We’re thrilled to announce that Yasmine Hamdan’s new album I Remember I Forget (‎« بنسى وبتذكر ») will be released on September 19, 2025. Written and recorded over the past few years, this 10-track album marks a new chapter in Yasmine’s journey and was co-produced with her long-time collaborator Marc Collin. The album cover features a photograph by Hani Hamdan, with artwork and visual identity designed by Kandalaft Research and Design Office in collaboration with Yasmine Hamdan and Tina Hamdan.

Meral Polat, with her powerful new album MEYDAN, celebrates the untamed voice of a woman living on her own terms. This album is a bold celebration of female strength and independence, building on the introspective journey of her debut ``Ez Ki Me.`` MEYDAN expands her unique sound, weaving together Anatolian and Mesopotamian music with vibrant influences from Mali Blues and Nigerian Afrobeat. Featuring diverse collaborations and rich sonic textures, MEYDAN is an uplifting and forward-thinking addition to global sounds, jazz, and fusion.

“We believe in some pretty strict rules,” says Pink Stones frontman Hunter Pinkston. “We also believe in breaking them. This band was built on reimagining tradition, on honoring the old ways while pushing them someplace new.” On their intoxicating new album, Thank the Lord… it’s The Pink Stones, Pinkston and his bandmates do precisely that, offering up a joyful, adventurous take on ’60s twang that blurs the lines between cosmic country, folk, bluegrass, soul, and psychedelic rock.

This program presents a journey through three works that demonstrate the diversity and richness of chamber music at the end of the 19th century. While this form seemed eclipsed by the dominance of opera and lyric drama, Gabriel Fauré, as a composer and teacher, championed artistic freedom and renewed the codes of chamber music, lastingly influencing a generation of musicians. The imprint of his teaching and his own style can be found in the works of two of his students, Maurice Ravel and Georges Enesco, who both composed their sonatas for violin and piano as part of Fauré's composition class at the Paris Conservatoire.

Written between painting sessions and also whilst raising a child, Blurrr is a record of loose and playful intuition. Robertson’s vocals and guitar drift, murmur and whisper across the record; fostering a deep intimacy as unknown emotions rise up from the well. Robertson’s intuitive approach to music making co-exists alongside her improvisatory and collaborative nature. She has collaborated regularly with artists such as Elias Rønnenfelt on Heavy Glory, Dean Blunt on Backstage Raver and Black Metal, and Sidsel Meineche Hansen on Alien Baby. In Blurrr Robertson turns to previous collaborator and friend: cellist, composer and producer Oliver Coates.

This album presents a compelling exploration of the orchestral works by the underappreciated German composer Josef Schelb. A figure of his time who synthesized late-Romantic and neo-classical elements into his own distinct voice, Schelb's music is brought to vibrant life by pianist Oliver Triendl and the Janáček Philharmonic Ostrava under the baton of Leo Siberski. The program offers a rich and rewarding discovery for listeners interested in the fascinating and often overlooked repertoire of mid-20th-century music.

It has been a great privilege to record the piano music of Elgar who so often confided his innermost thoughts to this instrument. I have just listened for the first time to the finished recording and I recommend to you all to sit and allow the sounds of a remarkable Bechstein of 1900, right in the centre of the composer’s life span, to take you on an irresistible journey through his inner musical life.

"Eddy Arnold: Eddy's Romance" is a remastered album from country music legend Eddy Arnold. It is likely a compilation of some of his love-themed songs from the early 20th century, with titles including 'I Wish I Didn't Love You So', 'Have I Told You Lately That I Love You' and 'You're Nobody 'Til Somebody Loves You'.

Bassist and composer Antoine Fafard's Quadra Spherium (2025) offers a boundary-pushing instrumental Jazz Fusion experience. Featuring Antoine alongside legendary drummer Gary Husband and masterful tenor saxophonist Jean-Pierre Zanella, the album combines intricate rhythms, rich harmonies and fearless improvisation.

From Mozart to Tchaikovsky, this collection is a compendium of Itzhak Perlman’s chamber music artistry. Here he is accompanied by great musicians such as Vladimir Ashkenazy, Ray Still and Pinchas Zukerman.

Total of 109 tracks, approximately 6 hours and 45 minutes of recording time. Chopin: Prelude No. 3 in G major (Lugansky, piano), Grieg: Lyrical Pieces, Book 1, Op. 12-1, Arietta (Pludermacher, piano), Satie: Gymnopédie No. 1 (Chamayu, piano), Bach: French Suite No. 6 - Courante (Say, piano), Fauré: Eight Pieces, Op. 84-5, Impromptu (Pludermacher), and more.

The Symphony in D minor is the best-known orchestral work and the only mature symphony written by the 19th-century composer César Franck. It employs a cyclic form, with important themes recurring in all three movements.

Antonio Vivaldi was a great violinist, as was his father, Giovanni Battista Vivaldi. It is no coincidence that Antonio Vivaldi’s first publication op. 1 in 1705 was a collection of sonatas for two violins and basso continuo. He dedicated most of his instrumental output to the violin, writing sonatas for one or two violins and concerti for up to four solo violins further writing compositions where the violin appears as a second main character alongside other instruments or voice.

Star-violinist Christian Tetzlaff, the BBC Philharmonic Orchestra and conductor John Storgårds present Elgar's passionate violin concerto, completed in 1910. This huge and highly emotional work was in the wake of modernism neglected for several decades before entering into standard concerto repertoire. Here Christian Tetzlaff follows the model of the early recordings of Elgar’s concerto with substantially quicker tempos compared to most modern recordings, and having a great influence on the impact of the piece.

This is the excellent, 2025, fifth release by this long running (founded in 1999) Chilean avant-progressive leaning band who are best known for their one release on the AltrOck label. This one sort of straddles the boundary between avant-progressive sounds that they are mostly known for and a more ‘fusion/symphonic’ approach, in line with Happy The Man or French TV 15.