Ray Barretto and New World Spirit - Contact!
Jazz, Latin Jazz | EAC-Rip | FLAC-5 Image+CUE+LOG | 386 MB. total
400dpi. Complete Scans, JPG (38,5 MB) | WinRar, 5% recovery
Audio CD | Label: Blue Note | Catalog#: 856974-2 | Release Date: 1997 | 58:19 min.
Jazz, Latin Jazz | EAC-Rip | FLAC-5 Image+CUE+LOG | 386 MB. total
400dpi. Complete Scans, JPG (38,5 MB) | WinRar, 5% recovery
Audio CD | Label: Blue Note | Catalog#: 856974-2 | Release Date: 1997 | 58:19 min.
Personnel:
Ray Barretto - congas, percussion
Adam Kolker - tenor & soprano sax.
Michael Philip Mossman - trumpet & trombone
John Di Martino - piano
Jairo Moreno - bass
Hans Glawishnig - bass (on 3 & 5)
Vince Cherico - drums
Ray Vega - percussion
Ray Barretto (April 29, 1929 – February 17, 2006) was a Grammy Award-winning Puerto Rican jazz musician,
widely credited as the godfather of Latin jazz.
Early years
–––––-
Barretto (whose surname is really "Barreto"; a mistake at the time Ray's birth certificate was filed gave
his last name its formal spelling) was born in New York City of Puerto Rican descent. His parents moved to
New York from Puerto Rico in the early 1920s, looking for a better life. He was raised in Spanish Harlem and
at a very young age was influenced by his mother's love of music and by the jazz music of musicians such as
Duke Ellington and Count Basie.
In 1946, when Barretto was 17 years old, he joined the Army. While stationed in Germany, Barretto met Belgium
vibist Fats Sadi, who was working there. However, it was when he heard Dizzy Gillespie's "Manteca" with Cuban
percussionist, Chano Pozo, that he realized his true calling in life.
Barretto plays for Charlie Parker
––––––––––––––––-
In 1949, when Barretto returned home from military service, he started to visit clubs and participated in
jam sessions, where he perfected his conga playing. On one occasion Charlie Parker heard Barretto play and
invited him to play in his band. Later, he was asked to play for Jose Curbelo and Tito Puente, for whom he played
for four years. Barretto developed a unique style of playing the conga and soon he was sought by other jazz band
leaders. Latin percussionists started to appear in jazz groups with frequency as a consequence of Barretto's musical
influence.
Success with "El Watusi"
––––––––––––
In 1960, Barretto was a house musician for the Prestige, Blue Note, and Riverside labels. New York had become the
center of Latin music in the United States and a style called "Charanga" was the Latin music craze of the time.
In 1961, Barretto recorded his first hit, "El Watusi", the first Latin song to enter in April 1963 the Billboard
charts. He was quite successful with the song and the genre, to the point of being type casted
(something that he disliked). In 1967, he joined the Fania record label where he recorded the 1968 album Acid,
an experiment joining rhythm and blues with Latin music. Just as his salsa group attained a remarkable following
most of its members left it to form Tipica 73, a multinational salsa conglomerate. This left Barretto depressed and
disappointed with salsa; he then redirected his efforts into Latin jazz, while remaining as musical director of the
Fania All Stars. Acid contained the song "Deeper Shade of Soul", which was sampled for the 1991 Billboard Hot 100
#21 hit of the same name by Dutch band Urban Dance Squad.
Barretto played the conga in recording sessions for the Rolling Stones and the Bee Gees. In 1975 he was nominated
for a Grammy Award for the song "Barretto". From 1976 to 1978, Barretto recorded three records for Atlantic Records,
and was nominated for a Grammy for Barretto Live…Tomorrow. In 1979, he recorded La Cuna for CTI records, and
produced a salsa record for Fania, titled Ricanstruction, which was named 1980 "Best Album" by Latin N.Y. Magazine,
with Barretto crowned as Conga Player of the Year.
Later years
–––––-
In 1990, Barretto finally won a Grammy for the album Ritmo en el Corazon ("Rhythm in the Heart"), which featured the
vocals of Celia Cruz. In 1999, Barretto was inducted into the International Latin Music Hall of Fame.
