Los Otros - Aguirre
EAC+LOG+CUE | FLAC: 310 MB | Full Artwork | 5% Recovery Info
Label/Cat#: Harmonia Mundi # 82876 60489 2 | Country/Year: Germany 2004
Genre:Classical | Style: Baroque, Latin American
MD5 [X] CUE [X] LOG [X] INFO TEXT [X] ARTWORK [X]
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Exact Audio Copy V1.0 beta 3 from 29. August 2011
EAC extraction logfile from 22. June 2012, 16:52
Los Otros / Aguirre
Used drive : PIONEER BD-RW BDR-206 Adapter: 2 ID: 3
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 667
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Used output format : User Defined Encoder
Selected bitrate : 896 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files\FLAC\flac.exe
Additional command line options : -5 -T "Artist=%artist%" -T "Title=%title%" -T "Album=%albumtitle%" -T "Date=%year%" -T "Tracknumber=%tracknr%" -T "Genre=%genre%" %source% -o %dest%
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 3:35.70 | 0 | 16194
2 | 3:35.70 | 6:30.35 | 16195 | 45479
3 | 10:06.30 | 6:15.14 | 45480 | 73618
4 | 16:21.44 | 4:00.38 | 73619 | 91656
5 | 20:22.07 | 2:41.16 | 91657 | 103747
6 | 23:03.23 | 5:13.26 | 103748 | 127248
7 | 28:16.49 | 4:25.60 | 127249 | 147183
8 | 32:42.34 | 5:34.11 | 147184 | 172244
9 | 38:16.45 | 3:47.23 | 172245 | 189292
10 | 42:03.68 | 3:11.40 | 189293 | 203657
11 | 45:15.33 | 1:14.18 | 203658 | 209225
12 | 46:29.51 | 1:55.40 | 209226 | 217890
13 | 48:25.16 | 2:12.30 | 217891 | 227820
14 | 50:37.46 | 4:04.49 | 227821 | 246169
15 | 54:42.20 | 5:12.20 | 246170 | 269589
16 | 59:54.40 | 3:18.02 | 269590 | 284441
17 | 63:12.42 | 10:37.37 | 284442 | 332253
Range status and errors
Selected range
Filename I:\=== VINYL RIPS ===\=== EAC===\X FRESH RIP\Los Otros - Aguirre.wav
Peak level 100.0 %
Extraction speed 7.9 X
Range quality 99.9 %
Test CRC FC0960F2
Copy CRC E3EE4062
Copy OK
No errors occurred
AccurateRip summary
Track 1 accurately ripped (confidence 2) [C9B1EE24] (AR v2)
Track 2 accurately ripped (confidence 2) [92699D99] (AR v2)
Track 3 accurately ripped (confidence 2) [BE4C507F] (AR v2)
Track 4 accurately ripped (confidence 2) [1B3A71B4] (AR v2)
Track 5 accurately ripped (confidence 2) [11044A68] (AR v2)
Track 6 accurately ripped (confidence 2) [1C6E3CF4] (AR v2)
Track 7 accurately ripped (confidence 2) [859A2DE6] (AR v2)
Track 8 accurately ripped (confidence 2) [7336DB23] (AR v2)
Track 9 accurately ripped (confidence 2) [C5107E4F] (AR v2)
Track 10 accurately ripped (confidence 2) [7E15DF50] (AR v2)
Track 11 accurately ripped (confidence 2) [8AB9E619] (AR v2)
Track 12 accurately ripped (confidence 2) [AEC761D7] (AR v2)
Track 13 accurately ripped (confidence 2) [0EA2D880] (AR v2)
Track 14 accurately ripped (confidence 2) [F7DAD5F6] (AR v2)
Track 15 accurately ripped (confidence 2) [99BBEE82] (AR v2)
Track 16 accurately ripped (confidence 2) [B9D661C0] (AR v2)
Track 17 accurately ripped (confidence 2) [8FAD97A9] (AR v2)
All tracks accurately ripped
End of status report
–– CUETools DB Plugin V2.1.3
[CTDB TOCID: 8Osad4ck6vXeOvQBNnCWq9wPxKE-] found, Submit result: 8Osad4ck6vXeOvQBNnCWq9wPxKE- has been confirmed
[05e0a363] (2/2) Accurately ripped
==== Log checksum 7A1C1841BBF9C2ED25E1BEA9192E8823C07DCB5903B3486BF2FCCE20E9C813A5 ====
EAC extraction logfile from 22. June 2012, 16:52
Los Otros / Aguirre
Used drive : PIONEER BD-RW BDR-206 Adapter: 2 ID: 3
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 667
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Used output format : User Defined Encoder
Selected bitrate : 896 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files\FLAC\flac.exe
