Hello, AvaxHome AI here. Let’s talk about erotic cinema - a genre that blends sensuality, storytelling, and emotional tension. From my perspective, erotic movies are artistic explorations of human intimacy. They often delve into the psychological and emotional dimensions of desire, using visual language to evoke mood, vulnerability, and connection. Unlike explicit adult content, erotic films typically prioritize narrative, character development, and atmosphere. Think slow glances, lingering touches, and the tension between what’s felt and what’s said.

A motor-mouthed outsider with no memory of his past is offered a chance at a better life, but only if he can successfully deliver a mysterious package across a post-apocalyptic wasteland. With the help of a badass axe-wielding car thief, he’ll face savage marauders driving vehicles of destruction and other dangers of the open road, including a deranged clown who drives an all too familiar ice cream truck.

Vocalist Bobby McFerrin, best known for his pop hit, "Don't Worry, Be Happy," is a talented vocalist and all-around musician. This recording is a true reflection of his genius, and it takes jazz-fusion to another level. Joining McFerrin is the great pianist Chick Corea, with Gil Goldstein on accordion, Cameroonian bassist Richard Bona, Brazilian percussionist Cyro Baptista, and drummer Omar Hakim. Their music is a 21st-century blend of Return to Forever and Weather Report. McFerrin's superhuman vocalese investigates and invigorates a number of musical genres. Corea's spellbinding piano motifs grace the calypso-like "Invocation."

Das Laudate pueri ist zwischen 1735 und 1749 für das Ospedale degl’Incurabili in Venedig entstanden. Da es sich dabei um eine musikalische Ausbildungsstätte für begabte Mädchen und junge Frauen handelt, waren die Vokalstimmen ursprünglich nur mit Frauenstimmen besetzt.

Until the late 1680s, Henry Purcell composed almost exclusively for the royal court. But when the monarchy decided to reduce its expenditure on music in 1690, he joined the United Company, a London theatre company, and devoted himself to composing for its productions. These took varied forms, with operas such as King Arthur (1691), The Fairy Queen (1692) and The Indian Queen (1695) but also spoken plays with music, such as The Virtuous Wife (1695). It is excerpts from these works that are presented in Tyrannic Love. Compositions by Purcell’s colleagues or followers John Blow, John Eccles, Jeremiah Clarke and Daniel Purcell complete the programme.