Barretto lived in New York and was an active musical producer, as well as the leader of a touring band which has embarked
in tours of the United States, Europe, Israel and Latin America.
Death
––-
Barreto died on February 17, 2006 at the Hackensack University Hospital of heart failure and multiple health complications.
His body was flown to Puerto Rico, where Barretto was given formal honors by the Institute of Puerto Rican Culture;
his remains were eventually cremated.
for more, see: http://en.wikipedia.org/wiki/Ray_Barretto
widely credited as the godfather of Latin jazz.
Early years
–––––-
Barretto (whose surname is really "Barreto"; a mistake at the time Ray's birth certificate was filed gave
his last name its formal spelling) was born in New York City of Puerto Rican descent. His parents moved to
New York from Puerto Rico in the early 1920s, looking for a better life. He was raised in Spanish Harlem and
at a very young age was influenced by his mother's love of music and by the jazz music of musicians such as
Duke Ellington and Count Basie.
In 1946, when Barretto was 17 years old, he joined the Army. While stationed in Germany, Barretto met Belgium
vibist Fats Sadi, who was working there. However, it was when he heard Dizzy Gillespie's "Manteca" with Cuban
percussionist, Chano Pozo, that he realized his true calling in life.
Barretto plays for Charlie Parker
––––––––––––––––-
In 1949, when Barretto returned home from military service, he started to visit clubs and participated in
jam sessions, where he perfected his conga playing. On one occasion Charlie Parker heard Barretto play and
invited him to play in his band. Later, he was asked to play for Jose Curbelo and Tito Puente, for whom he played
for four years. Barretto developed a unique style of playing the conga and soon he was sought by other jazz band
leaders. Latin percussionists started to appear in jazz groups with frequency as a consequence of Barretto's musical
influence.
Success with "El Watusi"
––––––––––––
In 1960, Barretto was a house musician for the Prestige, Blue Note, and Riverside labels. New York had become the
center of Latin music in the United States and a style called "Charanga" was the Latin music craze of the time.
In 1961, Barretto recorded his first hit, "El Watusi", the first Latin song to enter in April 1963 the Billboard
charts. He was quite successful with the song and the genre, to the point of being type casted
(something that he disliked). In 1967, he joined the Fania record label where he recorded the 1968 album Acid,
an experiment joining rhythm and blues with Latin music. Just as his salsa group attained a remarkable following
most of its members left it to form Tipica 73, a multinational salsa conglomerate. This left Barretto depressed and
disappointed with salsa; he then redirected his efforts into Latin jazz, while remaining as musical director of the
Fania All Stars. Acid contained the song "Deeper Shade of Soul", which was sampled for the 1991 Billboard Hot 100
#21 hit of the same name by Dutch band Urban Dance Squad.
Barretto played the conga in recording sessions for the Rolling Stones and the Bee Gees. In 1975 he was nominated
for a Grammy Award for the song "Barretto". From 1976 to 1978, Barretto recorded three records for Atlantic Records,
and was nominated for a Grammy for Barretto Live…Tomorrow. In 1979, he recorded La Cuna for CTI records, and
produced a salsa record for Fania, titled Ricanstruction, which was named 1980 "Best Album" by Latin N.Y. Magazine,
with Barretto crowned as Conga Player of the Year.
Later years
–––––-
In 1990, Barretto finally won a Grammy for the album Ritmo en el Corazon ("Rhythm in the Heart"), which featured the
vocals of Celia Cruz. In 1999, Barretto was inducted into the International Latin Music Hall of Fame.
Barretto lived in New York and was an active musical producer, as well as the leader of a touring band which has embarked
in tours of the United States, Europe, Israel and Latin America.
Death
––-
Barreto died on February 17, 2006 at the Hackensack University Hospital of heart failure and multiple health complications.
