"Somethin' Else" is a monumental recording by jazz virtuoso Cannonball Adderley. Fans and critics have deemed the work as one of jazz's most influential records. The album is an exhilarating display of hard bop and features stunning contributions by Miles Davis, Hank Jones, Sam Jones and Art Blakey. It is included on The Penguin Guide to Jazz's "Core Collection". The album features thrilling solos and the stunning tunes "Somethin' Else" and "Dancing in the Dark".

Sorcerer is an album recorded in May 1967 by the Miles Davis quintet. It is the third of six albums that this quintet recorded. It also includes one track from a 1962 session with vocalist Bob Dorough, which was the first time Wayne Shorter recorded with Davis. Davis does not play on the second track, "Pee Wee". The album's cover is a profile photo of actress Cicely Tyson, who at the time was Davis's girlfriend (and many years later his wife).

Someday My Prince Will Come is the seventh studio album by Miles Davis for Columbia Records, released in 1961. Recorded at Columbia's 30th Street Studio in Manhattan, it marked the only Miles Davis Quintet studio recording session to feature saxophonist Hank Mobley.

Miles Smiles is an album by jazz musician Miles Davis, released in January 1967 on Columbia Records. It was recorded by Davis and his second quintet at Columbia 30th Street Studio in New York City on October 24 and October 25, 1966. It is the second of six albums recorded by Davis's second great quintet, which featured saxophonist Wayne Shorter, pianist Herbie Hancock, bassist Ron Carter, and drummer Tony Williams.

'Four' & More: Recorded Live in Concert is a live album by Miles Davis, recorded at the Philharmonic Hall of Lincoln Center, New York City, NY on February 12, 1964, but not released until 1966. Two albums were assembled from the concert recording: the up-tempo pieces were issued on this album, while My Funny Valentine consists of the slow and medium-tempo numbers.

Jack Johnson, later reissued as A Tribute to Jack Johnson, is a 1971 studio album and soundtrack by American jazz trumpeter, composer, and bandleader Miles Davis. In 1970, Davis was asked by boxing promoter Bill Cayton to record music for a documentary he was producing, on the life of boxer Jack Johnson. Johnson's saga resonated personally with the musician, who wrote in the album's liner notes of Johnson's mastery as a boxer, his affinity for fast cars, jazz, clothes, and beautiful women, his unreconstructed blackness, and his threatening image to white men. This was the second film score Davis had composed, after Ascenseur pour l'échafaud in 1957.

Bitches Brew is called the monument of "Electric Miles", a popular work that became Miles's first gold disc. It was originally released in March 1970, which was popular not only for jazz fans since its launch. Recording is taking place in New York in August 1969 the day after Woodstock is over. This 2018 Limited Edition Japanese Multichannel Hybrid SACD release comes in a deluxe 7" packaging and features the first release of reviving the 1970s Quadraphonic mix in over 40 years. Stereo layer is also features the latest mastering from analog master.

"Live-Evil" is an album of both live and studio recordings by American jazz musician Miles Davis. This greatest masterpieces of all genres finally becomes SACD multichannel (quadraphonic) hybrid format reissue. Remastered in 2019. The 4ch mix of the front and rear is a sound source recorded in Quadraphonic, initially released in March 1973, and can be said to be a long-awaited revival release. The stereo mix that can be heard on SACD have been newly mastered from the analog master. Japanese original release.

This Sony Music's promotional release features Stereo and Multichannel surround sound, and includes the tracks from James Taylor, Midori with Eschenbach, Miles Davis & Roger Waters.

Given that 'Round About Midnight was Miles Davis' debut Columbia recording, it was both a beginning and an ending. Certainly the beginning of his recording career with the label that issued most if not all of his important recordings; and the recording debut of an exciting new band that had within its ranks Philly Joe Jones, Paul Chambers, pianist Red Garland, and an all but unknown tenor player named John Coltrane. The title track was chosen because of its unique rendition with a muted trumpet, and debuted at the Newport Jazz Festival the summer before to a thunderous reception.

"Amandla" was Miles' perfect departure from "Tutu", and a comeback for himself and his right-hand man, the composer Marcus Miller. The album features investigations into the possibilities of contemporary synthesizers and drum machines. But unlike Tutu, Miles and Miller supply a satisfactory amount of real orchestral instrumentation, real drums, percussion and guitars.

"Doo-Bop" is the last studio album by American jazz trumpeter Miles Davis. It was recorded with hip hop producer Easy Mo Bee and released posthumously on June 30, 1992. The album was received unfavorably by most critics, although it won a Grammy Award for Best R&B Instrumental Performance the following year.

The Miles Davis: The Electric Years box set collects seven albums from one of the most daring eras of Miles Davis’ career — In A Silent Way, Bitches Brew, A Tribute To Jack Johnson, Live-Evil, On The Corner, Big Fun and Get Up With It.
Starting in 1969 and ending in 1974, this box tells the story of a fertile period in Miles’ career, the third or fourth time he basically blew up the rules of jazz and made it again in his own image. Endlessly influential, these albums impacted basically every genre of music to follow in their wake. The albums have all been mastered AAA from 1-to-1 tape transfers of the master tapes by Ryan Smith at Sterling Sound. With GRAMMY Award-winning Steve Berkowitz supervising and consulting, the 11 LPs featured in the box come on 180g black vinyl, pressed at GZ, and will be limited in the first edition to 2,000 units. You can learn the story of these albums via an extensive Listening Notes booklet written by jazz historian and critic Ben Ratliff.

The first of two sets recorded during a weekend in 1961 features the Miles Davis Quintet at a period of time when Hank Mobley was on tenor and the rhythm section was comprised of pianist Wynton Kelly, bassist Paul Chambers, and drummer Jimmy Cobb.

The second volume in the complete recordings from Miles Davis' legendary two-night stand at the Blackhawk in 1961 with his new quintet – which featured Hank Mobley, Wynton Kelly, Paul Chambers, and Jimmy Cobb – is as stunning as the first.