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    3. Bach - Herreweghe - Motetten (2011)

    Bach - Herreweghe - Motetten (2011)

    Posted By: luckburz
    Date: 21 Jul 2012 07:43:17
    Bach - Herreweghe - Motetten (2011)

    Johann Sebastian Bach - Motetten
    Collegium Vocale Gent / Philippe Herreweghe
    EAC+LOG+CUE | FLAC: 278 MB | MP3 CBR 320: 146 MB | Full Artwork | 5% Recovery Info
    Label/Cat#: Phi # LPH002 | Country/Year: Europe 2011
    Genre: Classical | Style: Baroque, Vocal, Sacred

    MD5 [X] CUE [X] LOG [X] INFO TEXT [X] ARTWORK [X]

    webfind [] selfrip [X]

    Bach - Herreweghe - Motetten (2011)



    Exact Audio Copy V1.0 beta 3 from 29. August 2011

    EAC extraction logfile from 11. June 2012, 17:50

    Collegium Vocale Gent, Philippe Herreweghe, cond. / Bach: Motetten

    Used drive : PIONEER BD-RW BDR-206 Adapter: 2 ID: 3

    Read mode : Secure
    Utilize accurate stream : Yes
    Defeat audio cache : Yes
    Make use of C2 pointers : No

    Read offset correction : 667
    Overread into Lead-In and Lead-Out : No
    Fill up missing offset samples with silence : Yes
    Delete leading and trailing silent blocks : No
    Null samples used in CRC calculations : Yes
    Used interface : Native Win32 interface for Win NT & 2000

    Used output format : User Defined Encoder
    Selected bitrate : 896 kBit/s
    Quality : High
    Add ID3 tag : No
    Command line compressor : C:\Program Files\FLAC\flac.exe
    Additional command line options : -5 -T "Artist=%artist%" -T "Title=%title%" -T "Album=%albumtitle%" -T "Date=%year%" -T "Tracknumber=%tracknr%" -T "Genre=%genre%" %source% -o %dest%


    TOC of the extracted CD

    Track | Start | Length | Start sector | End sector
    ––––––––––––––––––––––––––––-
    1 | 0:00.00 | 4:43.40 | 0 | 21264
    2 | 4:43.40 | 4:05.03 | 21265 | 39642
    3 | 8:48.43 | 3:47.48 | 39643 | 56715
    4 | 12:36.16 | 6:53.20 | 56716 | 87710
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    6 | 20:48.70 | 1:03.03 | 93670 | 98397
    7 | 21:51.73 | 2:34.04 | 98398 | 109951
    8 | 24:26.02 | 1:00.62 | 109952 | 114513
    9 | 25:26.64 | 0:52.34 | 114514 | 118447
    10 | 26:19.23 | 2:10.01 | 118448 | 128198
    11 | 28:29.24 | 2:33.74 | 128199 | 139747
    12 | 31:03.23 | 1:04.72 | 139748 | 144619
    13 | 32:08.20 | 1:51.02 | 144620 | 152946
    14 | 33:59.22 | 3:44.46 | 152947 | 169792
    15 | 37:43.68 | 1:23.36 | 169793 | 176053
    16 | 39:07.29 | 1:15.27 | 176054 | 181705
    17 | 40:22.56 | 6:18.00 | 181706 | 210055
    18 | 46:40.56 | 8:05.46 | 210056 | 246476
    19 | 54:46.27 | 3:52.06 | 246477 | 263882
    20 | 58:38.33 | 2:18.55 | 263883 | 274287
    21 | 60:57.13 | 1:42.70 | 274288 | 282007


    Range status and errors

    Selected range

    Filename I:\=== VINYL RIPS ===\=== EAC===\X FRESH RIP\Bach- Herreweghe- Motetten.wav

    Peak level 98.8 %
    Extraction speed 7.4 X
    Range quality 100.0 %
    Test CRC F23142E9
    Copy CRC F23142E9
    Copy OK

