Emanuela de Paula - Otto Swimwear
127 JPG | up to 3100x4500 | 113 mb
Model from Brazil
127 JPG | up to 3100x4500 | 113 mb
Model from Brazil
Su | Mo | Tu | We | Th | Fr | Sa |
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1 | 2 | 3 | 4 | 5 | 6 | 7 |
8 | 9 | 10 | 11 | 12 | 13 | 14 |
15 | 16 | 17 | 18 | 19 | 20 | 21 |
22 | 23 | 24 | 25 | 26 | 27 | 28 |
29 | 30 | 31 | 1 | 2 | 3 | 4 |
The three eloquent movements of Rebecca Clarke's Piano Trio are ingeniously linked through the use of a repeated-note motto theme suggested at once in the piano and soon after delivered by the cello. ‘Lullaby’ (1918) is the first of two pieces for viola (or violin) and cello. The melody is set to a simple rocking bass. In ‘Midsummer Moon’ (1924), as in the Piano Trio, the harmony hovers on the edge of Scriabin’s mystic chord, but the piano has a second theme distinctly suggestive of English folksong.
Bacwicz'Violin Sonata No. 4 had a succesful United States premiere in 1953. The dialogue bewteen the instruments and in particular the shifting of themes (folf and non-folk alike) from violin to piano evident in this sonata distinguishes her other compositions with an interplay between groups of instruments.Throughout, this Sonata contrasts controlled romanticsim in a neoclassical framework with her signature: pulsating, forceful, driving rythms.