This disc is a direct competitor to Schumann, Dvorak: Piano Concertos - Paolo Giacometti and in even in terms of artists employed they are comparable: both have young and up-coming pianists accompanied by less familiar orchestral/conductor partnerships. In the end, this release is more succesfully artistically, honours split with regard to sonics. Whilst there is little competition for the Dvorak (although what exists is heavyweight), the same cannot be said of the Schumann concerto (even on SACD) and Helmchen has many illustrious names to compete against.

"Musical expression of associations created by some places and people in my past." The names who give life to the pieces in his album Aperlai, which he describes as “Aperlai”, are also composed of valuable musicians that we all know from the stages and important projects. Aperlai opens the doors of another memory of Sarp Maden in each piece. 119/5 is the address where he lived for years in Cihangir, the moments when Turgay Demiryürek, the owner of Mitanni Cafe, where Urgayt Ayturg took the stage for many years, wrote this piece at his home, Aperlai belonged to the Lycian civilization in Kekova, which he went to many times and described as "a magical place". an ancient city, "Lost & Found" that he wrote in one sitting and then forgotten and after the time passed, he found and re-recorded his notes, "Treptower Park" his memories from the airport to the city when he first went to Berlin, "Allan Together", one of his favorite guitarists, Allan Holdsworth. "Quan Ba" describes this region, a unique geography in northern Vietnam.

After the black and even, like the paintings of Pierre Soulages, the outrenoir of TILT, the first album of this quartet in which the music revealed an infinite number of details in this color to the point of revealing a greater brightness, THE DREAMER chooses a more polychromatic and more incandescent light this time for this new album.

Worship leader, songwriter and Christian music artist Cody Carnes has released his new studio album, Run To The Father, which features popular worship songs “Nothing Else,” “Christ Be Magnified,” and the title track “Run To The Father.”

This is a story about a struggle for power in old Denmark, and a magnificent opera about events which led to the murder of King Erik Clipping in 1286. To present this dramatic episode from Danish history, a power play rooted in love, jealousy and honor, Heise composed gripping music with a razor-sharp dramatic sense and great lyrical beauty.

Stage and screen would be the poorer without the award-winning soundtrack scores of Nigel Hess. The acclaimed British composer’s melodious music for stage, film and television has touched millions around the world over the past forty years.

Navona Live and pianist Antoinette Perry are proud to present BEETHOVEN BOOKENDS. The album takes listeners from Opus 7—Beethoven’s personal favorite of his early sonatas—through the Bagatelles of Opus 119, and culminates with the composer’s final sonata, Opus 111. BEETHOVEN BOOKENDS is rich with the passion and dynamic range for which Beethoven is renowned; Perry applies what Le Dauphine Libéré has called her “irreproachable technique” to these legendary compositions. Her performances reveal a profound appreciation for Beethoven’s genius, as well as his iconoclasm. With careful attention to nuance, Perry exhibits both Beethoven’s mastery of classical forms and his desire to rebel against them. BEETHOVEN BOOKENDS, recorded at the Aspen Music Festival, puts listeners in the concert hall with one of the great living performers of Beethoven’s music.