Ojos De Brujo - Bari (2002)
Ojos De Brujo - Bari
EAC+LOG+CUE | FLAC: 325 MB | Full Artwork | 5% Recovery Info
Label/Cat#: Satélite K # KWCD-016 | Country/Year: Spain 2002
Genre: Folk, Latin | Style: New Flamenco
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Ojos De Brujo - Bari (2002)
Exact Audio Copy V1.0 beta 3 from 29. August 2011
EAC extraction logfile from 10. July 2012, 11:39
Ojos De Brujo / Bari
Used drive : PIONEER BD-RW BDR-206 Adapter: 2 ID: 3
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 667
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Used output format : User Defined Encoder
Selected bitrate : 896 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files\FLAC\flac.exe
Additional command line options : -5 -T "Artist=%artist%" -T "Title=%title%" -T "Album=%albumtitle%" -T "Date=%year%" -T "Tracknumber=%tracknr%" -T "Genre=%genre%" %source% -o %dest%
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 0:41.20 | 0 | 3094
2 | 0:41.20 | 3:06.32 | 3095 | 17076
3 | 3:47.52 | 3:20.33 | 17077 | 32109
4 | 7:08.10 | 3:46.10 | 32110 | 49069
5 | 10:54.20 | 3:20.21 | 49070 | 64090
6 | 14:14.41 | 6:46.34 | 64091 | 94574
7 | 21:01.00 | 3:49.42 | 94575 | 111791
8 | 24:50.42 | 3:22.00 | 111792 | 126941
9 | 28:12.42 | 3:28.15 | 126942 | 142556
10 | 31:40.57 | 3:28.03 | 142557 | 158159
11 | 35:08.60 | 5:17.17 | 158160 | 181951
12 | 40:26.02 | 3:26.18 | 181952 | 197419
13 | 43:52.20 | 8:59.45 | 197420 | 237889
Range status and errors
Selected range
Filename I:\=== VINYL RIPS ===\=== EAC===\X FRESH RIP\Ojos De Brujo - Bari.wav
Peak level 100.0 %
Extraction speed 7.2 X
Range quality 100.0 %
Test CRC 2355CEB3
Copy CRC 2355CEB3
Copy OK
No errors occurred
AccurateRip summary
Track 1 accurately ripped (confidence 17) [DEC5CE19] (AR v1)
Track 2 accurately ripped (confidence 17) [B4CF330B] (AR v1)
Track 3 accurately ripped (confidence 17) [03F67D5B] (AR v1)
Track 4 accurately ripped (confidence 17) [541D2404] (AR v1)
Track 5 accurately ripped (confidence 17) [9CFF67BC] (AR v1)
Track 6 accurately ripped (confidence 17) [CEA13E68] (AR v1)
Track 7 accurately ripped (confidence 17) [8F0974C9] (AR v1)
Track 8 accurately ripped (confidence 17) [2AC11AA3] (AR v1)
Track 9 accurately ripped (confidence 17) [D048D6D2] (AR v1)
Track 10 accurately ripped (confidence 16) [BBAF6B79] (AR v1)
Track 11 accurately ripped (confidence 16) [F0A07A6C] (AR v1)
Track 12 accurately ripped (confidence 17) [C228F2FB] (AR v1)
Track 13 accurately ripped (confidence 17) [232CD358] (AR v1)
All tracks accurately ripped
End of status report
–– CUETools DB Plugin V2.1.3
[CTDB TOCID: LuS2mYtLWpXuTjCGlWZlOqyaePQ-] found, Submit result: LuS2mYtLWpXuTjCGlWZlOqyaePQ- has been confirmed
[801401e2] (1/2) Differs in 1022 samples @21:00:44-21:00:54,21:00:66-21:00:68,21:01:06-21:01:09,24:50:46-24:50:47
[20a72391] (1/2) Accurately ripped
You can use CUETools to repair this rip.