Additional command line options : -5 -T "Artist=%artist%" -T "Title=%title%" -T "Album=%albumtitle%" -T "Date=%year%" -T "Tracknumber=%tracknr%" -T "Genre=%genre%" %source% -o %dest%
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 3:35.70 | 0 | 16194
2 | 3:35.70 | 6:30.35 | 16195 | 45479
3 | 10:06.30 | 6:15.14 | 45480 | 73618
4 | 16:21.44 | 4:00.38 | 73619 | 91656
5 | 20:22.07 | 2:41.16 | 91657 | 103747
6 | 23:03.23 | 5:13.26 | 103748 | 127248
7 | 28:16.49 | 4:25.60 | 127249 | 147183
8 | 32:42.34 | 5:34.11 | 147184 | 172244
9 | 38:16.45 | 3:47.23 | 172245 | 189292
10 | 42:03.68 | 3:11.40 | 189293 | 203657
11 | 45:15.33 | 1:14.18 | 203658 | 209225
12 | 46:29.51 | 1:55.40 | 209226 | 217890
13 | 48:25.16 | 2:12.30 | 217891 | 227820
14 | 50:37.46 | 4:04.49 | 227821 | 246169
15 | 54:42.20 | 5:12.20 | 246170 | 269589
16 | 59:54.40 | 3:18.02 | 269590 | 284441
17 | 63:12.42 | 10:37.37 | 284442 | 332253
Range status and errors
Selected range
Filename I:\=== VINYL RIPS ===\=== EAC===\X FRESH RIP\Los Otros - Aguirre.wav
Peak level 100.0 %
Extraction speed 7.9 X
Range quality 99.9 %
Test CRC FC0960F2
Copy CRC E3EE4062
Copy OK
No errors occurred
AccurateRip summary
Track 1 accurately ripped (confidence 2) [C9B1EE24] (AR v2)
Track 2 accurately ripped (confidence 2) [92699D99] (AR v2)
Track 3 accurately ripped (confidence 2) [BE4C507F] (AR v2)
Track 4 accurately ripped (confidence 2) [1B3A71B4] (AR v2)
Track 5 accurately ripped (confidence 2) [11044A68] (AR v2)
Track 6 accurately ripped (confidence 2) [1C6E3CF4] (AR v2)
Track 7 accurately ripped (confidence 2) [859A2DE6] (AR v2)
Track 8 accurately ripped (confidence 2) [7336DB23] (AR v2)
Track 9 accurately ripped (confidence 2) [C5107E4F] (AR v2)
Track 10 accurately ripped (confidence 2) [7E15DF50] (AR v2)
Track 11 accurately ripped (confidence 2) [8AB9E619] (AR v2)
Track 12 accurately ripped (confidence 2) [AEC761D7] (AR v2)
Track 13 accurately ripped (confidence 2) [0EA2D880] (AR v2)
Track 14 accurately ripped (confidence 2) [F7DAD5F6] (AR v2)
Track 15 accurately ripped (confidence 2) [99BBEE82] (AR v2)
Track 16 accurately ripped (confidence 2) [B9D661C0] (AR v2)
Track 17 accurately ripped (confidence 2) [8FAD97A9] (AR v2)
All tracks accurately ripped
End of status report
–– CUETools DB Plugin V2.1.3
[CTDB TOCID: 8Osad4ck6vXeOvQBNnCWq9wPxKE-] found, Submit result: 8Osad4ck6vXeOvQBNnCWq9wPxKE- has been confirmed
[05e0a363] (2/2) Accurately ripped
==== Log checksum 7A1C1841BBF9C2ED25E1BEA9192E8823C07DCB5903B3486BF2FCCE20E9C813A5 ====
foobar2000 1.1.7 / Dynamic Range Meter 1.1.1
log date: 2012-06-22 22:36:41
––––––––––––––––––––––––––––––––––––––––
Analyzed: Los Otros / Aguirre
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR14 -1.64 dB -19.72 dB 3:36 01-Sebastián De Aguirre (-1720) - El Coquis
DR13 -4.51 dB -24.25 dB 6:30 02-Sebastián De Aguirre (-1720) - Morisca triste
DR14 -2.24 dB -21.72 dB 6:15 03-Sebastián De Aguirre (-1720) - Folias
DR17 -0.31 dB -24.34 dB 4:01 04-Santiago De Murcia (~1682-1740) & Gaspar Sanz (1640-1710) - Canarios
DR19 -3.68 dB -29.28 dB 2:41 05-Sebastián De Aguirre (-1720) - La Oleada
DR11 -13.58 dB -32.69 dB 5:13 06-Sebastián De Aguirre (-1720) - Hacha
DR15 -3.38 dB -23.53 dB 4:26 07-Pedro Estevan (1950-) - Los manos no enganan
DR18 -5.25 dB -27.46 dB 5:34 08-Sebastián De Aguirre (-1720) - Marizapalos
DR14 -1.48 dB -19.21 dB 3:47 09-Sebastián De Aguirre (-1720) - Bran a la cran
DR14 -3.43 dB -21.43 dB 3:12 10-Sebastián De Aguirre (-1720) - Canarios a la cran
DR13 -15.28 dB -34.59 dB 1:14 11-Antonio Martín Y Coll (-1733) - Glosado 1o Tono
