Buzzkill is the debut studio album by the American singer-songwriter Lyn Lapid, released on April 25, 2025 through Mercury.

With a career spanning nearly four decades and multiple gold and platinum records under their belt, Canadian rock icons Headstones continue their triumphant return with their 11th studio album, BURN ALL THE SHIPS, set for release on September 19 via their new label home, Dine Alone Records.

Am I the Drama? is the second studio album by American rapper Cardi B.

Tisziji Muñoz (born July 15, 1946) is an American jazz guitarist.
He served as drummer in the 440th U.S. Army band. He left the US Army in 1969. In the 1970s, he lived in Canada and New York City. He played in Pharoah Sanders' band.

From oral tradition to hymns and chants to modern singer-songwriters, poetry and music have intertwined and sung stories to rapt listeners throughout the ages.

Introducing rock’s newest supergroup. Featuring members of EELS & 79.5. Boo Boos are working on a groovy thing.

The Dream is the debut studio album by the American supergroup the Favors, composed of American singer-songwriters Ashe and Finneas. It was released through Darkroom Records on September 19, 2025.

One of the seminal works from the genre to become known as pop punk, the Descendents’ Milo Goes to College arrived in the year 1982 as most of the members of the band were just finishing high school.

Once again sweet listener it falls upon The Alphabet Business Concern to magnanimously spurn all praise and self-congratulation for bringing into existence yet another wondrous creation such as this splendid recording that you hold in your sweating, clasping hands and indeed…..

We’re thrilled to announce that Yasmine Hamdan’s new album I Remember I Forget (‎« بنسى وبتذكر ») will be released on September 19, 2025. Written and recorded over the past few years, this 10-track album marks a new chapter in Yasmine’s journey and was co-produced with her long-time collaborator Marc Collin. The album cover features a photograph by Hani Hamdan, with artwork and visual identity designed by Kandalaft Research and Design Office in collaboration with Yasmine Hamdan and Tina Hamdan.

Meral Polat, with her powerful new album MEYDAN, celebrates the untamed voice of a woman living on her own terms. This album is a bold celebration of female strength and independence, building on the introspective journey of her debut ``Ez Ki Me.`` MEYDAN expands her unique sound, weaving together Anatolian and Mesopotamian music with vibrant influences from Mali Blues and Nigerian Afrobeat. Featuring diverse collaborations and rich sonic textures, MEYDAN is an uplifting and forward-thinking addition to global sounds, jazz, and fusion.

“We believe in some pretty strict rules,” says Pink Stones frontman Hunter Pinkston. “We also believe in breaking them. This band was built on reimagining tradition, on honoring the old ways while pushing them someplace new.” On their intoxicating new album, Thank the Lord… it’s The Pink Stones, Pinkston and his bandmates do precisely that, offering up a joyful, adventurous take on ’60s twang that blurs the lines between cosmic country, folk, bluegrass, soul, and psychedelic rock.

This program presents a journey through three works that demonstrate the diversity and richness of chamber music at the end of the 19th century. While this form seemed eclipsed by the dominance of opera and lyric drama, Gabriel Fauré, as a composer and teacher, championed artistic freedom and renewed the codes of chamber music, lastingly influencing a generation of musicians. The imprint of his teaching and his own style can be found in the works of two of his students, Maurice Ravel and Georges Enesco, who both composed their sonatas for violin and piano as part of Fauré's composition class at the Paris Conservatoire.

Written between painting sessions and also whilst raising a child, Blurrr is a record of loose and playful intuition. Robertson’s vocals and guitar drift, murmur and whisper across the record; fostering a deep intimacy as unknown emotions rise up from the well. Robertson’s intuitive approach to music making co-exists alongside her improvisatory and collaborative nature. She has collaborated regularly with artists such as Elias Rønnenfelt on Heavy Glory, Dean Blunt on Backstage Raver and Black Metal, and Sidsel Meineche Hansen on Alien Baby. In Blurrr Robertson turns to previous collaborator and friend: cellist, composer and producer Oliver Coates.

This album presents a compelling exploration of the orchestral works by the underappreciated German composer Josef Schelb. A figure of his time who synthesized late-Romantic and neo-classical elements into his own distinct voice, Schelb's music is brought to vibrant life by pianist Oliver Triendl and the Janáček Philharmonic Ostrava under the baton of Leo Siberski. The program offers a rich and rewarding discovery for listeners interested in the fascinating and often overlooked repertoire of mid-20th-century music.