Barney Kessel - Kessel Plays "Carmen" (1986)
Jazz | EAC Rip | FLAC (image)+CUE+LOG | mp3@320 | 239 MB. & 113 MB.
400dpi. Complete Scans (JPG) included | WinRar, 3% recovery
Audio CD (1986) | Label: Contemporary/OJC | Catalog# OJCCD-269-2(S-7563) | 43:34 min.
Jazz | EAC Rip | FLAC (image)+CUE+LOG | mp3@320 | 239 MB. & 113 MB.
400dpi. Complete Scans (JPG) included | WinRar, 3% recovery
Audio CD (1986) | Label: Contemporary/OJC | Catalog# OJCCD-269-2(S-7563) | 43:34 min.
Review by Scott Yanow ~allmusic.comTracklist:
This is an unusual set that has been reissued on CD. During an era when many Broadway and movie scores were recorded in jazz settings (thanks in part to the success of Shelly Manne's best-selling My Fair Lady album), guitarist Barney Kessel chose to interpret nine melodies from Bizet's opera Carmen. The guitarist is heard in three different settings: joined by five woodwinds and a rhythm section; with five jazz horns (including altoist Herb Geller and trumpeter Ray Linn) and a trio; and with vibraphonist Victor Feldman in a quintet. Kessel also wrote the arrangements, which pay tribute to the melodies while not being shy of swinging the themes. An interesting if not essential project.
01. Swingin' the Toreador (5:52)
02. A Pad on the Edge of Town (6:46)
03. If You Dig Me (4:04)
04. Free As a Bird (5:00)
05. Viva El Toro! (3:15)
06. Flowersville (6:00)
07. Carmen's Cool (4:43)
08. Like, There's No Place Like… (3:59)
09. The Gypsy's Hip (3:56)
Personnel:
Barney Kessel - guitar
Harry Betts - trombone
Ray Linn - trumpet
Herb Geller - alto sax
Justin Gordon - flute, alto flute, tenor sax
Chuck Gentry - baritone sax
Buddy Collette - flue, alto flute, clarinet
Bill Smith - clarinet, bass clarinet
Jules Jacob - oboe, clarinet
Pete Terry - bass clarinet, bassoon
Andre Previn - piano
Joe Mondragon - bass
Shelly Manne - drums
~wikipedia.org
Barney Kessel (October 17, 1923 – May 6, 2004) was an American jazz guitarist born in Muskogee, Oklahoma, USA. He was a member of many prominent jazz groups as well as a "first call" guitarist for studio, film, and television recording sessions. Kessel was a member of the group of session musicians known as The Wrecking Crew.
Kessel began his career as a teenager touring with local dance bands before moving on to bands such as that led by Chico Marx. He quickly established himself as a key post-Charlie Christian jazz guitarist. In 1944 he participated in the film Jammin' the Blues, which featured Lester Young, and in 1947 he recorded with Charlie Parker's New Stars on the Relaxin' at Camarillo session for Dial Records. He is featured on the compilation Charlie Parker on Dial. He was rated the #1 guitarist in Esquire, Down Beat, and Playboy magazine polls between 1947 and 1960.
Barney Kessel is known for his innovative work in the guitar trio setting. In the 1950s, he made a series of albums called The Poll Winners with Ray Brown on bass and Shelly Manne on drums. He was also the prominent guitarist on Julie London's definitive recording of "Cry Me a River". Also from the '50s, his three Kessel Plays Standards volumes contain some of his most polished work.
Kessel was also a member of the Oscar Peterson Trio with Ray Brown for a year, leaving in 1953. The guitar chair was called the hardest gig in show business since Peterson often liked to play at breakneck tempos. Herb Ellis took over from Kessel. Kessel also played with Sonny Rollins in the late '50s and can be heard on the Sonny Rollins and the Contemporary Leaders album on songs like "How High the Moon".
A "first call" guitarist at Columbia Pictures, during the 1960s Kessel became one of the most in-demand session guitarists in America, and is considered a key member of the group of first-call session musicians now usually known as The Wrecking Crew. In this capacity he played on hundreds of famous pop recordings including albums and singles by Phil Spector, The Beach Boys, The Monkees and many others. He appeared in an acting part playing a jazz guitarist named "Barney" in one episode of the Perry Mason TV show. He also wrote and arranged the source music, including a jazz version of "Here Comes the Bride", provided by the jazz combo that figured in the story.
In 1961 The Gibson Guitar Corporation introduced The Barney Kessel model guitar onto the market and continued to make them until 1973.
One custom instrument Kessel played was essentially a 12-string guitar neck attached to a mandolin body (similar to Vox's mando guitar), which may have been played on the intro to The Beach Boys' "Wouldn't It Be Nice."
During the 1970s, Kessel presented his seminar 'The Effective Guitarist' in various locations around the world.