==== Log checksum 1DF714DA862BA89568B4C15757E94D4F0C28A2EC82BC57BB1FFA83A97F8C0D36 ====
EAC extraction logfile from 10. July 2012, 11:39
Ojos De Brujo / Bari
Used drive : PIONEER BD-RW BDR-206 Adapter: 2 ID: 3
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 667
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Used output format : User Defined Encoder
Selected bitrate : 896 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files\FLAC\flac.exe
Additional command line options : -5 -T "Artist=%artist%" -T "Title=%title%" -T "Album=%albumtitle%" -T "Date=%year%" -T "Tracknumber=%tracknr%" -T "Genre=%genre%" %source% -o %dest%
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 0:41.20 | 0 | 3094
2 | 0:41.20 | 3:06.32 | 3095 | 17076
3 | 3:47.52 | 3:20.33 | 17077 | 32109
4 | 7:08.10 | 3:46.10 | 32110 | 49069
5 | 10:54.20 | 3:20.21 | 49070 | 64090
6 | 14:14.41 | 6:46.34 | 64091 | 94574
7 | 21:01.00 | 3:49.42 | 94575 | 111791
8 | 24:50.42 | 3:22.00 | 111792 | 126941
9 | 28:12.42 | 3:28.15 | 126942 | 142556
10 | 31:40.57 | 3:28.03 | 142557 | 158159
11 | 35:08.60 | 5:17.17 | 158160 | 181951
12 | 40:26.02 | 3:26.18 | 181952 | 197419
13 | 43:52.20 | 8:59.45 | 197420 | 237889
Range status and errors
Selected range
Filename I:\=== VINYL RIPS ===\=== EAC===\X FRESH RIP\Ojos De Brujo - Bari.wav
Peak level 100.0 %
Extraction speed 7.2 X
Range quality 100.0 %
Test CRC 2355CEB3
Copy CRC 2355CEB3
Copy OK
No errors occurred
AccurateRip summary
Track 1 accurately ripped (confidence 17) [DEC5CE19] (AR v1)
Track 2 accurately ripped (confidence 17) [B4CF330B] (AR v1)
Track 3 accurately ripped (confidence 17) [03F67D5B] (AR v1)
Track 4 accurately ripped (confidence 17) [541D2404] (AR v1)
Track 5 accurately ripped (confidence 17) [9CFF67BC] (AR v1)
Track 6 accurately ripped (confidence 17) [CEA13E68] (AR v1)
Track 7 accurately ripped (confidence 17) [8F0974C9] (AR v1)
Track 8 accurately ripped (confidence 17) [2AC11AA3] (AR v1)
Track 9 accurately ripped (confidence 17) [D048D6D2] (AR v1)
Track 10 accurately ripped (confidence 16) [BBAF6B79] (AR v1)
Track 11 accurately ripped (confidence 16) [F0A07A6C] (AR v1)
Track 12 accurately ripped (confidence 17) [C228F2FB] (AR v1)
Track 13 accurately ripped (confidence 17) [232CD358] (AR v1)
All tracks accurately ripped
End of status report
–– CUETools DB Plugin V2.1.3
[CTDB TOCID: LuS2mYtLWpXuTjCGlWZlOqyaePQ-] found, Submit result: LuS2mYtLWpXuTjCGlWZlOqyaePQ- has been confirmed
[801401e2] (1/2) Differs in 1022 samples @21:00:44-21:00:54,21:00:66-21:00:68,21:01:06-21:01:09,24:50:46-24:50:47
[20a72391] (1/2) Accurately ripped
You can use CUETools to repair this rip.
==== Log checksum 1DF714DA862BA89568B4C15757E94D4F0C28A2EC82BC57BB1FFA83A97F8C0D36 ====
foobar2000 1.1.7 / Dynamic Range Meter 1.1.1
log date: 2012-07-10 13:27:48
––––––––––––––––––––––––––––––––––––––––
Analyzed: Ojos De Brujo / Bari
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR10 -0.01 dB -10.51 dB 0:41 01-Intro
DR8 -0.01 dB -10.03 dB 3:06 02-Tiempo de Soleá
DR8 -0.01 dB -9.98 dB 3:20 03-Ventilaor R-80
DR8 -0.01 dB -9.35 dB 3:46 04-Naita
DR8 -0.01 dB -9.70 dB 3:20 05-Quien Engaña no Gana
DR8 -0.01 dB -10.73 dB 6:46 06-Zambra
DR9 -0.01 dB -10.91 dB 3:50 07-Ley de Gravedad
DR8 -0.01 dB -10.10 dB 3:22 08-Memorias Perdías
DR7 -0.01 dB -9.29 dB 3:28 09-Tanguillo de María
DR9 -0.01 dB -10.91 dB 3:28 10-Bulería del Ay!
DR7 -0.01 dB -9.42 dB 5:17 11-Calé Barí
DR10 -0.01 dB -12.54 dB 3:26 12-Acción Reacción Repercusión
DR10 0.00 dB -12.99 dB 9:00 13-Rememorix
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 13
Official DR value: DR8
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 859 kbps
Codec: FLAC
================================================================================
log date: 2012-07-10 13:27:48
––––––––––––––––––––––––––––––––––––––––
Analyzed: Ojos De Brujo / Bari
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR10 -0.01 dB -10.51 dB 0:41 01-Intro
DR8 -0.01 dB -10.03 dB 3:06 02-Tiempo de Soleá
DR8 -0.01 dB -9.98 dB 3:20 03-Ventilaor R-80
DR8 -0.01 dB -9.35 dB 3:46 04-Naita
DR8 -0.01 dB -9.70 dB 3:20 05-Quien Engaña no Gana
DR8 -0.01 dB -10.73 dB 6:46 06-Zambra
DR9 -0.01 dB -10.91 dB 3:50 07-Ley de Gravedad
DR8 -0.01 dB -10.10 dB 3:22 08-Memorias Perdías
DR7 -0.01 dB -9.29 dB 3:28 09-Tanguillo de María
DR9 -0.01 dB -10.91 dB 3:28 10-Bulería del Ay!
