In 1975, the New York City alto saxophonist Alan Braufman released his debut album, Valley of Search on the India Navigation label. Recorded at the now legendary 501 Canal St. loft, the album was heralded by Village Voice jazz critic Gray Giddins, who wrote, "These are the musicians who are taking the chances today and their gifts and commitment ought to be attended." Braufman went on to record and tour with everyone from Carla Bley to The Psychedelic Furs, and didn't release another album under his name until 2020's The Fire Still Burns. Fire featured Braufman's longtime collaborator, Cooper-Moore, and a then up-and-coming James Brandon Lewis, and received rave reviews from The WIRE, Downbeat, Rolling Stone, Pitchfork, NPR, and many others.

“How often do we step back and realize what a gift it is to have this music in our life?” asks acclaimed trumpeter, composer and Greenleaf Music founder Dave Douglas. On Gifts, his newest Greenleaf project, Douglas harnesses that feeling of simple wonder with a new book of pieces and four intriguing takes on Strayhorn songs, premiering a new quartet with poll-sweeping tenor saxophonist James Brandon Lewis and two members of the Oscar-nominated post-rock trio Son Lux: guitarist Rafiq Bhatia and drummer Ian Chang. The sound is harmonically spacious, with no bass, but a full, sonically adventurous guitar palette from Bhatia that frames the group’s trumpet-tenor melodic concept in fresh and unexpected ways.

Smith’s new album, Laugh Ash, is perhaps his most startling and remarkable to date, a breathtakingly original set of music whose touchstones are myriad but ultimately meaningless in the face of an inventive and stunningly unfamiliar expression. Due out February 2, 2024 via Pyroclastic Records, the album makes thrilling use of disorientation and juxtaposition: starkly beautiful chamber melodies coexist with synthetic rhythms, explosive bursts of improvisation with elusive song forms, austere ambience with thundering complexity. Eclectic, undoubtedly, but in a paradoxical way that is defiantly cohesive while never losing sight of the fact that none of it should be.

Tenor saxophonist James Brandon Lewis, along with bassist Jamaaladeen Tacuma and drummer Rudy Royston, delivers a taut, street-smart set, rooted firmly in hip-hop ancestry yet crafted to honor the tenets of inspired jazz improvisation. References to venerated elders from diverse genres permeate both the music and Lewis’ written narrative, including shout-outs to historic hip-hop groups and rap-music forebears like A Tribe Called Quest, Digable Planets and Lee “Scratch” Perry. To make an even larger point about the grand scope of African-American heritage, interspersed throughout are recorded excerpts of Lewis’ grandmother, Pearl Lewis, ruminating on such topics as freedom, faith, family and the power of gospel music.

'Echolocation' is the astonishing debut album from Mendoza Hoff Revels, a formidable new unit led by Ava Mendoza & Devin Hoff and featuring James Brandon Lewis & Ches Smith.

Tenor saxophonist James Brandon Lewis, along with bassist Jamaaladeen Tacuma and drummer Rudy Royston, delivers a taut, street-smart set, rooted firmly in hip-hop ancestry yet crafted to honor the tenets of inspired jazz improvisation. References to venerated elders from diverse genres permeate both the music and Lewis’ written narrative, including shout-outs to historic hip-hop groups and rap-music forebears like A Tribe Called Quest, Digable Planets and Lee “Scratch” Perry. To make an even larger point about the grand scope of African-American heritage, interspersed throughout are recorded excerpts of Lewis’ grandmother, Pearl Lewis, ruminating on such topics as freedom, faith, family and the power of gospel music.