On Chris de Burgh's debut album, his gentle, beguiling vocal style is introduced, which instantly trademarks him as a genuine master of the soft ballad. de Burgh's engaging dominance of words and lyrics carries both his love songs and his simple light rock tunes to a higher level, thanks to the attention and care given to each of his pieces. As an inaugural album, the songs hold well as they are delicately cushioned by his voice, but are substantially thin where melody or appealing choruses are concerned. Both "Windy Night" and "Watching the World" draw the most attention, bringing de Burgh's silkiness to the focal point. "Satin Green Shutters" beautifully illustrates his knack for sounding sincere and charismatic within the boundaries of a love song…

For some time, Judie Tzuke has secretly harboured a desire to branch out from her niche as the blonde girl who sings weepy ballads. And although she's managed it with this, her 13th studio album, the exquisite 'Queen Secret Keeper' achieves the objective without compromising artistic integrity or the selling short of existing fans.

In an era where it's not uncommon for a superstar act to wait three or four years between releases, it's astonishing to realize that Carole King wrote and recorded a strong follow-up to 1971's bazillion-selling "Tapestry" that was released before the year was up! "Music" was a big commercial success, but anything would pale next to the ecstatic commercial response to "Tapestry", which was still high in the charts when this follow-up was released. The generically-titled "Music" didn't spawn any hits as big as "It's Too Late" or "So Far Away," but with several decades' hindsight, it's clear that "Tapestry" was no fluke; in its more low-key way, "Music" is every bit as fine an album.
Highlights include two jazz-tinged tracks, "Brother Brother" and the waltz-time title track, which features a remarkable saxophone solo by Curtis Amy…

Released in 1978 after London Town gave McCartney another huge hit, Wings Greatest rounds up McCartney's greatest hits from 1971 to 1978 – which means it skips "Maybe I'm Amazed" but touches on Ram. The main strength of this collection is that it contains many hits that never appeared on any album, and these are among McCartney's very best non-Beatle singles: the eccentric domesticity of "Another Day," the choogling rocker "Junior's Farm," the Bond anthem "Live and Let Die," the piledriving "Hi Hi Hi," and "Mull of Kintyre," a Scottish-styled folk ballad that was his biggest hit in England. And yes, it's fair to peg these as McCartney successes, since some of them were billed as McCartney, not Wings, and as such, this record is a great overview of McCartney's first decade of solo recording, containing many of his very best solo tunes.

Following the success of Sundown, Gordon Lightfoot continued his success by releasing a greatest-hits compilation. A double album (now a single CD), it contained the most popular songs from his Warner Bros. years on disc two, and he re-recorded many of his early songs for side one of record one. Although not as good, perhaps, as the originals, this did bring them up to date with his current sound style. Just about all the favorites are here (except "The Wreck of the Edmund Fitzgerald," which hadn't been recorded yet when this set was put together and appears on Lightfoot's second volume of Gord's Gold), making this a good general overview of a strong talent. When Warner transferred the double LP to CD, "Affair on 8th Avenue" was dropped from the program to make the set fit on a single disc. Randy Newman arranged the orchestration on "Minstrel of the Dawn," by the way.

Beautiful Dreams holds interest mainly because Chris de Burgh is backed by a full orchestra, which adds brilliant depth to his material, presenting his romantically based ballads in an entirely new fashion. While the strings and woodwinds that accompany de Burgh showcase their splendor on "Say Goodbye to It All" and "Snows of New York" better than any other of the album's 13 tracks, there is still a certain posh grandeur that is carried on all of them, which is bolstered by the band's luxurious sound. "Missing You" and "In Love Forever" gain illustriousness through the lavish backdrop of violins, which ease in to de Burgh's graceful lyrics, and the familiar "Lady in Red" sounds full-bodied and even more enchanting with a thicker curtain of instruments behind it.

Transmission Impossible classic FM concert recordings broadcast in the 70s, the 80's & the 90's. This spectacular 3xCD set features some of the finest live shows ever performed by Fleetwood Mac! Formed in London in 1967, Fleetwood Mac have gone through as many personnel changes across the last 50 years as any band from that era still in existence. And although two members from the start still remain on board in the shape of Mick Fleetwood and John McVie, and Christine Perfect (later McVie s wife, after which she adopted his name) joined in 69, the biggest change came when Stevie Nicks and Lindsey Buckingham joined Mac in 1975. This spectacular 3 x CD set features some of the finest live shows ever performed by Fleetwood Mac, kicking off with a performance the newly-augmented band gave in December 1977 in Tokyo, Japan, some 10 months after the release of their classic Rumours LP.

All the Way… A Decade of Song is the first English-language greatest hits album by Canadian recording artist Celine Dion. Released by Sony Music Entertainment on 12 November 1999, it features nine previously released and seven new recordings. Dion worked on new songs mainly with David Foster. Other producers include Max Martin, Kristian Lundin, Robert John "Mutt" Lange, James Horner and Matt Serletic. All the Way… A Decade of Song garnered positive reviews from music critics. They praised the first uptempo single "That's the Way It Is" and a ballad "If Walls Could Talk". Some criticism was directed towards including a small number of hits and many new recordings. Despite that, the album became a commercial success throughout the world and peaked at number one in every major music market around the globe.

"Turn the Lights Back On" is a single by American musician Billy Joel. It was released on February 1, 2024, through Columbia Records and was Joel's first single since "Christmas in Fallujah" was released in 2007, 17 years earlier. The song is written by Joel, Freddy Wexler (who also produced the track), Arthur Bacon, and Wayne Hector.

As one of the biggest-selling artists of all time, perhaps it was only a matter of time before Billy Joel was subjected to a romantically themed collection, and so came She's Got a Way: Love Songs, released just in time for Valentine's Day 2013. This 18-track collection reveals an odd truth about Joel: he didn't write all that many love songs. A few of his biggest hits are love songs but only a few: the early song "She's Got a Way," which wasn't a hit until its Songs in the Attic incarnation in the early '80s; "Just the Way You Are," an unabashedly romantic soft rock staple that helped make him a star in the mid-'70s; "This Is the Time," a gently nostalgic song from The Bridge; "The Night Is Still Young," an added cut to 1986's Greatest Hits, Vols. 1 & 2.