Il Fatto Quotidiano (13-08-10)
Lang: Italian | PDF | 20 pagg | 8 Mb
Lang: Italian | PDF | 20 pagg | 8 Mb
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Cette Biographie de la faim, de ce désir jamais rassasié, de cette quête qui n'a jamais de fin, Amélie Nothomb la décline sous toutes ses formes, du ravissement à l'horreur, avec brio, douleur, amour, humour et lucidité, pour dire ce terrible paradoxe d'exister. Il s'en dégage une puissance de vision, une perception fatale où l'absolu et sa dérision se côtoient. C'est une mise à nu éblouissante où l'auteur est le sujet de son œuvre et qui prouve ô combien qu'Amélie Nothomb est un de nos grands auteurs contemporains.
‘Crowded House’ was the band’s first and most commercially successful effort, with two of its singles reaching the American Top Forty – ‘Something So Strong’ and ‘Don’t Dream It’s Over’. Reviewers commonly refer to the music of Crowded House as either new wave or something close to that – songs that are short in length, short on instrumental solos, and, to an extent, compatible with music videos. Much of that is actually true of ‘Crowded House’, but the only real description gets offered by stopping the talk, and turning on the music. The album is one snappy yet alluring melody after the next, music that variously earns the description of soulful, emotional, often a celebration but sometimes solemn. Beneath it all, one detects in Neil Finn’s music a passion and meticulous respect for the art he is creating. The lofty quality of his work not only applies to the music – his deceptively simple lyrics always emerge from the music, never the other way around.