DR7 -0.01 dB -9.42 dB 5:17 11-Calé Barí
DR10 -0.01 dB -12.54 dB 3:26 12-Acción Reacción Repercusión
DR10 0.00 dB -12.99 dB 9:00 13-Rememorix
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 13
Official DR value: DR8
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 859 kbps
Codec: FLAC
================================================================================
CD Info:
Ojos de Brujo ?– Barí
Label: Satélite K
Catalog#: KWCD-016
Format: CD, Album
Country: Spain
Released: 2002
Genre: Electronic, Hip Hop, Latin, Reggae
Style: Latin, Tribal, Rumba, Afro-Cuban, Breakbeat, Flamenco
Tracklist:
1 Intro 0:41
2 Tiempo De Soleá (Soleá Time) 3:06
3 Ventilaor Rumba (Ventilator Rumba) 3:20
4 Naita (Nothing) 3:46
5 Quien Engaña No Gana (Cheats Will Never Win) 3:20
6 Zambra (Gypsy Party) 6:46
7 Ley De Gravidad (Law Of Gravity) 3:49
8 Memorias Perdías (Lost Memories) 3:22
9 Tanguillo De María (Marijuana Tanguillo) 3:28
10 Bulería Del Ay! (Ay Buleria!) 3:28
11 Calé Barí (Barî Gypsy) 5:17
12 Acción Reacción Repercusión 3:26
13 Rememorix 8:59
Credits:
Bass – JuanLu
Bongos – Maxwell Wright
Congas – Xavi Turull
Drums – Sergio Ramos
Guitar – DJ Panko
Guitar [Spanish] – Paco Lomeña, Ramón Giménez
Percussion – Maxwell Wright, Sergio Ramos, Xavi Turull
Turntables – DJ Panko
Vocals – Marina Abad
Vocals [Additional] – DJ Panko, Maxwell Wright, Ramón Giménez
Notes:
Comes in a 3-panel digipak with a booklet
Barcode: 8 429085 250872
Discogs Url: http://www.discogs.com/Ojos-de-Brujo-Bar%C3%AD/release/1019901
Ojos De Brujo - Bari (2002)
review by Jenny Gage
Blame our postmodern fascination with sampling, or the hubris of generations who have grown up more familiar with copies than with the originals, but at this point we've pretty near wrung all meaning out of the word fusion. And when it comes to describing the kinds of exciting developments in world music exemplified by nuevo flamenco artists Ojos de Brujo, perhaps a new metaphor is necessary. Something more organic, even geological. Yes, that's it: When listening to Barí, the Barcelona-based group's second release, the image that fits is not that of hip-hop, funk, rap, or rumba newly melded with traditional flamenco music, but of rock layers that an ancient and moving river lays bare. The oldest strata date for the migration from India of the Roma people, called Gypsies in Spain, mixed with North African Moors. Layered upon their oral culture, their folk songs and sinuous dancing, a bluesy lament about the hard life of the fulag mengu – the Arabic phrase for "fugitive peasant" and likely origin of the word "flamenco" – after Ferdinand and Isabela made Christianity the law of the land. Next, the rural accents of those who hid in the southern hills of Andalusia, and the Afro-Caribbean rhythms learned by those who fled to the colonies. Some of these rhythms were carried back to Ojos de Brujo vocalist Marina Abad and drummer Xavi Turull by Cuban musicians they've played with along the way, while others already existed in the elemental flamenco grooves, the rumbas and tanguillos and bulerías, laid down by guitarist Ramon Giménez. On top is a contemporary urban landscape of stray bullets and bill collectors, precisely rendered by Abad's socially conscious staccato rapping. If all of this seems like a bit of a stretch, note the traditional handclapping that punctuates the opening guitar riff, and its relation to the percussively rapped syllables that chatter like water over rocks at the album's close. Listen to the eroded consonants of "Naita" ("Nothing"), to the fossil of a flamenco lyric with which it begins, and how seamlessly it progresses to an outcropping of hip-hop near its finale. Consider that the classic songs of Gypsy legend el Camarón set to rumba and offered as consolation to modern-day fulag mengu as "Ventilaor Rumba 80" invites them to dance to ancient rhythms. Or that today's dangerous streets can necessitate the ancient Moorish melodies and sorrowful mode of "Tiempo de Soleá," while an email from a fetchingly green-eyed boy inspires the invention of the funk-fueled "Bulería del Ay!" You just can't pull the elements or eras apart. All of this is music is firmly grounded in flamenco, with fusion occurring not just at a superficial level, but deep below its surface, as its oldest and most enduring process. Listeners who are as interested in where flamenco has been as they are in where it is going will love exploring the sonorous depths of Ojos de Brujo's Barí.
allmusicguideOjos De Brujo - Bari (2002)
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