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Although outspoken in his support of the post-World War I Parisian avant-garde during his youth, English composer Arthur Bliss ended his long career as a dedicated proponent of a more conservative, neo-Romantic musical aesthetic. Educated at Pembroke College, Cambridge and at the Royal College of Music (where he found his studies with Charles Stanford too stifling), Bliss' earliest music (all later withdrawn and subsequently destroyed by the composer) shows a strong knowledge of and interest in the music of Edward Elgar. After service with the Royal Fusiliers (and later the Grenadier Guards) during the War, however, Bliss' musical aesthetic changed dramatically, and he quickly became known as a thoroughly "modern" composer, owing more allegiance to the exciting happenings ……
From Allmusic
Jewish poetry dating back to the time of the Spanish expulsion (1492) is transformed by composer Bruce Adolphe into a captivating song cycle for soprano, guitar, and French horn that revels in Ladino-inspired melodies, exotic new instrumental timbres, and astonishing virtuosity. A complete scene from the opera Mikhoels the Wise includes the haunting “Lullaby of Birobidzhan.” Out of the Whirlwind recalls the unforgettable poetry and songs written by members of the Jewish resistance during World War II, as well as by other victims of the Holocaust.From Naxos