    No errors occurred


    AccurateRip summary

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    Track 2 accurately ripped (confidence 4) [F771FBB0] (AR v2)
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    Track 18 accurately ripped (confidence 4) [BDC28768] (AR v2)
    Track 19 accurately ripped (confidence 4) [7A999EA3] (AR v2)
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    All tracks accurately ripped

    End of status report

    –– CUETools DB Plugin V2.1.3

    [CTDB TOCID: QxmTiCETSTn1vkg9.fEY2.fSoO4-] found, Submit result: QxmTiCETSTn1vkg9.fEY2.fSoO4- has been confirmed
    [0c9e3c4b] (5/5) Accurately ripped


    ==== Log checksum 9E9CA102D8967DB2B50E05B7E3EB8D37292CB1361B1183A4B430DAF721475722 ====

    foobar2000 1.1.7 / Dynamic Range Meter 1.1.1
    log date: 2012-06-12 19:37:04

    ––––––––––––––––––––––––––––––––––––––––
    Analyzed: Collegium Vocale Gent, Philippe Herreweghe, cond. / Bach: Motetten
    ––––––––––––––––––––––––––––––––––––––––

    DR Peak RMS Duration Track
    ––––––––––––––––––––––––––––––––––––––––
    DR14 -0.10 dB -16.38 dB 4:44 01-Singet dem Herrn ein neues Lied
    DR13 -4.50 dB -22.42 dB 4:05 02-Aria: Gott, nimm dich ferner unser an - Choral: Wie sich ein Vat'r erbarmet
    DR14 -0.10 dB -17.24 dB 3:48 03-Lobet den Herrn
    DR14 -2.38 dB -21.59 dB 6:53 04-Komm, Jesu komm
    DR14 -3.34 dB -23.24 dB 1:19 05-Aria: Drum schliess ich mich in deine Hände
    DR13 -4.66 dB -23.44 dB 1:03 06-Choral: Jesu, meine Freude
    DR13 -3.50 dB -21.88 dB 2:34 07-Es ist nun nichts
    DR12 -4.74 dB -22.29 dB 1:01 08-Choral: Unter deinem Schirmen
    DR12 -7.69 dB -26.06 dB 0:52 09-Denn das Gesetz
    DR14 -3.48 dB -22.98 dB 2:10 10-Trotz dem alten Drachen
    DR13 -6.71 dB -24.07 dB 2:34 11-Ihr aber seid nicht fleischlich
    DR12 -4.52 dB -22.58 dB 1:05 12-Coral: Weg mit allen Schätzen
    DR13 -8.89 dB -25.79 dB 1:51 13-Andante: So aber Christus in euch ist
    DR13 -8.31 dB -26.05 dB 3:45 14-Choral: Gute Nacht, o Wesen
    DR13 -5.34 dB -21.31 dB 1:23 15-So nun der Geist
    DR13 -5.86 dB -24.79 dB 1:15 16-Choral: Weicht, ihr Trauergeister
    DR14 -2.87 dB -21.94 dB 6:18 17-Lobet den Herrn, alle Heiden
    DR13 -0.10 dB -17.03 dB 8:06 18-Fürchte dich nicht
    DR13 -0.10 dB -16.69 dB 3:52 19-Der Geist hilft unsrer Schwachheit auf
    DR12 -1.27 dB -17.47 dB 2:19 20-Alla breve. Der aber die Herzen forscht
    DR12 -0.11 dB -17.19 dB 1:43 21-Choral: Du heilige Brunst
    ––––––––––––––––––––––––––––––––––––––––

    Number of tracks: 21
    Official DR value: DR13

    Samplerate: 44100 Hz
    Channels: 2
    Bits per sample: 16
    Bitrate: 621 kbps
    Codec: FLAC
    ================================================================================



    CD Info:

    Johann Sebastian Bach - Collegium Vocale Gent / Philippe Herreweghe - Motetten

    Label: Phi
    Catalog#: LPH002
    Format: CD, Album
    Country: Europe
    Released: 2011
    Genre: Classical
    Style: Baroque, Sacred

