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    Alanis Morissette - Supposed Former Infatuation Junkie (Remastered) (1998/2025) (SACD)

    Posted By: Rtax
    Alanis Morissette - Supposed Former Infatuation Junkie (Remastered) (1998/2025) (SACD)

    Alanis Morissette – Supposed Former Infatuation Junkie (Remastered) (1998/2025) (SACD)
    SACD DSD64 (tracks dsf) - 2.8 GB
    1:11:45 | Alternative Rock, Pop Rock | Label: Mobile Fidelity Sound Lab

    Alanis Morissette Delivers the Equivalent of a Spiritual Awakening on Supposed Former Infatuation Junkie: Introspective Themes and Compassionate Emotions on Eastern-Tinged Album Have Grown More Relevant. 1998 Smash Plays with Enhanced Detail, Rich Textures, and Sharp Focus on Mobile Fidelity’s Numbered-Edition Hybrid SACD: Collector’s Edition Strictly Limited to 3,000 Numbered Copies. Alanis Morissette refuses to adhere to convention on Supposed Former Infatuation Junkie. While most artists follow-up their breakthrough with an album that closely parallels the approaches that helped make them famous, the maverick singer-songwriter stayed true to herself and drew inspiration from travel to India before she began the recording sessions. As much as the preceding Jagged Little Pill put her on the global radar, Supposed Former Infatuation Junkie confirmed her role as a vital generational voice — and proved her blockbuster success was no fluke. Having set a mark for most sales of an LP in its debut week by a female artist, the 1998 smash remains a pop-rock staple.

    Sourced from the original master tapes, strictly limited to 3,000 numbered copies, and housed in mini-LP-style packaging, Mobile Fidelity’s hybrid SACD of Supposed Former Infatuation Junkie presents the triple-platinum LP in audiophile sound. Benefitting from an enhanced coherence and clarity that befit the album’s nearly 72-minute length, this disc plays with richer detail, sharper focus, and broader dynamics than prior versions. Those traits are key given Morissette’s use of more textured and atmospheric soundscapes, not to mention her evolution into a more nuanced and controlled singer. Similarly, the scale and reach of David Campbell’s string arrangements come across as orchestrations should. Ditto the synth-based architecture shaped by producer Glen Ballard.

    Notable for its balance, sophistication, and richness, Supposed Former Infatuation Junkie at heart finds Morissette pausing, taking a breath, and learning how to navigate life in a healthy manner after enduring one of the most exhausting and rocket-to-fame stretches any musician ever experienced. It’s the sonic equivalent of a spiritual awakening, a call to betterment, a brave assessment of the self and humanity as a whole. As such, the tunes on her second international (and fourth Canadian) release teem with gratitude, compassion, love, empathy — emotions that lend themselves to the largely mellow, contoured scope and Eastern-tinged melodies of the songs themselves.

    “How ‘bout how good it feels to finally forgive you,” Morissette sings on the lead single “Thank U.” “How ‘bout grieving it all one at a time.” Those sentiments, and the vocalist’s embrace of concepts such as divinity and acceptance, not only provide a foundation on which Supposed Former Infatuation Junkie rests. They also reflect the personal maturation she gained from her embrace of Buddhist culture in India and a mindset bent toward notions of reconciliation, peace, and sensuality that were nearly absent in popular music in the late ‘90s.

    Those themes continue on “That I Would Be Good,” a confident reflection that takes stock of one’s mental, physical, and emotional state in the face of both changing and unpleasant circumstances — and concludes with Morissette performing a flute solo, further exposing the raw intimacy of the introspective tune. She channels relatable simplicity and joy on “So Pure,” with her invocations of “dance” and “freestyle” speaking to the freedom of expression that courses throughout Supposed Former Infatuation Junkie. And perhaps no song finds Morissette showcasing her refreshed attitude toward life and opening up more than the relationship-themed “Unsent,” whose unconventional structures and lack of a chorus only add to its directness.

    Akin to many albums that were ahead of their time, and despite the critical and commercial accolades afforded it upon release, Supposed Former Infatuation Junkie attracted new appreciation and perspective as it got older. Issued during an era where its ideas of serenity, absolution, tranquility, and contentment seemed largely alien, the record — akin to the ways its predecessor foreshadowed a movement — now functions as a visionary beacon that foretells of way to maintain sanity, dignity, and goodness amid a contemporary landscape filled with constant distractions, polarizing views, and incessant calls to purchase, promote, and produce without questioning the what-for purpose.

    Supposed Former Infatuation Junkie dares to ask the questions and, at its best, supplies meaningful answers and alternatives that lead to longed-for enlightenment, healing, and laughter. For these reasons alone, it’s a record that never goes out of style.

    Tracklist
    01. Front Row
    02. Baba
    03. Thank U
    04. Are You Still Mad
    05. Sympathetic Character
    06. That I Would Be Good
    07. The Couch
    08. Can’t Not
    09. UR
    10. I Was Hoping
    11. One
    12. Would Not Come
    13. Unsent
    14. So Pure
    15. Joining You
    16. Heart Of The House
    17. Your Congratulations
    foobar2000 1.6.11 / Dynamic Range Meter 1.1.1
    3:04 PM 9/27/2025

    ––––––––––––––––––––––––––––––––––––––––
    Analyzed: Alanis Morissette / Supposed Former Infatuation Junkie
    ––––––––––––––––––––––––––––––––––––––––

    DR Peak RMS Duration Track
    ––––––––––––––––––––––––––––––––––––––––
    DR11 -6.38 dB -19.29 dB 4:14 01-Front Row
    DR10 -7.96 dB -20.41 dB 4:30 02-Baba
    DR10 -8.65 dB -22.07 dB 4:19 03-Thank U
    DR10 -6.42 dB -20.86 dB 4:04 04-Are You Still Mad
    DR12 -7.19 dB -21.92 dB 5:12 05-Sympathetic Character
    DR10 -9.60 dB -23.76 dB 4:17 06-That I Would Be Good
    DR11 -8.40 dB -22.79 dB 5:26 07-The Couch
    DR11 -7.24 dB -21.33 dB 4:35 08-Can't Not
    DR13 -6.71 dB -20.84 dB 3:31 09-UR
    DR11 -7.73 dB -20.93 dB 3:51 10-I Was Hoping
    DR11 -8.01 dB -21.42 dB 4:40 11-One
    DR11 -6.67 dB -19.76 dB 4:05 12-Would Not Come
    DR12 -7.41 dB -23.33 dB 4:10 13-Unsent
    DR11 -6.35 dB -19.56 dB 2:51 14-So Pure
    DR11 -7.46 dB -20.83 dB 4:24 15-Joining You
    DR11 -6.76 dB -20.31 dB 3:46 16-Heart Of The House
    DR10 -11.20 dB -23.70 dB 3:57 17-Your Congratulations
    ––––––––––––––––––––––––––––––––––––––––

    Number of tracks: 17
    Official DR value: DR11

    Samplerate: 2822400 Hz / PCM Samplerate: 44100 Hz
    Channels: 2
    Bits per sample: 1
    Bitrate: 5645 kbps
    Codec: DSD64
    ================================================================================