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Franz Halász - Moreno Torroba: La voz de la guitarra (2024) [Official Digital Download 24/96]

Posted By: delpotro
Franz Halász - Moreno Torroba: La voz de la guitarra (2024) [Official Digital Download 24/96]

Franz Halász - Moreno Torroba: La voz de la guitarra (2024)
FLAC (tracks) 24-bit/96 kHz | Front Cover & Digital Booklet | Time - 47:07 minutes | 765 MB
Classical | Label: BIS, Official Digital Download

After his latest recording, devoted to Bach’s Sonatas and Partitas in his own arrangement, Franz Halász returns to Spanish music with this recital devoted to Federico Moreno Torroba. The composer of many of the best-known zarzuelas, Moreno Torroba did not initially seem destined to specialize in guitar music. It was his symphonic poems that caught the attention of the legendary guitarist Andrés Segovia, who commissioned Moreno Torroba’s first compositions for guitar despite the composer’s unfamiliarity with the instrument. The compositions gathered here showcase a composer who, although deeply rooted in the Spanish musical tradition, was attuned to what was being done elsewhere, including the music of Claude Debussy and Igor Stravinsky, and who created a personal language marked by impressionism that would later influence guitar music throughout the twentieth century, from Heitor Villa-Lobos to Leo Brouwer.

Franz Halász - J.S. Bach: Sonatas and Partitas (2024) [Official Digital Download 24/96]

Posted By: delpotro
Franz Halász - J.S. Bach: Sonatas and Partitas (2024) [Official Digital Download 24/96]

Franz Halász - J.S. Bach: Sonatas and Partitas (2024)
FLAC (tracks) 24-bit/96 kHz | Front Cover | Time - 131:48 minutes | 2,56 GB
Classical | Label: BIS, Official Digital Download

Summits of the violin repertory, Bach’s Sonatas and Partitas for solo violin have always fascinated performers and music lovers alike for their architectural perfection, their spiritual content and the breadth of their emotional palette. It is therefore not surprising that, like so many of Bach’s works, they have been constantly arranged for other instruments. On a purely practical level, there are elements in the writing of these works that seem to suit the guitar particularly well, with its polyphony, melody, dynamics and sound colours that lend themselves particularly well to the complexity of works that seem to go beyond the solo violin.