His body was flown to Puerto Rico, where Barretto was given formal honors by the Institute of Puerto Rican Culture;
his remains were eventually cremated.
for more, see: http://en.wikipedia.org/wiki/Ray_Barretto
Tracklist:
01. Moss Code (Michael Philip Mossman)
02. Caravan (Juan Tizol)
03. Serenata (Leroy Anderson)
04. Dance of Denial (Michael Philip Mossman)
05. Poinciana (Nat Simon)
06. Point of Contact (Punto de Contacto) (Adam Kolker)
07. La Bendicion (Ray Barretto)
08. Liberated Spirit (Ray Barretto)
09. The Summer Knows (Michel Legrand)
10. Sister Sadie (Horace Silver)
Track samples can be listened here, amazon.com
Exact Audio Copy V0.99 prebeta 5 from 4. May 2009
EAC extraction logfile from 29. March 2010, 18:19
Ray Barretto and New World Spirit / Contact!
Used drive : ASUS DRW-1608P3S Adapter: 0 ID: 1
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 48
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Used output format : Internal WAV Routines
Sample format : 44.100 Hz; 16 Bit; Stereo
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 3:41.30 | 0 | 16604
2 | 3:41.30 | 7:14.45 | 16605 | 49199
3 | 10:56.00 | 6:43.47 | 49200 | 79471
4 | 17:39.47 | 5:51.50 | 79472 | 105846
5 | 23:31.22 | 6:34.70 | 105847 | 135466
6 | 30:06.17 | 6:00.25 | 135467 | 162491
7 | 36:06.42 | 5:44.15 | 162492 | 188306
8 | 41:50.57 | 5:32.15 | 188307 | 213221
9 | 47:22.72 | 6:12.38 | 213222 | 241159
10 | 53:35.35 | 4:44.17 | 241160 | 262476
Range status and errors
Selected range
Filename G:\@@WORK@@\Ray Barretto and New World Spirit - Contact!\Ray Barretto and New World Spirit - Contact!.wav
Peak level 98.8 %
Range quality 100.0 %
Test CRC 97BC8396
Copy CRC 97BC8396
Copy OK
No errors occurred
AccurateRip summary
Track 1 accurately ripped (confidence 3) [16CB89F1]
Track 2 accurately ripped (confidence 3) [838F4D94]
Track 3 accurately ripped (confidence 3) [042C5590]
Track 4 accurately ripped (confidence 3) [3828C029]
Track 5 accurately ripped (confidence 3) [3B92558A]
Track 6 accurately ripped (confidence 3) [9F51962D]
Track 7 accurately ripped (confidence 3) [76A80DF6]
Track 8 accurately ripped (confidence 2) [8AD9E2F8]
Track 9 accurately ripped (confidence 2) [61FFA29D]
Track 10 accurately ripped (confidence 2) [8D06B6F9]
All tracks accurately ripped
End of status report
EAC extraction logfile from 29. March 2010, 18:19
Ray Barretto and New World Spirit / Contact!
Used drive : ASUS DRW-1608P3S Adapter: 0 ID: 1
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 48
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Used output format : Internal WAV Routines
Sample format : 44.100 Hz; 16 Bit; Stereo
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 3:41.30 | 0 | 16604
2 | 3:41.30 | 7:14.45 | 16605 | 49199
3 | 10:56.00 | 6:43.47 | 49200 | 79471
4 | 17:39.47 | 5:51.50 | 79472 | 105846
5 | 23:31.22 | 6:34.70 | 105847 | 135466
6 | 30:06.17 | 6:00.25 | 135467 | 162491
7 | 36:06.42 | 5:44.15 | 162492 | 188306
8 | 41:50.57 | 5:32.15 | 188307 | 213221
9 | 47:22.72 | 6:12.38 | 213222 | 241159
10 | 53:35.35 | 4:44.17 | 241160 | 262476
Range status and errors
Selected range
Filename G:\@@WORK@@\Ray Barretto and New World Spirit - Contact!\Ray Barretto and New World Spirit - Contact!.wav
Peak level 98.8 %
Range quality 100.0 %
Test CRC 97BC8396
Copy CRC 97BC8396
Copy OK
No errors occurred
AccurateRip summary
Track 1 accurately ripped (confidence 3) [16CB89F1]
Track 2 accurately ripped (confidence 3) [838F4D94]
