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    Iakovos Pappas & Augustin Lusson - Clément: Sonatas for Violin & Harpsichord (2022) [Official Digital Download 24/48]

    Posted By: delpotro
    Iakovos Pappas & Augustin Lusson - Clément: Sonatas for Violin & Harpsichord (2022) [Official Digital Download 24/48]

    Iakovos Pappas & Augustin Lusson - Clément: Sonatas for Violin & Harpsichord (2022)
    FLAC (tracks) 24-bit/48 kHz | Front Cover | Time - 70:17 minutes | 826 MB
    Classical | Label: Maguelone Music, Official Digital Download

    Charles-François Clément, born in Provence around 1720 and died in Paris in 1789, was professor of harpsichord in Paris, where he published: three cantatilles entitled Le Départ des guerriers, le Retour des guerriers in 1750 and Le Célibat in 1762; a book of Sonates en Trio pour un Clavecin et un Violon5 in 1743; a Harpsichord Journal, containing ariettes and arias transcribed for Harpsichord alone or with violin accompaniments; The music was chosen from the interludes and the successful comic operas. This journal was published monthly in Paris during the years 1762, 1763, 1764 and 1765, in-4 ° obl.

    He gave at the Théâtre-Italien La Pipée, in two acts (1756), which he parodied to the music of the Paratorio, opera by Jomelli, and at the Opéra-Comique, in the same year, the Bohémienne, in two acts.

    Theoretical works: 1° Essai sur l'accompagnement du clavecin ; 1758, in-4° obl. ; — 2° Essai sur la basse fondamentale, pour servir de supplément à l'Essai sur l'accompagnement du clavecin et d'introduction à la composition pratique ; Paris, 1762, in-4° oblong. The second edition of these works appeared under this title: Essai sur l'accompagnement du clavecin par les principes de la composition pratique et de la basse fondamentale ; Paris, in-fol. obl. engraved, undated.

    Initiated a Freemason, he was a member of the famous lodge Les Neuf Sœurs from 1778 to 1784.

    Although we here have compositions for two instruments, Clément, probably echoing the warning6 of J.PH Rameau’s Pièces de Clavecin en concerts published in 1741, considers that the harpsichord is worth two voices, and consequently that his sonatas are trio pieces. These sonatas are, to my taste, not only a musical peak, but most certainly the last important opus that remained to be presented to the public.

    Tracklist:
    1. 6 Sonatas for Violin & Harpsichord, No. 1: I. Allegro ma non troppo (05:27)
    2. 6 Sonatas for Violin & Harpsichord, No. 1: II. Aria. Affettuoso (03:11)
    3. 6 Sonatas for Violin & Harpsichord, No. 1: III. Allegro (02:52)
    4. 6 Sonatas for Violin & Harpsichord, No. 2: I. Allegro (02:46)
    5. 6 Sonatas for Violin & Harpsichord, No. 2: II. Andante (06:35)
    6. 6 Sonatas for Violin & Harpsichord, No. 2: III. Allegro ma non troppo (02:38)
    7. 6 Sonatas for Violin & Harpsichord, No. 3: I. Allegro (03:07)
    8. 6 Sonatas for Violin & Harpsichord, No. 3: II. Largo e affettuoso (03:59)
    9. 6 Sonatas for Violin & Harpsichord, No. 3: III. Minoettos I & II (02:16)
    10. 6 Sonatas for Violin & Harpsichord, No. 3: IV. Giga. Allegro (02:06)
    11. 6 Sonatas for Violin & Harpsichord, No. 4: I. Allegro (04:36)
    12. 6 Sonatas for Violin & Harpsichord, No. 4: II. Aria I & II (03:44)
    13. 6 Sonatas for Violin & Harpsichord, No. 4: III. Presto (02:49)
    14. 6 Sonatas for Violin & Harpsichord, No. 5: I. Concerto (03:59)
    15. 6 Sonatas for Violin & Harpsichord, No. 5: II. Aria I & II (05:05)
    16. 6 Sonatas for Violin & Harpsichord, No. 5: III. Allegro poco andante (02:56)
    17. 6 Sonatas for Violin & Harpsichord, No. 6: I. Allegro ma non troppo (03:51)
    18. 6 Sonatas for Violin & Harpsichord, No. 6: II. Aria. Grazioso (03:42)
    19. 6 Sonatas for Violin & Harpsichord, No. 6: III. Allegro (04:30)

    foobar2000 1.4.1 / Dynamic Range Meter 1.1.1
    log date: 2022-09-19 19:46:09

    ––––––––––––––––––––––––––––––––––––––––
    Analyzed: Augustin Lusson / Clément: Sonatas for Violin & Harpsichord
    ––––––––––––––––––––––––––––––––––––––––

    DR Peak RMS Duration Track
    ––––––––––––––––––––––––––––––––––––––––
    DR14 -3.53 dB -20.40 dB 5:28 01-I. Allegro ma non troppo
    DR13 -7.94 dB -24.60 dB 3:11 02-II. Aria. Affettuoso
    DR13 -2.91 dB -19.56 dB 2:52 03-III. Allegro
    DR12 -5.18 dB -20.23 dB 2:46 04-I. Allegro
    DR15 -1.47 dB -21.62 dB 6:36 05-II. Andante
    DR14 -1.14 dB -19.50 dB 2:39 06-III. Allegro ma non troppo
    DR13 -4.24 dB -20.26 dB 3:07 07-I. Allegro
    DR12 -5.43 dB -20.91 dB 3:59 08-II. Largo e affettuoso
    DR12 -5.39 dB -20.10 dB 2:16 09-III. Minoettos I & II
    DR11 -6.16 dB -20.35 dB 2:06 10-IV. Giga. Allegro
    DR13 -5.07 dB -20.09 dB 4:36 11-I. Allegro
    DR14 -3.66 dB -20.98 dB 3:44 12-II. Aria I & II
    DR13 -3.78 dB -19.11 dB 2:49 13-III. Presto
    DR14 -1.45 dB -18.30 dB 3:59 14-I. Concerto
    DR14 -4.23 dB -22.70 dB 5:06 15-II. Aria I & II
    DR13 -0.80 dB -19.75 dB 2:57 16-III. Allegro poco andante
    DR14 -2.84 dB -20.38 dB 3:52 17-I. Allegro ma non troppo
    DR13 -6.44 dB -22.57 dB 3:43 18-II. Aria. Grazioso
    DR15 -0.80 dB -20.49 dB 4:30 19-III. Allegro
    ––––––––––––––––––––––––––––––––––––––––

    Number of tracks: 19
    Official DR value: DR13

    Samplerate: 48000 Hz
    Channels: 2
    Bits per sample: 24
    Bitrate: 1692 kbps
    Codec: FLAC
    ================================================================================


    Thanks to the Original customer!