DR16 -5.90 dB -27.88 dB 1:56 12-Santiago De Murcia (~1682-1740) - El Amor
DR13 -1.30 dB -18.98 dB 2:12 13-Antonio Martín Y Coll (-1733) - Xacaras
DR14 0.00 dB -17.20 dB 4:05 14-Sebastián De Aguirre (-1720) - Tocotin
DR14 -4.68 dB -23.68 dB 5:12 15-Anthony Holborne (1545-1602) - Spanish Pavan
DR16 0.00 dB -23.11 dB 3:18 16-Sebastián De Aguirre (-1720) - Puerto Rico de la puebla
DR13 0.00 dB -18.81 dB 10:37 17-Sebastián De Aguirre (-1720) - Balona de bailar
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 17
Official DR value: DR15
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 591 kbps
Codec: FLAC
================================================================================
log date: 2012-06-22 22:36:41
––––––––––––––––––––––––––––––––––––––––
Analyzed: Los Otros / Aguirre
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR14 -1.64 dB -19.72 dB 3:36 01-Sebastián De Aguirre (-1720) - El Coquis
DR13 -4.51 dB -24.25 dB 6:30 02-Sebastián De Aguirre (-1720) - Morisca triste
DR14 -2.24 dB -21.72 dB 6:15 03-Sebastián De Aguirre (-1720) - Folias
DR17 -0.31 dB -24.34 dB 4:01 04-Santiago De Murcia (~1682-1740) & Gaspar Sanz (1640-1710) - Canarios
DR19 -3.68 dB -29.28 dB 2:41 05-Sebastián De Aguirre (-1720) - La Oleada
DR11 -13.58 dB -32.69 dB 5:13 06-Sebastián De Aguirre (-1720) - Hacha
DR15 -3.38 dB -23.53 dB 4:26 07-Pedro Estevan (1950-) - Los manos no enganan
DR18 -5.25 dB -27.46 dB 5:34 08-Sebastián De Aguirre (-1720) - Marizapalos
DR14 -1.48 dB -19.21 dB 3:47 09-Sebastián De Aguirre (-1720) - Bran a la cran
DR14 -3.43 dB -21.43 dB 3:12 10-Sebastián De Aguirre (-1720) - Canarios a la cran
DR13 -15.28 dB -34.59 dB 1:14 11-Antonio Martín Y Coll (-1733) - Glosado 1o Tono
DR16 -5.90 dB -27.88 dB 1:56 12-Santiago De Murcia (~1682-1740) - El Amor
DR13 -1.30 dB -18.98 dB 2:12 13-Antonio Martín Y Coll (-1733) - Xacaras
DR14 0.00 dB -17.20 dB 4:05 14-Sebastián De Aguirre (-1720) - Tocotin
DR14 -4.68 dB -23.68 dB 5:12 15-Anthony Holborne (1545-1602) - Spanish Pavan
DR16 0.00 dB -23.11 dB 3:18 16-Sebastián De Aguirre (-1720) - Puerto Rico de la puebla
DR13 0.00 dB -18.81 dB 10:37 17-Sebastián De Aguirre (-1720) - Balona de bailar
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 17
Official DR value: DR15
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 591 kbps
Codec: FLAC
================================================================================
CD Info:
Los Otros - Aguirre
Label: Deutsche Hamrmonia Mundi
Catalog#: 82876 60489 2
Format: CD, Album
Country: Europe
Released: 2004
Genre: Classical
Style: Baroque, Latin American
Tracklist:
01. Sebastián De Aguirre (-1720) - El Coquis
02. Sebastián De Aguirre (-1720) - Morisca triste
03. Sebastián De Aguirre (-1720) - Folias
04. Santiago De Murcia (~1682-1740) & Gaspar Sanz (1640-1710) - Canarios
05. Sebastián De Aguirre (-1720) - La Oleada
06. Sebastián De Aguirre (-1720) - Hacha
07. Pedro Estevan (1950-) - Los manos no enganan
08. Sebastián De Aguirre (-1720) - Marizapalos
09. Sebastián De Aguirre (-1720) - Bran a la cran
10. Sebastián De Aguirre (-1720) - Canarios a la cran
11. Antonio Martín Y Coll (-1733) - Glosado 1o Tono
12. Santiago De Murcia (~1682-1740) - El Amor
13. Antonio Martín Y Coll (-1733) - Xacaras
14. Sebastián De Aguirre (-1720) - Tocotin
15. Anthony Holborne (1545-1602) - Spanish Pavan
16. Sebastián De Aguirre (-1720) - Puerto Rico de la puebla
17. Sebastián De Aguirre (-1720) - Balona de bailar
Los Otros are:
Hille Perl - Viola da Gamba, Xarana
Lee Santana - Mexican Cittern, Chitarrone, Treble Viol, Xarana
Steve Player - Xarana, Chitarrone, Baroque Guitar, Cajon
