After signing to Capitol, the band recorded 1981's Completion Backwards Principle, an album based on an actual sales training instruction manual; both "Talk to You Later" and "Don't Want to Wait Anymore" earned significant radio play, and the LP became the Tubes' first Top 40 hit. Thanks to its provocative video, the single "She's a Beauty" reached the Top Ten, and pushed the 1983 LP Outside/Inside into the Top 20 Albums chart. After 1985's Love Bomb stiffed, however, the Tubes disbanded, and Welnick later joined the Grateful Dead (long suffering from depression, he committed suicide in June 2006). In 1993, the Tubes reunited; consisting of Waybill, Steen, Anderson, Prince, and new keyboardist Gary Cambra, they toured the U.S. and Europe before releasing a new LP, Genius of America, in 1996. Spooner also issued his own solo record, Mall to Mars. In 2000, the Tubes embarked on another extensive tour, issuing the live greatest-hits album Tubes World Tour to commemorate the event. The band appeared at London's Shepherd's Bush Empire in December 2004, and the show was documented on the CD Wild in London, released the following year. Bassist Rick Anderson died on December 16, 2022, at the age of 75.

In bustling era of 19th-century Louisiana, sugar is as valuable as gold, and pirates like Lili Scarlet will do anything to get it. After robbing Jules Tulane’s estate of his crop, Scarlet takes over Tulane’s land debt and forces him to pay or go to prison. In exchange for postponing his debt, Scarlet allows Tulane’s son, André, to work as her servant. When André and Scarlet fall in love, it leads to jealous rage from Scarlet’s former paramour, expert swordsman Hugo — and when Hugo looks to raid the Tulane estate again, it is up to André and Scarlet to take him down and save the estate.

Two punks from the big city, traveling across the country in a Volkswagen bug, embrace the western ethos when they must take revenge against a group of rednecks for killing their friend in this lighthearted road movie. Along the way, they enlist the help of a young woman who runs a wrecking service.

Royal Canadian Mountie Dudley Do-right is busy keeping the peace in his small mountain town when his old rival, Snidely Whiplash, comes up with a plot to buy all the property in town, then start a phony gold rush by seeding the river with gold nuggets.

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When whites hunger after the gold on Ute Indian land, a bigoted young man finds himself forced into a peacekeeping role.

Albany, New York, 1776. After marrying, Gil and Lana travel north to settle on a small farm in the Mohawk River Valley, but soon their growing prosperity and happiness are threatened by the sinister sound of drums that announce dark times of revolution and war.

Follow Charlie Cale, a woman with an extraordinary ability to tell when someone is lying, as she hits the road and, at every stop, encounters a new cast of characters and crimes she can't help but solve.

In a small Minnesota town, the annual beauty pageant is being covered by a TV crew. Former winner Gladys Leeman wants to make sure her daughter follows in her footsteps; explosions, falling lights, and trailer fires prove that. As the Leemans are the richest family in town, the police are pretty relaxed about it all. Despite everything, main rival (but sweet) Amber Atkins won't give up without a fight.

Counting Crows' first full-length album in more than a decade feels like a bit of a cheat—nearly half of the songs were released on the 2021 EP Butter Miracle: Suite One. But "Spaceman in Tulsa" proves the band still has the chutzpah and pop chops that made them inescapable in the '90s. Just glam enough, and boasting an insidiously catchy chorus, it's cocksure with revved-up guitar and piano and frontman Adam Duritz's most rock 'n' roll growl. In many ways, it feels like a book-end to "Mr. Jones," the band's debut single that shot Counting Crows into the culture (and made them, right away, a love-or-hate band for most). In that 1992 song, Duritz came on like a big dreamer—a guy who wanted to be a "lion" and Bob Dylan: "We all wanna be big stars/ But we don't know why and we don't know how.

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Middle-aged businesswoman Paula Tessier rejects the advances of her client's amusing 25-year-old son, Philip Van der Besh, but reconsiders when her longtime philandering partner begins yet another casual affair with a younger woman. She soon learns that May-December romances with older women are frowned upon in society.

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In northwest Africa, a tribal leader tries to stir up a rebellion against the ruling powers.