempo, Experimental, IDM … Future Sound of London released ISDN in December 1994, originally with a black cover as a limited release. June 1995 saw an alternative white-covered version released, this had a different track listing on the 4th side of the LP set with new tracks. This is a Record Store Day 2024 exclusive.

After 4 years of work on their 11th release for ReR, this extraordinary, reclusive, and highly individual audio-visual collective continues to evolve through the painstaking accumulation and disposition of a seemingly incompatible range of both exotic and familiar musical languages, instruments, techniques and studio manipulations into one of the few genuinely original bands at work today. It took a long time to refine their unique process of composition to this level of ambiguity and depth and newcomers will wonder how they strayed so far from orthodoxy and yet managed to retain a lucidity and transparency that is quite rare in contemporary music.

The Residents are an American art collective best known for their over 60 studio albums that were recorded over a period of over forty years. They also created some outstanding multimedia works, mainly three CD ROM projects and ten DVDs. Working as an anonymous collective, their identitites were kept secret until in 2017 Hardy Fox revealed himself as their primary composer. Hardy died in October 2018, but the group continue to record and perform. Sam's Enchanted Evening is a theatrical performance by Randy Rose, lead singer of The Residents. It was performed between October 2011 and March 2012 in Berkeley, California and New York City. Rose's only companion on stage was long-time Residents collaborator Joshua Raoul Brody on piano. A one-man cabaret performance consisting largely of re-interpreted renditions of popular songs from the mid-to-late 20th century, interpreted by Rose in the guise of Sam the Stranger, it was the first Residents-related performance piece to be credited to an individual member of the group.

The Welsh psychedelic pop/rock legends Super Furry Animals return with 'Dark Days/Light Years', their ninth studio album. Where previous albums have seen the band experiment with extra instrumentation, this release is full of songs based on grooves rather than ensemble composition. The band's impish sense of humour remains, though, with track titles such as 'The Very Best Of Neil Diamond' and 'Moped Eyes' standing out. Also notable is Franz Ferdinand guitarist Nick McCarthy's guest appearance on the Kraftwerk-inspired 'Inaugural Trams', performing a German-language rap. In keeping with more recent albums, the band also share lead vocal duties between several members.

Tom Waits grew steadily less prolific after redefining himself as a junkyard noise poet with Swordfishtrombones, but the five-year wait between The Black Rider and 1999's Mule Variations was the longest yet. Given the fact that Waits decided to abandon major labels for the California indie Epitaph, Mule Variations would seem like a golden opportunity to redefine himself and begin a new phase of his career. However, it plays like a revue of highlights from every album he's made since Swordfishtrombones. Of course, that's hardly a criticism; the album uses the ragged cacophony of Bone Machine as a starting point, and proceeds to bring in the songwriterly aspects of Rain Dogs, along with its affection for backstreet and backwoods blues, plus a hint of the beatnik qualities of Swordfish.