Kessel's sons David and Daniel also became session musicians, working with Phil Spector during the 1970s. He was married to B. J. Baker.
On Pete Townshend's 1983 album Scoop, Townshend paid homage to the guitarist with the instrumental song "To Barney Kessel".
Kessel released several solo albums even late into his life.
Kessel died of a brain tumor in San Diego, California. He had been in poor health after suffering a stroke in 1992.
Barney Kessel (October 17, 1923 – May 6, 2004) was an American jazz guitarist born in Muskogee, Oklahoma, USA. He was a member of many prominent jazz groups as well as a "first call" guitarist for studio, film, and television recording sessions. Kessel was a member of the group of session musicians known as The Wrecking Crew.
Kessel began his career as a teenager touring with local dance bands before moving on to bands such as that led by Chico Marx. He quickly established himself as a key post-Charlie Christian jazz guitarist. In 1944 he participated in the film Jammin' the Blues, which featured Lester Young, and in 1947 he recorded with Charlie Parker's New Stars on the Relaxin' at Camarillo session for Dial Records. He is featured on the compilation Charlie Parker on Dial. He was rated the #1 guitarist in Esquire, Down Beat, and Playboy magazine polls between 1947 and 1960.
Barney Kessel is known for his innovative work in the guitar trio setting. In the 1950s, he made a series of albums called The Poll Winners with Ray Brown on bass and Shelly Manne on drums. He was also the prominent guitarist on Julie London's definitive recording of "Cry Me a River". Also from the '50s, his three Kessel Plays Standards volumes contain some of his most polished work.
Kessel was also a member of the Oscar Peterson Trio with Ray Brown for a year, leaving in 1953. The guitar chair was called the hardest gig in show business since Peterson often liked to play at breakneck tempos. Herb Ellis took over from Kessel. Kessel also played with Sonny Rollins in the late '50s and can be heard on the Sonny Rollins and the Contemporary Leaders album on songs like "How High the Moon".
A "first call" guitarist at Columbia Pictures, during the 1960s Kessel became one of the most in-demand session guitarists in America, and is considered a key member of the group of first-call session musicians now usually known as The Wrecking Crew. In this capacity he played on hundreds of famous pop recordings including albums and singles by Phil Spector, The Beach Boys, The Monkees and many others. He appeared in an acting part playing a jazz guitarist named "Barney" in one episode of the Perry Mason TV show. He also wrote and arranged the source music, including a jazz version of "Here Comes the Bride", provided by the jazz combo that figured in the story.
In 1961 The Gibson Guitar Corporation introduced The Barney Kessel model guitar onto the market and continued to make them until 1973.
One custom instrument Kessel played was essentially a 12-string guitar neck attached to a mandolin body (similar to Vox's mando guitar), which may have been played on the intro to The Beach Boys' "Wouldn't It Be Nice."
During the 1970s, Kessel presented his seminar 'The Effective Guitarist' in various locations around the world.
Kessel's sons David and Daniel also became session musicians, working with Phil Spector during the 1970s. He was married to B. J. Baker.
On Pete Townshend's 1983 album Scoop, Townshend paid homage to the guitarist with the instrumental song "To Barney Kessel".
Kessel released several solo albums even late into his life.
Kessel died of a brain tumor in San Diego, California. He had been in poor health after suffering a stroke in 1992.
Produced by Lester Koenig
Recorded in Contemporary Records studio, Los Angeles; December 19 and 22, 1958.
Digital remastering, 1968 - Phil De Lancie (Fantasy Studios, Berkeley)
EAC extraction logfile from 12. May 2006, 18:25 for CD
Barney Kessel / Modern Jazz Performances from Bizet's Carmen
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320 kBit/s
Additional command line options : -8 -V - %s
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Delete leading and trailing silent blocks : No
Installed external ASPI interface
Range status and errors
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Peak level 75.9 %
Range quality 99.9 %
CRC 2FB6718F
Copy OK
No errors occured
End of status report
Barney Kessel / Modern Jazz Performances from Bizet's Carmen
Used drive : HL-DT-STDVD-ROM GDR8162B Adapter: 1 ID: 1
Read mode : Secure with NO C2, accurate stream, disable cache
Read offset correction : 102
Overread into Lead-In and Lead-Out : No
Used output format : C:\Programmi\EAC\bin\flac.exe (User Defined Encoder)
320 kBit/s
Additional command line options : -8 -V - %s
Other options :
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Installed external ASPI interface
Range status and errors
Selected range
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Peak level 75.9 %
Range quality 99.9 %
CRC 2FB6718F
Copy OK
No errors occured
End of status report
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[AccurateRip ID: 000fe7b1-007296dc-760a3609] found.
Track [ CRC ] Status
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Thanks to the original releaser.
(flac files are interchangeable, mp3@320 = single link)