Track 3 accurately ripped (confidence 3) [042C5590]
Track 4 accurately ripped (confidence 3) [3828C029]
Track 5 accurately ripped (confidence 3) [3B92558A]
Track 6 accurately ripped (confidence 3) [9F51962D]
Track 7 accurately ripped (confidence 3) [76A80DF6]
Track 8 accurately ripped (confidence 2) [8AD9E2F8]
Track 9 accurately ripped (confidence 2) [61FFA29D]
Track 10 accurately ripped (confidence 2) [8D06B6F9]
All tracks accurately ripped
End of status report
[Verification date: 29.03.2010 18:25:49]
[Disc ID: 001630a9-00b290d1-780dab0a]
Track [ CRC ] Status
01 [16cb89f1] (03/03) Accurately ripped
02 [838f4d94] (03/03) Accurately ripped
03 [042c5590] (03/03) Accurately ripped
04 [3828c029] (03/03) Accurately ripped
05 [3b92558a] (03/03) Accurately ripped
06 [9f51962d] (03/03) Accurately ripped
07 [76a80df6] (03/03) Accurately ripped
08 [8ad9e2f8] (02/02) Accurately ripped
09 [61ffa29d] (02/02) Accurately ripped
10 [8d06b6f9] (02/02) Accurately ripped
Track [ CRC32 ] [W/O NULL]
– [97BC8396] [2387AD28]
01 [9DDBDF86] [F03A551E]
02 [B2B4489D] [87213143]
03 [C2F5BA69] [A68BE001]
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05 [33B6F45F] [450F4061]
06 [B9EBEA75] [3190E18A]
07 [EBEF164A] [8A2363E2]
08 [B20350D5] [CF234B7A]
09 [F05169EB] [746AF480]
10 [2A434D31] [2C9AA2DD]
[Disc ID: 001630a9-00b290d1-780dab0a]
Track [ CRC ] Status
01 [16cb89f1] (03/03) Accurately ripped
02 [838f4d94] (03/03) Accurately ripped
03 [042c5590] (03/03) Accurately ripped
04 [3828c029] (03/03) Accurately ripped
05 [3b92558a] (03/03) Accurately ripped
06 [9f51962d] (03/03) Accurately ripped
07 [76a80df6] (03/03) Accurately ripped
08 [8ad9e2f8] (02/02) Accurately ripped
09 [61ffa29d] (02/02) Accurately ripped
10 [8d06b6f9] (02/02) Accurately ripped
Track [ CRC32 ] [W/O NULL]
– [97BC8396] [2387AD28]
01 [9DDBDF86] [F03A551E]
02 [B2B4489D] [87213143]
03 [C2F5BA69] [A68BE001]
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05 [33B6F45F] [450F4061]
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08 [B20350D5] [CF234B7A]
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REM GENRE "Latin Jazz"
REM DATE 1997
REM DISCID 780DAB0A
REM COMMENT "ExactAudioCopy v0.99pb5"
PERFORMER "Ray Barretto and New World Spirit"
TITLE "Contact!"
FILE "CdImage.flac" WAVE
TRACK 01 AUDIO
TITLE "Moss Code"
PERFORMER "Ray Barretto and New World Spirit"
INDEX 01 00:00:00
TRACK 02 AUDIO
TITLE "Caravan"
PERFORMER "Ray Barretto and New World Spirit"
INDEX 01 03:41:30
TRACK 03 AUDIO
TITLE "Serenata"
PERFORMER "Ray Barretto and New World Spirit"
INDEX 01 10:56:00
TRACK 04 AUDIO
TITLE "Dance of Denial"
PERFORMER "Ray Barretto and New World Spirit"
INDEX 01 17:39:47
TRACK 05 AUDIO
TITLE "Poinciana"
PERFORMER "Ray Barretto and New World Spirit"
INDEX 01 23:31:22
TRACK 06 AUDIO
TITLE "Point of Contact (Punto de Contacto)"
PERFORMER "Ray Barretto and New World Spirit"
INDEX 00 30:06:16
INDEX 01 30:06:17
TRACK 07 AUDIO
TITLE "La Bendicion"
PERFORMER "Ray Barretto and New World Spirit"
INDEX 01 36:06:42
TRACK 08 AUDIO
TITLE "Liberated Spirit"
PERFORMER "Ray Barretto and New World Spirit"
INDEX 01 41:50:57
TRACK 09 AUDIO
TITLE "The Summer Knows"
PERFORMER "Ray Barretto and New World Spirit"
INDEX 01 47:22:72
TRACK 10 AUDIO
TITLE "Sister Sadie"
PERFORMER "Ray Barretto and New World Spirit"
INDEX 01 53:35:35
REM DATE 1997
REM DISCID 780DAB0A
REM COMMENT "ExactAudioCopy v0.99pb5"
PERFORMER "Ray Barretto and New World Spirit"
TITLE "Contact!"