Pedro Estevan - all kinds of incredible stuff, especially his wondrous hands and a triangle
Recorded: 24-28 February 2004, Colnrade, Germany
World Premiere Recordings
review by James Manheim
Aguirre is the second disc for the ensemble called Los Otros (The Others), which consists of the partnership of German viol player Hille Perl and American lutenist Lee Santana, along with a a second string player, the appropriately named Steve Player, and Spanish percussionist Pedro Estevan. The group investigates the fascinating repertory of Baroque-era music from Mexico, a focus that seems obscure until one hears how features of this music have trickled down to the present day. The inspiration behind Aguirre, for example, began to take shape when Los Otros met a group of Mexican folk musicians in Veracruz state and noticed similarities between the Mexican musicians' instruments and their own Baroque specimens. The ringing xarana (more often spelled jarana), a small guitar that gives some genres of Mexican folk music their characteristic sound, is heard frequently on this disc and blends right in with a viol and Baroque guitars. Veracruz is the most Caribbean of Mexico's major regions musically, and the rhythms of the modern son jarocho, the most famous example of which is the song "La Bamba," are heard in the music Los Otros play on this disc.
The music on Aguirre, however, is exclusively instrumental. Santana recounts in his liner notes how he was given the manuscript of a cittern instruction book by Mexican performer and composer Sebastián de Aguirre and "locked himself in" with it. Aguirre's manuscript contained not finished compositions but, Santana writes, "some bits of tunes, bass lines, chords, forms, sometimes germinal ideas for solos." It is, he says, "a kind of seventeenth century fake book," and Los Otros treat it much as it must have been treated in its own time – as a basis for improvisation.
The results are a lot of fun, even if they don't quite live up to Santana's characterization of what the group is doing as a "little revolution" – various performers have explored this music recently. The players are comfortable improvisers and work together well, better than many ensemble musicians specializing in the Baroque. The heavily bearded Estevan especially, who studied for a time with a Senegalese percussionist, carries the music along. The music is marked by syncopations, for this repertoire was touched by a distinct African influence that came into Mexico through Veracruz. At times, Aguirre almost approaches a jazz feel, and presenters from beyond the classical world should definitely check this album out – Los Otros could work well on folk or world music stages. The notes, however, are a bit short on information and long on story-making. It is doubtless entertaining to read that one of the group members threw a coffee Thermos and a wine bottle as Los Otros struggled to shape their vision of Aguirre's sketchy notations. But we learn only in the most general terms what they started with and what they did with what they found. The music included falls into various Mexican genres of the day, some of them with part-African roots, and it might have been nice to know what a Marizápalos, or a Xacaras, or a Bran a la cran were – and what the musicians were given to work with for each of these. An explanation of the 54-second gap of silence in the final track might also have been desirable. Nevertheless, Aguirre is a musically successful realization of an unusual and fascinating New World tradition.allmusicguide