    Tracklist:

    01. Singet dem Herrn ein neues Lied [0:04:43.40]
    02. Aria: Gott, nimm dich ferner unser an - Choral: Wie sich ein Vat'r erbarmet [0:04:05.03]
    03. Lobet den Herrn [0:03:47.48]
    04. Komm, Jesu komm [0:06:53.20]
    05. Aria: Drum schliess ich mich in deine Hände [0:01:19.34]
    06. Choral: Jesu, meine Freude [0:01:03.03]
    07. Es ist nun nichts [0:02:34.04]
    08. Choral: Unter deinem Schirmen [0:01:00.62]
    09. Denn das Gesetz [0:00:52.34]
    10. Trotz dem alten Drachen [0:02:10.01]
    11. Ihr aber seid nicht fleischlich [0:02:33.74]
    12. Coral: Weg mit allen Schätzen [0:01:04.72]
    13. Andante: So aber Christus in euch ist [0:01:51.02]
    14. Choral: Gute Nacht, o Wesen [0:03:44.46]
    15. So nun der Geist [0:01:23.36]
    16. Choral: Weicht, ihr Trauergeister [0:01:15.27]
    17. Lobet den Herrn, alle Heiden [0:06:18.00]
    18. Fürchte dich nicht [0:08:05.46]
    19. Der Geist hilft unsrer Schwachheit auf [0:03:52.06]
    20. Alla breve. Der aber die Herzen forscht [0:02:18.55]
    21. Choral: Du heilige Brunst [0:01:42.70]

    Notes:

    Edition: Bärenreiter Urtext

    Recording: 28-30 January 2011, Berlin-Dahlem (Jesus-Christus-Kirche)
    Sound engineer: Stephan Schellmann (Tritonus)
    Producer/Editing/Mastering: Andreas Neubronner (Tritonus)

    Bach - Herreweghe - Motetten (2011)


    Thirty years after his first recording of Bach’s motets, conductor and scholar Philippe Herreweghe has decided to re-record these wonderful works. Back in 1981 Herreweghe and his Collegium Vocale Gent were one of the pioneering early music groups, and their recording of these motets typically using two or three voices per part was quite a jump from the more typical large choirs which until then had been more commonly heard.

    So what has changed in this new recording? Thirty years is after all quite a long time in the development of early music performance practice and does this new recording therefore present another ground-breaking revolutionary reading?

    Well, no, not really. There were so many outstanding features in the first recording that such an approach wasn’t necessary or desirable. It is true that much more is known about the performance of Bach’s sacred vocal works now, and in particular a strong indication that one singer per part was common practice. Common practice maybe but Herreweghe doesn’t believe that was always the case. He takes a much more pragmatic view, and as far as Bach’s motets are concerned believes several approaches are possible and indeed necessary to make this music sound its best.

    Therefore on this new recording (again with the Collegium Vocale Gent), for some of the motets he uses just one singer per part (Komm, Jesu, komm; Jesu, meine Freunde; and Lobet den Herrn) while in the others he uses two or three voices per part. Similarly instruments are more heavily used in some motets than others, and in the motets written for two choirs the strings support Coro I and the winds Coro II. In these grander more majestic motets these instruments bring much in terms of colours and dynamics to the music and help considerably to reinforce the meaning of the texts (typically ‘praise the lord’ or similar).

    Like in his earlier recording, Herreweghe again uses sopranos rather than boy trebles (Bach would only have had men and boys in his choir at the Thomas-Kirche in Leipzig). These motets are fearsomely difficult to perform and whilst there are recordings of the motets available with boys, the technical difficulty means that I’ve yet to hear one that really convinces like this.

    These are terrific performances. The single voices or very small choir produce crystal clear textures, and this transparency combined with fine intonation and excellent ensemble produce a really memorable disc. Tempos are generally slightly faster than on his earlier recording, and the fact that it doesn’t sound difficult is of huge credit to the singers. prestoclassical.co.uk


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