FILE "CdImage.flac" WAVE
TRACK 01 AUDIO
TITLE "Moss Code"
PERFORMER "Ray Barretto and New World Spirit"
INDEX 01 00:00:00
TRACK 02 AUDIO
TITLE "Caravan"
PERFORMER "Ray Barretto and New World Spirit"
INDEX 01 03:41:30
TRACK 03 AUDIO
TITLE "Serenata"
PERFORMER "Ray Barretto and New World Spirit"
INDEX 01 10:56:00
TRACK 04 AUDIO
TITLE "Dance of Denial"
PERFORMER "Ray Barretto and New World Spirit"
INDEX 01 17:39:47
TRACK 05 AUDIO
TITLE "Poinciana"
PERFORMER "Ray Barretto and New World Spirit"
INDEX 01 23:31:22
TRACK 06 AUDIO
TITLE "Point of Contact (Punto de Contacto)"
PERFORMER "Ray Barretto and New World Spirit"
INDEX 00 30:06:16
INDEX 01 30:06:17
TRACK 07 AUDIO
TITLE "La Bendicion"
PERFORMER "Ray Barretto and New World Spirit"
INDEX 01 36:06:42
TRACK 08 AUDIO
TITLE "Liberated Spirit"
PERFORMER "Ray Barretto and New World Spirit"
INDEX 01 41:50:57
TRACK 09 AUDIO
TITLE "The Summer Knows"
PERFORMER "Ray Barretto and New World Spirit"
INDEX 01 47:22:72
TRACK 10 AUDIO
TITLE "Sister Sadie"
PERFORMER "Ray Barretto and New World Spirit"
INDEX 01 53:35:35
G:\@FLAC>flac -5 -V -w "raybarretto.WAV" -o "CdImage.flac"
flac 1.2.1, Copyright (C) 2000,2001,2002,2003,2004,2005,2006,2007 Josh Coalson
flac comes with ABSOLUTELY NO WARRANTY. This is free software, and you are
welcome to redistribute it under certain conditions. Type `flac' for details.
raybarretto.WAV: Verify OK, wrote 385003839 bytes, ratio=0,624
G:\@FLAC>
=========================================================================================
Parameter Explainations:
-5 : Used compression level number. 5 is considered as "normal" by flac-command line's own.
-V : Use verification. While compressing "WAV" to "flac"; if this parameter is "on", at the same time compressed "flac" is also
decompressing to "WAV" again in background, and at the end, flac-commandline compares two "WAV" files in order to verify.
-w : With this parameter on, flac Commandline takes all "warnings" as "errors".
-o : Defines the name of the flac file which will be outputted at the end of operation.
=========================================================================================
flac 1.2.1, Copyright (C) 2000,2001,2002,2003,2004,2005,2006,2007 Josh Coalson
flac comes with ABSOLUTELY NO WARRANTY. This is free software, and you are
welcome to redistribute it under certain conditions. Type `flac' for details.
raybarretto.WAV: Verify OK, wrote 385003839 bytes, ratio=0,624
G:\@FLAC>
=========================================================================================
Parameter Explainations:
-5 : Used compression level number. 5 is considered as "normal" by flac-command line's own.
-V : Use verification. While compressing "WAV" to "flac"; if this parameter is "on", at the same time compressed "flac" is also
decompressing to "WAV" again in background, and at the end, flac-commandline compares two "WAV" files in order to verify.
-w : With this parameter on, flac Commandline takes all "warnings" as "errors".
-o : Defines the name of the flac file which will be outputted at the end of operation.
=========================================================================================
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RapidShare Downloads:
flac, 4 parts;
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artwork (JPG), 1 file;
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