Police find a man who has committed suicide while dressed in woman’s clothing and having left a note saying “Let my body rest in death in the things I cannot wear in life.” The investigating detectives visit psychologist Dr Alton who tries to explain what transvestitism is. Alton uses the case histories of two patients – the first is the story of Glen who enjoys dressing in women’s clothing and is tormented over bringing himself to tell his fiancée Barbara; the second is the story of Alan, a ‘pseudo-hermaphrodite’, who even took a suitcase of woman’s clothing with him during service in World War II and eventually had a sex-change operation to turn him into a woman.

Jane stumbles upon a time machine while visiting her late uncle's house. She excitedly uses it and causes a temporal clash. The future and past start to meld together to create a time paradox. The fate of humanity hangs in the balance and only Jane can stop it! Travel to 17th century France, ancient India and visit the mysterious Mayans to correct the time paradox and save the world in this engaging hidden object puzzle adventure.

Investigate the sudden and mysterious disappearance of a carnival magician in Clairvoyant: The Magician Mystery! Use your clairvoyant instincts to lead you through a dark carnival atmosphere as you interview shady characters and play carnival games unraveling the truth behind the three-ring mystery in this colorful Hidden Object game!

The wild Hamadryas Baboons of Ethiopia have a friend in biologist Mat Pines, they even pick the nits from his hair. He's been studying and living with them for five years in the remote and arid Awash National Park.

Gemma di Vergy was one of Donizetti's more popular serious operas but has long since disappeared from the active repertoire. The liner notes to this Opera d'Oro release of a live performance reveal why: the title role is fearsome in its vocal demands, requiring mastery of a huge range, power in high notes and flexibility in coloratura. Caballe herself is quoted as saying she found singing one performance of the role more difficult than singing three Normas.

Are you looking for recipes that will give you energy, save time in the kitchen and taste like you hired a private chef to prepare them?

Male or female? Boy or girl? Most of us can answer that question without a second thought, but for some people, the answer isn’t so simple.

Growing up can be hard under ideal circumstances, but for young women in Iran, a male-dominated society where a female's rights and opportunities are compromised from birth, growing into an emotionally healthy adult can be profoundly difficult.

Anjum Anand teaches novice cooks how to cook delicious, healthy Indian food.

Passion and Warfare is the second instrumental solo album from guitarist Steve Vai. It has been certified Gold by the RIAA. It was written based on a series of dream sequences that Vai had when he was younger, and in the guitar music book of the album, Vai sums it up as 'Jimi Hendrix meets Jesus Christ at a party that Ben Hur threw for Mel Blanc'. It was all recorded in 'The Mothership' studio at his home in the Hollywood Hills, a 1,600-square-foot (150 m2) building where his guitar parts for Whitesnake's album Slip of the Tongue were also recorded. (Whitesnake singer David Coverdale has small talking parts on Passion and Warfare.) Vai has many strange recording techniques, and for one of Passion and Warfare's tracks, "For the Love of God", he fasted for ten days and recorded this song on the fourth day of the fast. The track Blue Powder was actually recorded in 1986 as a showcase track for Carvin amplification and given away with Guitar Player magazine in flexi-disc format. The song Blue Powder was recorded using Carvin's X-100B amplifier. Steve was introduced to Carvin Amplification by his mentor Frank Zappa who used the X-100B. The drum performance was subsequently re-recorded for the album.

This is Steve Vai's first as a solo artist, and was created in Stucco Blue, a shed converted into a studio in Vai's old back garden. It is very different from many of his other albums, and is largely influenced by Frank Zappa. Flex-Able is not as based around massive guitar arrangements and shred moments as the rest of his output from the 1990s onwards, with the exception of 'Leftovers' which is a compilation of bonus tracks and remasters from his sessions at 'Stucco Blue'.