In 1999, retired Argentinian federal justice agent Benjamín Espósito is writing a novel, using an old closed case as the source material. That case is the brutal rape and murder of Liliana Coloto. In addition to seeing the extreme grief of the victim's husband Ricardo Morales, Benjamín, his assistant Pablo Sandoval, and newly hired department chief Irene Menéndez-Hastings were personally affected by the case as Benjamín and Pablo tracked the killer, hence the reason why the unsatisfactory ending to the case has always bothered him.

It's a world where everyone tells the truth - and just about anything they're thinking. Mark Bellison is a screenwriter, about to be fired. He's short and chunky with a flat nose - a genetic setup that means he won't get to first base with Anna, the woman he loves. At a bank, on the spur of the moment he blurts out a fib, with eye-popping results. Then, when his mother's on her deathbed, frightened of the eternal void awaiting her, Mark invents fiction. The hospital staff overhear his description of Heaven, believe every word, and tell others. Soon Mark is a prophet, his first inventive screenplay makes him rich, and he's basically a good guy. But will that be enough for Anna?

Ronnie's (Miley Cyrus) and her younger brother, Jonah's, parents are divorced. They live with their mother until this summer they are sent to live with their father (Greg Kinnear) in a small town on the beach. Ronnie resents her father and has no intention of being friendly or even talking to him for the summer. But after meeting a handsome guy and beginning to fall in love, Ronnie starts rediscovering her love for music, something she shares with her father. Reconnecting with music revives a kinship with her father which proves to be the most important relationship she may ever experience.